9+ Best Telephoto Lenses for Nikon 2022 | Ultimate Guide

In this guide, we will help you choose the best Nikon telephoto lens to pair with your SLR or mirrorless camera.

There are many long focal length optics proposed by the company and these are accompanied by compatible lenses, made by third-party manufacturers (such as Sigma and Tamron ). Below we have selected the most valid options and provided a brief description of the main features for each model.

In the mirror below you will find the list of the best Nikon telephoto lenses currently in the guide. Click on a model name to go directly to the part dedicated to it. If you want to know more about this type of lens or have doubts about compatibility with your camera, we recommend that you read the introductory section of the page.

Best Telephoto Lenses for Nikon 2022

Best Telephoto Lenses for Nikon | Comparison Table 2022

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Best Telephoto Lenses for Nikon | Reviews 2022

Best Nikon Telephoto Lens: Which to Choose? The Features to Evaluate

There are about a dozen telephoto lenses for Nikon that are part of this guide, and although they are all in the same category, they are very different from each other. Not surprisingly, their price also varies from a few hundred euros to several thousand, for the most advanced optics.

So let’s try to clarify what are the key characteristics of telephoto lenses , those on the basis of which each model differs from the other.

The most important properties of lenses, in general, are the focal length and aperture. In the case of telephoto lenses, a very important role is then covered by some options and particular optical characteristics.

Focal Length

The focal length, which as you probably already know is expressed in millimeters, is that parameter that indicates the angle of view that you can frame with a lens.

Low values ​​(such as 24mm ) correspond to a wide angle of view, typical of wide angles, which allows you to shoot very large scenes, such as landscapes.

On the contrary, high values ​​( 100mm, 200mm, 300mm …) allow to frame a narrow-angle of view. This has the effect of concentrating the shot on a particular, which appears all the more magnified as the focal length increases. Exceeding the 70mm focal length, you enter precisely the field of competence of telephoto lenses, the subject of this guide.

In the diagram below we show the shot that would be obtained by shooting from the same point (the terrace of the Arc de Triomphe in Paris) using a different focal length.

Although technically, an 85mm also belongs in all respects to this category, we think that if you are looking for a Nikon telephoto lens you are oriented towards much longer focal lengths, which involve a significant magnification of the subject. For this reason, we have only considered lenses that reach at least 200mm of maximum focal length.

However, most of the lenses we have considered are of the zoom type and offer a remarkable focal range. Many of them also cover more moderate focal lengths, from medium-telephoto, such as the various 70-200mm or 70-300mm, which guarantees considerable versatility.

Aperture (Brightness)

The second parameter to consider when choosing a Nikon telephoto lens is its maximum aperture.

This value, as well as the focal length, is always indicated in the model name, preceded by “ f / “. As a general rule, a large maximum aperture, which corresponds to a low value (such as f / 2.8 ) is preferable to a narrow one (higher values, such as f / 5.6 ).

The most virtuous lenses, from this point of view, are called bright in jargon, as opposed to those defined as dark. A large aperture has several positive effects on photography. Below, we mention the most significant ones:

• Open apertures allow you to reduce shutter speeds, limiting the risk of finding yourself with blurred photos.
• A wide aperture allows you to keep the background out of focus and focus interest on the subject, an effect normally sought in genres consistent with long focal lengths.
• A very wide maximum aperture makes it possible to use teleconverters (if compatible) without serious repercussions on the performance of the lens.

That said, the brightness of a telephoto lens must always be evaluated in relation to its range. As the focal length increases, it is increasingly difficult (for design reasons) to find oneself with large apertures, if not investing a very high budget.

For a lens that reaches 200mm (we will see many telephoto lenses for Nikon on this cut) an aperture of f / 4 can be considered satisfactory, f / 2.8 excellent, and f / 5.6 mediocre. Going up to 400mm, however, an aperture of f / 5.6 is considered more than appreciable, while the few options available at f / 4 are purely professional in nature. A 400mm / 2.8 complex, on the other hand, would cost more than a small car!

In the case of tele-zoom lenses, two different maximum apertures are often indicated (ex: 70-300 f / 4-5.6 ). In these cases, the widest aperture refers to the minimum focal length and the narrowest aperture to the maximum focal length. At focal lengths between minimum and maximum, an intermediate diaphragm opening can be used.

However, the subject is too broad to be explained in detail here. If you want to know more, we recommend that you read our guide to the lens aperture.

Reproduction Ratio

The reproduction ratio is another feature that – depending on your needs – could be important to consider for choosing a Nikon telephoto.

This is the maximum magnification that you will be able to obtain in close-up shots and refers to the ratio between the dimensions of the subject in focus and those of the sensor. In the case of macro lenses proper, the reproduction ratio would be 1x (or 1: 1). You could then fully shoot a subject with the same sensor size.

We have dedicated a separate guide to lenses of this kind (see: best macro lenses for Nikon ), while here we will not deal with such high magnifications. However, some of the telephoto lenses for Nikon that we will analyze have a very interesting reproduction ratio, such as 0.4x or 0.3x for example. In the datasheets of the individual models, further on, we have reported the most performing optics from this point of view.

The ability to obtain high magnifications in the close-up pictures depends, technically, on a high ratio between focal length and minimum focus distance.

Obviously, we advise you to consider this parameter if you are interested in shooting details and close-ups (butterflies, insects, flowers…). If not, it’s a feature that can easily take a back seat.

Image Stabilizer

Among the possible options of telephoto lenses, the image stabilizer is certainly the most interesting. This device makes it possible to obtain perfectly clear photos even using relatively long shutter speeds in relation to the focal length used.

As a rule, to have a good chance of avoiding blurry photos, you should use a faster time than the inverse of the focal length, for example, less than 1/200 when shooting at 200mm or less than 1/400 when shooting at 400mm.

In the case of a stabilized lens, this safety threshold is significantly lowered and makes it possible to shoot at super-telephoto focal lengths even with rather long times (eg: 400mm @ 1/90 ).

The importance of the image stabilizer, especially for telephoto lenses, is such that its presence has become somewhat of a standard on this type of lens. Almost all Nikon telephoto lenses that we will see are in fact equipped with them. Older models generally provide a maximum gain of about 3 stops of time, while the latest generation optics also reach 5.

Telephoto Lens Compatibility with Nikon Cameras (Reflex / Mirrorless, DX / FX)

The choice of a lens must always be made according to – as well as your needs – also the camera in possession: reflex or mirrorless. Each Nikon telephoto lens has a specific amount, which makes it compatible with one of two types of cameras.

Most of the lenses that we will see, in truth, are designed for SLR cameras. Nikon Z telephoto lenses for mirrorless cameras (to which we dedicated the last part of the guide) are in fact available, for the moment, in a very limited number of models.

Considering the considerable commitment the company is showing in this segment, it is easy to foresee that a number of new lenses will be introduced for these cameras shortly.

In the meantime, if you own a mirrorless camera and can’t find a natively compatible model that’s right for you, you can use a telephoto lens designed for reflex cameras using the simple FTZ adapter.

This adapter is often supplied as a kit with the camera itself, but you can also buy it separately. Its use does not alter in any way neither the optical quality of the lens nor the autofocus performance.

Beyond the type of camera, a priori distinction must be made regarding the type of sensor integrated into it. Except in rare cases (appropriately highlighted in the guide), the Nikon telephoto lenses that we will see are suitable for both FX cameras (full-frame) and DX cameras (APS-C).

However, if associated with the latter, their focal length will be 1.5x higher due to the crop factor. For example, a 70-200mm used on a DX camera will behave like an “equivalent” 105-300mm. The range of the telephoto lens will therefore be even more boosted.

In the individual cards, to dispel any doubts, we have written in black and white which types of cameras each lens is suitable for and what its equivalent focal length is.

Tamron SP AF 70-300mm f / 4-5.6 Di VC USD

The first telephoto lens for Nikon that we want to describe to you is one of the cheapest options among those present in this guide.