In today’s article, we will see How to Photograph Sport and which are the best lenses for sports photography.
The sports photographer can be easily “recognized” by the contents of his photographic backpack.
Today’s Sports Photography Guide wants to give you small useful tips to apply if you are a beginner,
Peering inside you will surely find many telephoto lenses, some monopods, many batteries, and many very large memory cards.
Think you can only find super-telephoto lenses in a sports photographer’s backpack? You are very wrong.
Best Lenses For Sports Photography
If you look closely, you’ll notice much more complex equipment, such as super wide-angle, fisheye, and portrait lenses. These are also part of a sports photographer’s kit and for good reason.
To date, sports photography has evolved a lot through technological adaptation, going digital. New technologies have changed the way people watch sports on TV and multimedia content experts have changed the way images are created.
Cameras in “remote” mode, digital transmission, and video frame acquisition have made the sports photographer a cutting-edge professional.
Best Lenses For Sports Photography | Comparison Table 2024
| Image | Title | Buy | |
|---|---|---|---|
| Canon EF 70-200mm f/2.8L IS III USM Lens for Canon Digital SLR Cameras, White - 3044C002 | Canon | VIEW ON AMAZON | |
| Sigma 70-200mmF/2.8 DG OS HSM for Nikon F | Sigma | VIEW ON AMAZON | |
| Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED Vibration Reduction Zoom Lens with Auto Focus for Nikon DSLR Cameras | Nikon | VIEW ON AMAZON | |
| Sony FE 135 mm f/1.8 GM | Full-Frame, Telephoto, Prime Lens (SEL135F18GM) | Sony | VIEW ON AMAZON | |
| Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens for Canon EF | Sigma | VIEW ON AMAZON | |
| Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens | Canon | VIEW ON AMAZON | |
| Tamron SP 70-200mm F/2.8 Di VC USD G2 Lens (A025) for Nikon Full-Frame (AFA025N-700) - (Renewed) | Tamron | VIEW ON AMAZON | |
| 58MM 0.43x Altura Photo Professional HD Wide Angle Lens (w/Macro Portion) for Canon EOS 70D 77D 80D 90D Rebel T8i T7 T7i T6i T6s T6 SL2 SL3 DSLR Cameras | Altura Photo | VIEW ON AMAZON | |
| Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens for Canon SLR Cameras, 6473A003 (Renewed) | Canon | VIEW ON AMAZON |
Prices and images pulled from the Amazon Product Advertising API on:
Best Lenses For Sports Photography | 2024 Products Overview
1. Canon EF 70-200mm Best Lenses For Sports Photography
The product in question is the Canon EF70-200mm f/2.8L IS III USM lens. It features a constant f/2.8 maximum aperture throughout the entire zoom range, providing excellent low-light performance. The lens incorporates Canon’s Air Sphere Coating (ASC) to minimize ghosting and flare, while optical image stabilization offers up to 3.5 stops of shake correction. With a fluorine coating on front and rear elements, it helps reduce smears and fingerprints.
Designed for durability, the lens is highly resistant to dust and water, making it suitable for challenging conditions. The inner focusing system with a Ring Ultrasonic Motor enables fast and quiet autofocus, and full-time manual focus is also available. The lens includes one fluorite element and five UD elements for high image quality. The minimum focusing distance is 3.9 feet (1.2 meters), and the diagonal angle of view ranges from 34° to 12°.
In the package, you’ll find the EF70-200mm f/2.8L IS III USM lens, Lens Cap E-77II, Lens Dust Cap E, Lens Hood ET-87, and Lens Case LZ1326. This lens is a versatile and high-performance option for photographers seeking professional image quality.
Product Overview:
The Canon EF 70-200mm f/2.8L IS III USM lens is a high-quality telephoto lens that is compatible with Canon digital SLR cameras. This lens has a maximum focal length of 200 millimeters, which allows you to capture distant subjects with great detail and clarity. The lens has a constant f/2.8 maximum aperture throughout its entire zoom range, which allows you to shoot in low-light conditions and achieve shallow depth-of-field effects.
One of the key features of this lens is Canon’s Air Sphere Coating (ASC), which minimizes ghosting and flare, resulting in clearer and more vibrant images. The lens also has optical image stabilization that provides up to 3.5 stops of shake correction, which helps to keep your images sharp even when shooting in challenging conditions. Additionally, the lens has a fluorine coating on the front and rear elements to help reduce smears and fingerprints, making it easy to keep clean.
The lens is also highly resistant to dust and water, making it an ideal choice for outdoor and action photography. The lens also has an inner focusing system with a ring ultrasonic motor that provides fast, accurate, and quiet autofocus. Additionally, the lens has a full-time manual focus, which allows you to fine-tune your focus even when the lens is in AF mode.
The lens also has one fluorite element and five UD elements for high image quality, a minimum focusing distance of 3.9 feet, and a diagonal angle of view of 34° – 12°. The package includes EF70-200 millimeter f:2.8L IS III USM, Lens Cap E-77II, Lens Dust Cap E, Lens Hood ET-87, and Lens Case LZ1326.
- A high maximum focal length of 200mm allows for detailed and clear shots of distant subjects.
- Constant f/2.8 maximum aperture throughout the entire zoom range allows for low-light photography and shallow depth-of-field effects.
- Canon’s Air Sphere Coating (ASC) minimizes ghosting and flare for clearer and more vibrant images.
- Optical image stabilization provides up to 3.5 stops of shake correction for sharp images even in challenging conditions.
- Fluorine coating on the front and rear elements help to reduce smears and fingerprints, making it easy to keep clean.
- The lens is relatively heavy, which may make it difficult to use for extended periods of time.
- It’s relatively expensive, making it less accessible to beginner photographers.
- The lens is quite large, which makes it difficult to transport.
2. Sigma 70-200mm Lenses For Sports Photography
The Sigma 70-200mm f/2.8 DG OS HSM Sports Lens is a versatile telephoto zoom lens known for its bright and sophisticated design. Its fast constant f/2.8 maximum aperture excels in challenging lighting conditions and provides increased control over depth of field for effective subject isolation. The lens incorporates advanced optical technology, featuring 10 low dispersion elements to significantly reduce chromatic aberrations and color fringing, resulting in improved clarity and color accuracy.
To enhance image quality further, a Super Multi-Layer Coating is applied to suppress ghosting and flare when shooting in strong lighting conditions. This lens is designed to deliver high performance and flexibility, making it a suitable choice for photographers seeking quality telephoto capabilities.
Product Overview:
The Sigma 70-200mmF/2.8 DG OS HSM is a high-quality telephoto lens that is compatible with Nikon F-mount cameras. This lens has a focal length range of 70-200mm, which allows you to capture a wide range of subjects with great detail and clarity. The lens has a maximum aperture of F2.9, which allows you to shoot in low-light conditions and achieve shallow depth-of-field effects.
One of the key features of this lens is the optical stabilization system (OS) that provides up to 4 stops of shake correction, which helps to keep your images sharp even when shooting in challenging conditions. Additionally, the lens has a Hyper Sonic Motor (HSM) for fast and accurate autofocus and a full-time manual focus override which allows you to fine-tune your focus even when the lens is in AF mode.
The lens also has a construction of 23 elements in 18 groups, which includes four Special Low Dispersion (SLD) glass elements and one aspherical lens element. This combination of elements helps to minimize chromatic aberrations and provide high image quality. The lens also features a dust and splash-proof mount and the coating on the front and rear elements help to reduce smears and fingerprints, making it easy to keep clean. The package includes Sigma 70-200mmF/2.8 DG OS HSM, a Lens hood, a Lens case, and a detachable tripod collar.
Overall, the Sigma 70-200mmF/2.8 DG OS HSM is a high-quality telephoto lens that offers a wide range of features for professional photographers. With its high maximum focal length, fast maximum aperture, and image stabilization, it allows you to capture detailed and clear images even in low-light conditions. The lens also has a dust and splash-proof mount, making it an ideal choice for outdoor and action photography. However, it is worth noting that the lens is relatively heavy and large, which may make it difficult to use for extended periods of time.
- The lens has a wide focal length range of 70-200mm, which allows you to capture a wide range of subjects with great detail and clarity.
- The lens has a fast maximum aperture of F2.8, which allows you to shoot in low-light conditions and achieve shallow depth-of-field effects.
- The optical stabilization system (OS) provides up to 4 stops of shake correction, which helps to keep your images sharp even when shooting in challenging conditions.
- The lens has a Hyper Sonic Motor (HSM) for fast and accurate autofocus and a full-time manual focus override which allows you to fine-tune your focus even when the lens is in AF mode.
- The lens has a dust and splash-proof mount which makes it ideal for outdoor and action photography.
- The lens is relatively heavy and large, which may make it difficult to use for extended periods of time.
- It’s relatively expensive, making it less accessible to beginner photographers.
- The lens is not compatible with all camera models and only works with Nikon F-mount cameras.
3. Nikon AF-S DX NIKKOR 18-300mm
The AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR is a versatile zoom lens with a wide focal length range, covering 18mm to 300mm. This lens offers a maximum magnification of 0.32x and an aperture range from f/3.5 to f/22. With an angle of view ranging from 76 degrees to 5 degrees 20, it provides a 16.7x wide-angle to super-telephoto zoom capability.
Ideal for various photography applications, this lens is suitable for stills, videos, landscapes, interiors, portraits, wildlife, and more. It features Nikon's Vibration Reduction (VR) technology, providing 4.0 stops of blur-free handheld shooting, which is particularly useful when capturing images at super-telephoto distances. Whether you're a beginner or an enthusiast, this lens offers convenience and flexibility for a wide range of shooting scenarios.
Product Overview:
The Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED Vibration Reduction Zoom Lens is a versatile and powerful telephoto lens designed for use with Nikon DSLR cameras. With a focal length range of 18-300mm, this lens is capable of capturing a wide range of subjects, from wide-angle landscapes to super-telephoto close-ups. The lens is also equipped with a maximum magnification of 0.32x and a minimum focusing distance of 1.6 feet, making it ideal for capturing detailed shots of distant subjects.
One of the key features of the Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR lens is its Vibration Reduction technology. This advanced system helps to combat camera shake and provides up to 4.0 stops of blur-free handheld shooting. This means that you can capture sharp, clear photos and steady videos even if your hands are a bit unsteady. Additionally, VR is a big advantage in low-light situations—slow down your shutter speed without compromising sharpness.
The Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR lens also boasts a range of advanced lens technologies, including Silent Wave Motor (SWM) for ultra-fast, near-silent autofocusing, three Aspherical (AS) and Extra-low Dispersion (ED) glass elements for maximum contrast and minimal lens flare and ghosting, a rounded 7-blade diaphragm for beautiful, natural background blur and Internal Focusing (IF) for a more compact, streamlined lens design.
All of these features come together to deliver stunning image quality with vibrant color, sharp detail, and minimal distortion. Overall, the Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR is a versatile and powerful lens that is ideal for capturing a wide range of subjects and situations.
- It has a wide zoom range of 18-300mm, making it a great all-in-one lens for capturing different types of scenes and subjects.
- The Vibration Reduction technology helps to reduce camera shake and blur, resulting in sharper photos and steady videos.
- The lens features advanced lens technologies such as Silent Wave Motor for fast and quiet autofocus, and Aspherical and Extra-low Dispersion glass elements for improved contrast and minimal lens flare.
- The compact and lightweight design makes it easy to carry and use.
- The lens has a minimum focusing distance of 1.6 feet, allowing you to capture close-up shots of your subjects.
- The maximum aperture of f/3.5-6.3 may not be ideal for low-light photography or for creating shallow depth-of-field effects.
- The lens may not be compatible with full-frame cameras
- The lens may be slightly expensive compared to other options in the same category
4. Sony FE 135 mm
The Sony FE 135mm f/1.8 GM is a high-performance lens designed for exceptional image quality. It features XA (extreme aspherical), Super ED (extra-low dispersion), and ED glass elements strategically arranged in an advanced optical design, delivering superb resolution, clarity, and contrast. The lens's circular 11-blade aperture creates beautifully smooth backgrounds, ideal for achieving stunning bokeh defocus effects.
To ensure sharp and detailed images, the lens incorporates Sony Nano AR Coating, effectively eliminating flare and ghosting. The AF system is powered by two XD (extreme dynamic) linear motors, providing fast and precise focusing for both stills and video shooting. The lens is designed with professional ergonomics in mind, featuring a sealed, dust, and moisture-resistant design that enhances its durability and reliability in challenging environments. This lens is a versatile choice for photographers and videographers seeking top-notch performance.
Product Overview:
The Sony FE 135 mm f/1.8 GM is a telephoto prime lens designed for full-frame cameras. Its advanced optical design utilizes XA (extreme aspherical), Super ED (extra-low dispersion) and ED glass elements to achieve superb resolution, clarity, and contrast. This makes it an ideal lens for capturing detailed and sharp images.
One of the standout features of this lens is its circular 11-blade aperture, which creates beautiful bokeh defocus effects that are perfect for portrait and landscape photography. The lens also comes with Sony Nano AR Coating, which eliminates flare and ghosting, ensuring that all the details in your shots are captured clearly and accurately.
In terms of performance, the lens is equipped with two XD (extreme dynamic) linear motors, which provide the speed and precision required for both stills and video shooting. Additionally, its professional ergonomics include sealed dust and moisture-resistant design, which provides extra protection to ensure reliable operation in challenging environments. This lens is perfect for professional photographers who want to capture high-quality images and videos.
- The Sony FE 135 mm f/1.8 GM lens is incredibly sharp, thanks to its advanced optical design that includes XA (extreme aspherical), Super ED (extra-low dispersion), and ED glass elements.
- The circular 11-blade aperture results in beautiful bokeh defocus effects that make for smooth backgrounds in photos.
- Sony Nano AR Coating eliminates flare and ghosting, ensuring that all details are captured in the final image.
- The lens features two XD (extreme dynamic) linear motors that provide fast and precise autofocus for both stills and video shooting.
- The lens is designed with professional ergonomics in mind, featuring a sealed dust and moisture-resistant design for reliable operation in challenging environments.
- The lens is quite expensive and may not be affordable for everyone
- It is only compatible with Sony mountings which limits its use to Sony cameras
- The lens is quite heavy which may be uncomfortable to hold for extended periods of time
5. Sigma 100-400mm
The Sigma 100-400mm f/5-6.3 DG HSM OS Contemporary lens is a versatile telephoto zoom designed for both full-frame and APS-C cameras. It offers a compact size without compromising on image quality, making it an ideal choice for travel photography, wildlife photography, nature photography, and bird photography. The lens features Sigma's Optical Stabilizer (OS) for effective image stabilization, allowing for sharp images even at longer focal lengths.
This lens is known for its state-of-the-art design, bringing a new level of portability and quality to the super telephoto market. It is highly compact and lightweight compared to similar products, making it convenient for photographers on the go. With a 67mm filter size and a 4-year USA warranty, the Sigma 100-400mm lens provides a reliable and versatile solution for capturing distant subjects with clarity and detail.
Product Overview:
The Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens for Canon EF is a versatile and compact zoom lens that is perfect for travel, wildlife, nature, and bird photography. With a focal length range of 100-400mm, this lens provides a wide range of focal lengths in a single, lightweight package. The lens is designed to be compatible with both full-frame and APS-C cameras, making it a great option for photographers of all skill levels.
One of the key features of this lens is its ability to deliver high-quality images despite its compact size. The lens features four SLD glass lens elements and optimized power distribution that help to minimize optical aberrations. Additionally, the lens is designed to minimize transverse chromatic aberration, which ensures outstanding image quality throughout the zoom range.
In addition to its excellent image quality, the Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens also offers a range of advanced features that are typically found on more expensive lenses. These include an optical stabilizer (OS), a hypersonic motor (HSM) with an updated algorithm for fast autofocus, a focus limiter, and a 67mm filter size. The lens also comes with a 4-year USA warranty for added peace of mind.
Additionally, the lens hood cuts harmful rays that can negatively affect photographs while also minimizing reflectivity within the hood itself. The hood also features a rubber construction and a non-slip groove to make it easy to hold in a variety of shooting situations.
- Compact size and strong image quality
- Ideal for travel, wildlife, nature, and bird photography
- Four SLD glass lens elements minimize optical aberrations
- Transverse chromatic aberration is minimized for outstanding image quality throughout the zoom range
- Comes with a range of features and functions such as an optical stabilizer, a hypersonic motor with fast autofocus, and a focus limiter
- The aperture range of f/5-6.3 may not be suitable for low-light photography
- The lens is heavy at 1,160g
- The lens hood is not removable
6. Canon EF 24-70mm
The Canon EF 24-70mm f/2.8L II USM Lens is a versatile zoom lens with a focal length range of 24-70mm, equivalent to 38.4-112mm on Canon APS-C cameras. It features a fast and constant f/2.8 maximum aperture, providing excellent low-light performance and depth of field control. The lens utilizes a ring-type ultrasonic AF motor for quick and accurate autofocus, with full-time manual focusing capability.
With an 82mm filter size and a minimum focusing distance of 0.38 meters (1.25 feet), this lens is suitable for various photographic applications. It does not have built-in image stabilization. Weighing 1.7 pounds, it offers a good balance of portability and performance. Additionally, during a specified promotional period, purchasers may qualify for 13 months of free damage protection from Canon if the product is registered within 30 days of purchase.
Product Overview:
The Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens is a high-performance lens designed for professional photographers. With a focal length of 24-70mm, this lens is ideal for a wide range of photography applications, including landscapes, portraits, and events. The large aperture of f/2.8 allows for fast shutter speeds and beautiful bokeh, making it perfect for low-light situations.
The lens features a number of advanced optical technologies that help to produce sharp, clear images with minimal distortion. These include Super UD and UD lens elements, as well as aspherical lens elements that reduce spherical aberration over the entire image area and throughout the zoom range. Additionally, the lens is equipped with optimized lens coatings for exceptional color balance and minimal ghosting, as well as a circular 9-blade diaphragm for beautiful, soft backgrounds.
Built to withstand the rigors of professional use, the Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens is constructed with improved dust sealing and water resistance. It also features a zoom lock lever that locks the zoom position at the wide end for safe transporting, as well as fluorine coatings on the front and rear lens surfaces to reduce soiling, smears, and fingerprints.
The lens features ring-type USM and a high-speed CPU with optimized AF algorithms that enable silent and fast autofocusing. With a filter size of 82mm, the lens can be used with a wide range of filters. The closest focusing distance of this lens is 1.25 feet and the maximum magnification is 0.21x at 70mm.
- The large aperture of f/2.8 throughout the entire focal length range, allowing for great low light performance and shallow depth of field.
- High-end durable construction, built to withstand the rigors of professional use.
- Utilizes advanced optical lens design, including 1 Super UD lens element and 2 UD lens elements to minimize chromatic aberration and spherical aberration.
- Optimized lens coatings for exceptional color balance and minimal ghosting.
- Fast and silent autofocus thanks to the ring-type USM and high-speed CPU with optimized AF algorithms.
- No image stabilization, which can make it difficult to achieve sharp images in low light or when shooting at slower shutter speeds.
- Expensive cost, which may be prohibitive for some photographers.
- No weather sealing, making it not the best option for shooting in extreme weather conditions.
7. Tamron SP 70-200mm
The Tamron SP 70-200mm f/2.8 Di VC USD G2 Lens (A025) for Nikon Full-Frame is offered as a Certified Refurbished product, refurbished to factory specifications and showing limited or no wear. This lens includes all original accessories and comes with a 90-day warranty for added assurance.
As part of Tamron's new generation G2 lenses, this 70-200mm lens for Nikon Full-Frame cameras boasts a faster autofocus speed and enhanced Vibration Compensation (VC). It is designed as the pinnacle of fast telephoto zoom lenses, offering advanced features that contribute to improved optical performance, functionality, and usability.
The lens has a 77mm filter size and comes with essential accessories, including front and rear lens caps, a lens hood, lens case, and a tripod mount. This Certified Refurbished product provides a cost-effective way to access a high-quality telephoto zoom lens with a manufacturer-refurbished warranty.
Product Overview:
The Tamron SP 70-200mm F/2.8 Di VC USD G2 Lens (A025) is a telephoto lens that is compatible with Nikon full-frame cameras. This lens is a renewed product, which means it has been professionally inspected, tested, and cleaned by Amazon-qualified vendors. It is in "Excellent condition" with no visible cosmetic damage from 12 inches away. The lens comes with a 90-day Amazon Renewed Guarantee, which means it is eligible for a replacement or refund within 90 days of receipt if it does not work as expected.
This lens is part of Tamron's new "G2" series and boasts faster autofocus speed and enhanced VC (Vibration Compensation). It is designed to be the pinnacle of fast telephoto zoom lenses with advanced features for improved optical performance, functionality, and usability. The lens has a 77mm filter size and comes with a variety of accessories including front and rear lens caps, a lens hood, a lens case, and a tripod mount. The lens also has a 90-day manufacturer refurbished warranty.
The Tamron SP 70-200mm F/2.8 Di VC USD G2 Lens (A025) has been designed to provide improved optical performance. The lens features enhanced VC performance that is 5 stops (VC mode 3) and offers three modes optimized for different shooting situations. The lens also has a demonstratively improved autofocus speed and responsiveness.
Additionally, the lens has been designed with Tamron's sophisticated eBAND Coating which eliminates ghosting and flare. The lens is also equipped with Fluorine Coating and Moisture-Proof and Dust-Resistant Construction. The lens is also lightweight and the easy-to-hold tripod mount is compatible with an Arca-Swiss-style quick-release plate.
This lens is also compatible with TAMRON TAP-in Console, an optional accessory product. Furthermore, Teleconverters (optional) are also compatible with this new Tamron lens.
- Faster AF speed and enhanced VC for improved performance.
- Three modes optimized for different shooting situations.
- Reduced MOD for better image quality.
- Tamron’s eBAND Coating eliminates ghosting and flare.
- Compatible with TAMRON TAP-in Console and Teleconverters.
- This is a renewed product, which might not be suitable for everyone.
- Accessories may not be original.
- Not compatible with cameras other than Nikon Full-Frame.
8. Altura Photo 58MM
The product is a 58mm Wide-Angle Lens Attachment with a detachable macro lens designed for popular 58mm lens models, including those from Canon, Nikon, Olympus, Panasonic, and Fujifilm. This attachment easily screws onto the front of your lens, instantly expanding the field of view for wide-angle photography. It is equipped with a macro lens for high-resolution close-ups of small objects.
Compatible with various camera models such as Canon EOS Rebel series, Nikon AF-S and AF-P NIKKOR lenses, Olympus M.Zuiko Digital, Panasonic Lumix, and Fujifilm XC lenses, it is important to verify your camera's lens thread size before ordering. The attachment is specifically designed for 58mm lenses, and the lens thread size can be found marked on the lens barrel or printed underneath the lens cap.
The product comes with a DIGITAL GOJA 90-Day 100% Satisfaction Guarantee, ensuring premium customer service and satisfaction. This wide-angle lens attachment is an affordable solution to enhance your photography with a broader perspective and macro capabilities.
Product Overview:
The Altura Photo 0.43X Wide Angle Lens is a great option for photographers looking to expand their field of view without breaking the bank. This lens easily screws onto the front of your existing lens and instantly expands your field of view for breathtaking wide-angle photography. The lens is compatible with popular 58MM lens models, including those from Canon and Nikon, and works with a wide range of camera models such as the Canon EOS Rebel and the Nikon D series.
One of the standout features of this lens is the detachable macro lens portion that allows for extremely high-resolution close-ups of small objects. This added flexibility makes it a great option for those looking to do both wide-angle and macro photography without the need to carry multiple lenses.
Before ordering, it is important to verify your camera's lens thread size to ensure compatibility. The Altura Photo 0.43X Wide Angle Lens is compatible with 58MM lenses only and can be marked on the lens barrel or printed underneath the lens cap. The company also offers a 90-day satisfaction guarantee, giving buyers peace of mind in their purchase. Overall, the Altura Photo 58MM 0.43X Wide Angle HD Lens is a great option for photographers looking for a cost-effective way to expand their field of view and add macro capabilities to their lens collection.
- A wide angle lens allows for capturing a wider field of view, great for family photos, real estate photography, and landscapes.
- Conveniently mounts to the front of your fixed or zoom lens.
- The bottom portion of the lens unscrews and converts into a macro lens for close-up photography of small objects.
- Compatible with a wide range of popular 58MM lens models and camera models.
- Backed by a 90-day satisfaction guarantee.
- Only compatible with 58MM lenses, so it is important to verify your camera’s lens thread size before ordering.
- May not produce the same quality as high-end, professional lenses.
- Some users have reported difficulty in getting the macro lens portion to screw on correctly.
9. Canon EF 75-300mm
The product is an EF mount lens with an aperture range of f/4-45 and features a DC autofocus motor. It has a 4.9-foot minimum focus distance and a 58mm filter thread diameter. With a closest focusing distance of 4.9 feet and a diagonal angle of view ranging from 32 to 8 degrees, this lens is versatile for various photographic applications.
Measuring 2.8 inches in diameter and 4.8 inches long, the lens is compact and weighs 16.8 ounces. An improved mechanism enhances zooming smoothness, and the front part of the zoom ring sports a silver ring for added aesthetics. This lens is suitable for Canon EF mount cameras, offering a reliable and lightweight option for photographers looking for a versatile zoom lens.
Product Overview:
The Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens is a high-quality lens that is compatible with Canon SLR cameras. This lens is refurbished, fully functional, and in excellent condition. It is backed by the 90-day Amazon Renewed Guarantee, which ensures that it has been professionally inspected, tested, and cleaned by Amazon-qualified vendors.
This product is in "Excellent condition", with no visible signs of cosmetic damage from 12 inches away. The batteries have a capacity that exceeds 80% of the new equivalent. The lens is an EF mount with an aperture range of f/4-45 and features a DC Autofocus Motor and a 4.9' minimum focus distance. It also has a 58mm filter thread diameter.
This telephoto lens boasts a 4.9-foot closest focusing distance and 32- to 8-degree diagonal angle of view. It is also compact and lightweight, measuring 2.8 inches in diameter and 4.8 inches long and weighing only 16.8 ounces. The improved mechanism of this lens makes zooming smoother, and the front part of the zoom ring sports a silver ring.
This lens is perfect for capturing distant subjects and is great for sports, nature, and wildlife photography. The Canon EF 75-300mm f/4-5.6 III Telephoto Zoom Lens is a great option for photographers looking for a high-quality and versatile lens at an affordable price.
- The lens is refurbished, fully functional, and in excellent condition, backed by the 90-day Amazon Renewed Guarantee.
- Has a closest focusing distance of 4.9 feet, which allows for great close-up shots.
- Has a 32- to 8-degree diagonal angle of view, which allows for a wide range of focal lengths.
- Has a smooth and improved zooming mechanism, making it easy to use.
- Has a front part of a zoom ring with a silver ring, which provides an elegant design.
- The lens may come in a generic box, which is not ideal for gift-giving.
- The lens has a maximum aperture range of f/4-5.6 which may not be ideal for low-light situations.
- The lens is not weather-sealed, so it needs to be handled with care in inclement weather.
Best Lenses For Sports Photography | Unrivaled Guide 2024
What is a photographic lens and what is it for
The photographic lens is nothing more than an optical device with which images are collected and reproduced, which are imprinted on sensitive support that can be represented either by films, in the case of analog cameras, or by sensors in the case of digital cameras.
They usually have a cylindrical shape and inside there is a system of lenses, concave or convex which capture the light and help reproduce the desired image. This part for me is pure magic, the light enters the lens, goes to the sensor and an image is reproduced.
The lenses can rotate thanks to the adjustment rings, present on the outside of the lens, and depending on the position taken, I focus on the desired subject or not.
Main features to consider in a photographic lens
Now that we have clarified the difference between the various lenses, it is time to go into more detail and see what are the main characteristics to consider when evaluating the purchase and use of a particular lens.
There are many factors to take into consideration, and you are not always able to understand them right away.
Those who approach photography for the first time do not always have a clear idea of what terms such as focal length, brightness, angle of view, etc. mean. That is why it is good to clarify a bit about it.
Focal length
this term indicates the distance, generally expressed in millimeters, that separates the lens from the focal plane (i.e. the sensor or the film), whose position is indicated with a symbol (a circle with a rod in the center), and that it is usually found on the camera body at the viewfinder.
This distance is generally measured starting from the " rear nodal point " of a lens, which coincides with the diaphragm. This point is also known as the optical center of the lens.
The focal length also determines the angle of view, which is closely related to the size of the sensor on which the image is imprinted. As the size of the sensor varies, the shooting angle also varies, which can be wider or narrower.
In fact, the same lens on cameras with different sensors produces clearly different results.
Aperture or brightness
the aperture of a lens diaphragm determines its brightness accordingly.
Usually, this value is expressed as a fraction, which indicates the maximum opening.
The smaller the value of this fraction, the larger the aperture of the diaphragm diameter, therefore also brighter.
To be clearer, a lens with an f / 1.4 value (hence a small aperture number), is brighter than an f / 8 value lens, which will have the smallest diameter and therefore allow less entry. light.
The diaphragm is therefore that device inside the lenses that regulates the amount of light that must pass.
Focus
To be able to have clear photos you must operate on the focus.
This means positioning the lens at a suitable distance between the focal plane and the subject to be portrayed.
In older generation lenses, the focus was done manually, using a special ring that allowed the optical group inside the lens to be moved.
In the most modern lenses, focusing can take place automatically, thanks to an internal motor and the camera sensor that calculates the distance between the sensor and the subject to be portrayed.
Although autofocus is quite useful, modern lenses offer the possibility of using manual focus, this can be done via the special ring on the front of the lens.
All these factors must be taken into consideration when buying a photographic lens, both to understand how the lens works, and to understand how it behaves with different types of sensors.
For example, a lens with fast autofocus is more suitable for sports or bird photography, because the subjects move quickly, but it is not essential if you will focus mainly on product photography, or photography where the subjects are still or very slow, such as for example if you decide to photograph landscapes.
Stabilized objectives
The last point to consider is the stabilization of the lens.
When we talk about image stabilization, we are normally talking about optical image stabilization, which is found in many lenses.
Canon calls the Image Stabilization ( IS ) function and Nikon calls it Vibration Reduction ( VR ).
With optical image stabilization, part of the lens physically moves to counteract any camera movement when taking the picture; if the hands are shaking, an element inside the lens also shakes, in the opposite direction to counteract the movement.
Long lenses and… pedaling!
Sports photographers have traditionally been known for their mammoth telephoto lenses, such as the Canon 400 f2.8, for example.
Surely you have seen them at the stadium as they flock to take the best position at any major sporting event.
Surely the long lens is the sign that distinguishes a sports photographer.
As you can guess, there must be a certain distance between the players and the media during events for the safety of both professionals.
Surely when choosing to photograph football, it will be necessary to use a very long lens, because you have to position yourself in such a way as to also take the door that is on the opposite side from yours.
Wide angles
They have a focal length of less than 40mm and a wider angle of view. In fact, this can vary from a range of 60 ° -80 ° to about 180 °.
In the latter case, we are faced with an ultra-wide-angle or a fish-eye.
The characteristic of these lenses is that of enormously “deforming” the image, creating effects that are sometimes rather exaggerated, and in the case of fish-eyes also a sphere effect as if the image were seen by the eye of a fish.
The type of objectives
The lenses are divided into three macro-categories: Normal, Wide-angle, and Telephoto lenses.
Each of these categories has different focal lengths and angles of view, as well as other features useful for various situations.
Normal Goals
this type of lens is the one that comes closest in terms of angle of view to that of the human eye. In fact, it returns the correct three-dimensional proportions of the planes: in other words, what the human eye sees is reproduced with the same "fidelity" in the photograph.
The family of Normal lenses includes lenses that have a focal length from 40mm to 50mm, the latter being one of the most used lenses for ambient portrait photography or even for street photography.
APS or Full-Frame?
Surely sports photography is an area where the smaller size of APS sensors can really come in handy.
Of course, the quality of a Full Frame camera is unbeatable, it is no coincidence that I usually shoot with two full frames during events.
The APS sensor is smaller than a full-frame sensor, the full-frame lenses attached to an APS camera have a crop factor that gives the lens a different field of view, and it's like shooting with a longer lens. So if we want, the positive note of APS cameras is precisely this.
With very favorable weather conditions, the APS can get to make shots almost on par with a FF. Indeed if you compare an APS photo and an FF photo both shot in sunny weather, low ISOs, and whatnot, I'd challenge anyone to recognize the difference. Of course, I can not deny that by raising the ISO, even slightly, the difference is noticeable and not a little.
However, an APS camera with a crop factor of 1.6, using a 300mm full-frame lens (Canon EF Lenses) will give you the field of view of a 350mm lens.
A lens made for an APS camera (Canon EF-S lenses) can offer the same field of view as a full-frame lens in a smaller size and lighter weight. There are many sports photographers who always carry an APS body with them, even if they always prefer a full-frame.
Others, such as some of my Canon colleagues, are lucky enough to have the Canon 1D Mark IV, which is an APS-H (practically already incorporates a 1.3x multiplier inside) and is a great camera, with a completely different format, but perfect for sports photography. To date, it is out of production but is used, albeit with many shots.
Sports photo technical settings {Additional Tips}
Use a fast shutter speed
If you want to freeze the action, the shutter speed of the camera has to be very fast. Depending on the type of sport you could start with a setting of 1/500, up to a speed of 1/2000 of a second. The faster the subject moves, the faster the shutter speed we will set. In some shots, we could also use slower speeds to capture some of the movement. The problem with using a fast shutter speed is that less light will enter the camera and we should, especially in difficult light situations, compensate for the photographic exposure by increasing the ISO.
Use continuous autofocus
Continuous Auto Focus keeps the subject in focus as the distance from the camera changes. The continuous focus option is usually shown as AF-C in the camera settings.
Shoot in burst mode
Burst mode, also known as continuous shooting mode, allows you to take bursts of shots at the same setting. By holding down the shutter button in continuous shooting mode, you can take multiple shots in very quick succession. Most digital cameras released in recent years have some continuous shooting capability.
This function is very advantageous in sports photography because you will be able to capture various phases of fast game action, subsequently having the possibility to choose the best one. If we shoot a lot in continuous shooting mode, we will consume a lot of memory card space. It is therefore necessary to have one large memory card and a spare at your fingertips.
Do not use the flash
Your camera's built-in flash or a flash unit attached to your camera can distract or even blind players, putting the regularity of the sporting event at risk.
Get to know the sport
First, you need to be familiar with the sport before you start shooting. To successfully resume a sporting event you need to know the rules of the game. Knowing how the sport plays out will help you capture the best moments. Before the time you will know how the action moves and what can happen next.
Get the best view possible
Your job is to get shots that the crowd can't get, and that means you have a better position than most people. At many events, you will need special accreditation to be able to stay in a privileged position. If you don't have access to an event pass and want to develop your portfolio, I recommend that you go and photograph smaller events, such as youth competitions.
Remember that when photographing you must respect the athletes and the staff on the field at all times. In general, try to be in a position that places your subject in front of you or that allows you to have an easier view.
Tell a story
As in other types of photography, the goal of our photos must be to freeze emotions and tell stories. Look for the emotionally charged moments, tell the victory and defeat, the important moments, the head to head, and highlight the moments that would risk passing for anonymous.
Check the shots only at the end
When you're shooting sports photos, you don't have time to look elsewhere, you need to be fully focused on the in-game action. If you check every single shot on the camera's LCD screen, you can miss out on other potential good shots.
Best Lenses For Sports Photography | Infographics
Best Lenses For Sports Photography | Video Explanation
FAQs
For mirrorless which lenses should consider?
- 4.0.3 Sony SEL-55210B 55-210mm F4.5-6.3
- 4.0.1 Panasonic LUMIX G VARIO 45-150mm OIS F4-5.6.
- 4.0.2 Tamron 18-200mm Di II VC F3.5-6.3.
How to get knowledge of photographic lenses?
What Type Of Lens Is Best For Sports Photography?
When it comes to sports photography, the best type of lens depends on the specific sport and shooting situation. Here are some general guidelines for choosing a lens for sports photography:
- Focal Length: A telephoto lens is generally the best choice for sports photography, as it allows you to capture images of the action from a distance. A focal length of at least 200mm is recommended, although longer lenses (such as 300mm or 400mm) may be necessary for shooting sports that take place on large fields or arenas.
- Aperture: A wide aperture (low f-number) is important for sports photography, as it allows you to use a faster shutter speed to freeze the action and produce a blurred background. A lens with an aperture of f/2.8 or wider is ideal for sports photography.
- Image Stabilization: Image stabilization can be helpful for sports photography, as it allows you to shoot at slower shutter speeds without introducing blur from the camera shake. However, it is not always necessary if you are shooting in bright light or using a fast shutter speed.
- Autofocus Speed: Fast autofocus is critical for sports photography, as you need to be able to quickly track moving subjects. Look for lenses with fast and accurate autofocus systems, such as those with ultrasonic or linear focusing motors.
- Zoom vs. Prime: Both zoom and prime lenses can be used for sports photography, but zoom lenses offer more flexibility for quickly changing shooting situations. However, prime lenses may offer better image quality and wider apertures.
Some popular lenses for sports photography include the Canon EF 70-200mm f/2.8L IS II USM, Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR, and Sony FE 70-200mm f/2.8 GM OSS.
Is A 35mm Lens Good For Sports Photography?
A 35mm lens is generally not considered ideal for sports photography, as it is a wide-angle lens and is not long enough to capture distant action. While a 35mm lens can be useful for capturing wide shots of the overall scene or environment, it is not recommended for capturing individual athletes or fast-moving action.
For sports photography, it is generally recommended to use a telephoto lens with a focal length of at least 200mm. This allows you to capture distant action and fill the frame with your subject, while also creating a blurred background to help emphasize the subject and give the image a sense of motion. A lens with a wide maximum aperture (such as f/2.8 or wider) is also recommended, as it allows you to use a fast shutter speed to freeze the action and produce a blurred background.
Of course, the specific lens you choose will depend on the sport you are photographing, the shooting conditions, and your personal shooting style. Some popular lenses for sports photography include the Canon EF 70-200mm f/2.8L IS II USM, Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR, and Sony FE 70-200mm f/2.8 GM OSS.
Is 200mm Enough For Sports?
A 200mm lens can be sufficient for sports photography, depending on the sport and the shooting location. For example, if you are shooting a football game from the sidelines, a 200mm lens may allow you to capture tight shots of individual players, while also providing enough reach to capture the action at the other end of the field.
However, for some sports and shooting situations, a 200mm lens may not be long enough. For example, if you are shooting a track and field event from a distance, you may need a longer lens (such as 300mm or 400mm) to capture the action up close. Similarly, if you are shooting wildlife or bird photography, you may need an even longer lens to get close to your subjects.
Ultimately, the best lens for sports photography will depend on the specific sport and shooting situation. A longer lens can be useful for capturing distant action and isolating your subject, while a shorter lens can be helpful for capturing wider shots of the overall scene or environment. It's always a good idea to experiment with different lenses and focal lengths to find the one that works best for your specific needs.
Is A 50mm Lens Good For Sports Photography?
A 50mm lens is generally not considered ideal for sports photography, as it is a standard lens and is not long enough to capture distant action. While a 50mm lens can be useful for capturing general scenes and portraits, it is not recommended for capturing individual athletes or fast-moving action.
For sports photography, it is generally recommended to use a telephoto lens with a focal length of at least 200mm. This allows you to capture distant action and fill the frame with your subject, while also creating a blurred background to help emphasize the subject and give the image a sense of motion. A lens with a wide maximum aperture (such as f/2.8 or wider) is also recommended, as it allows you to use a fast shutter speed to freeze the action and produce a blurred background.
Of course, the specific lens you choose will depend on the sport you are photographing, the shooting conditions, and your personal shooting style. Some popular lenses for sports photography include the Canon EF 70-200mm f/2.8L IS II USM, Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR, and Sony FE 70-200mm f/2.8 GM OSS.
What Color Lenses Are Best For Sports?
When it comes to sports photography, the color of the lens is not as important as other factors such as focal length and aperture. However, some lenses do come with different color coatings, which can affect the way the lens performs in certain lighting conditions.
In general, lenses with a neutral color coating (i.e. no color cast) are preferred for sports photography, as they provide more accurate color reproduction and minimize color fringing. Most modern lenses are designed with neutral color coatings, so this should not be a major concern.
That being said, some lenses do come with specialized coatings that can enhance certain colors or reduce glare in specific situations. For example, some lenses may have a blue tint that enhances the color of the sky in outdoor sports photography, or a green tint that enhances the color of grass in soccer or football photography.
Ultimately, the choice of lens color coating will depend on personal preference and shooting style. It's always a good idea to experiment with different lenses and coatings to find the one that works best for your specific needs.
How Do I Get My Sports Pictures Sharp?
Getting sharp sports pictures can be a challenge, especially when dealing with fast-moving subjects and unpredictable lighting conditions. However, there are several techniques you can use to increase your chances of getting sharp images:
- Use a fast shutter speed: A fast shutter speed is essential for freezing the action and capturing sharp images of fast-moving subjects. Generally, a shutter speed of at least 1/1000s or faster is recommended for most sports photography.
- Use a stable shooting position: Keeping your camera steady is important for getting sharp images. Try to use a stable shooting position, such as using a tripod or monopod, bracing your elbows against your body, or using a wall or other solid object for support.
- Use a fast lens: A lens with a wide maximum aperture (such as f/2.8 or wider) allows you to use a faster shutter speed and capture sharp images in low-light conditions.
- Use continuous autofocus: Continuous autofocus allows your camera to track moving subjects and adjust focus as they move closer or further away. This can help ensure that your images are in focus even as the subject moves.
- Use burst mode: Burst mode allows you to capture multiple images in quick succession, increasing your chances of getting at least one sharp image.
- Anticipate the action: Anticipating the movement of your subject and pre-focusing your lens can help you capture sharp images at the decisive moment.
- Review your images: After capturing your images, review them on the camera's LCD screen to check for sharpness and adjust your technique as needed.
By using these techniques, you can increase your chances of getting sharp sports images. However, keep in mind that sports photography can be unpredictable, and it may take some practice and experimentation to find the techniques that work best for you.
What Is a 35mm Vs 24mm Lens?
A 35mm lens and a 24mm lens are both wide-angle lenses commonly used in photography, but there are some differences between them.
A 35mm lens is considered a standard wide-angle lens, and it provides a wider field of view than a normal lens (typically around 50mm). It's a versatile lens that can be used for a variety of subjects, including landscapes, street photography, and portraits. A 35mm lens can capture a wider view of a scene than a 50mm lens, making it a popular choice for environmental portraits or capturing more of a scene in street photography.
On the other hand, a 24mm lens is an ultra-wide-angle lens that can capture an even wider view than a 35mm lens. It's commonly used for landscape photography, architecture, and interior photography. A 24mm lens can capture more of a scene than a 35mm lens, but it may also introduce more distortion and exaggerate the perspective of the scene.
In general, a 35mm lens is more versatile and can be used for a wider range of subjects, while a 24mm lens is better suited for specific types of photography where a wide-angle view is desired. Ultimately, the choice between a 35mm and 24mm lens will depend on the photographer's needs and shooting style.
Why 35mm Lens Is Better Than a 50mm?
It's not accurate to say that a 35mm lens is better than a 50mm lens, or vice versa. Both lenses have their own strengths and weaknesses, and which one is better for a particular situation depends on several factors, including the photographer's shooting style, the subject being photographed, and the desired outcome.
That being said, there are some advantages to using a 35mm lens over a 50mm lens in certain situations:
- Wider Field of View: A 35mm lens has a wider field of view than a 50mm lens, allowing you to capture more of a scene in your shot. This can be particularly useful in landscape photography, architectural photography, or street photography, where capturing the environment is important.
- Environmental Portraits: Because of the wider field of view, a 35mm lens can be better suited for environmental portraits, where the subject is placed in context with the surrounding environment.
- Low-Light Performance: Some 35mm lenses have a wider maximum aperture than 50mm lenses, allowing for better low-light performance and greater depth of field control.
However, a 50mm lens also has its own advantages. It is often considered a "normal" lens, providing a perspective similar to what the human eye sees. It's also often smaller and lighter than a 35mm lens, making it a more portable option.
Ultimately, the choice between a 35mm lens and a 50mm lens will depend on the photographer's shooting style, the subject being photographed, and personal preference. Both lenses have their own strengths and can produce excellent results in the right hands.
Which Is Better 35mm Or 85mm?
Whether a 35mm or 85mm lens is better depends on the situation and the desired outcome. Both lenses have their own strengths and weaknesses, and which one is better for a particular situation depends on several factors, including the photographer's shooting style, the subject being photographed, and the desired outcome.
A 35mm lens is a wide-angle lens, while an 85mm lens is a medium telephoto lens. Here are some advantages of each:
Advantages of a 35mm lens:
- Wider field of view, allowing you to capture more of the environment in your shot
- Better for environmental portraits or capturing a wider view of a scene
- Better for shooting in tight spaces or cramped quarters
Advantages of an 85mm lens:
- Longer focal length, providing a narrower field of view and the ability to compress the background
- Better for isolating subjects from their environment
- Ideal for portrait photography, as it allows for flattering perspectives and can produce a pleasing bokeh effect
In general, if you want to capture more of the environment in your shot and shoot in tight spaces, a 35mm lens is a better option. If you want to isolate your subject from the environment and create a pleasing bokeh effect, an 85mm lens is a better option. Ultimately, the choice between a 35mm and an 85mm lens will depend on the photographer's shooting style, the subject being photographed, and personal preference.
What Should My Iso Be For Sports Photography?
The ideal ISO for sports photography depends on several factors, including the available light, the desired shutter speed, and the camera you're using. Here are some general guidelines to follow:
- Use the lowest ISO possible: In general, it's best to use the lowest ISO possible to minimize digital noise and preserve image quality. However, if you're shooting in low light or need to use a fast shutter speed to freeze action, you may need to increase the ISO to get the shot.
- Adjust ISO based on available light: In bright sunlight or well-lit indoor environments, you can typically use a lower ISO (100-400) to get sharp, noise-free images. In low-light environments, you may need to use a higher ISO (800-3200) to get a fast enough shutter speed to freeze action.
- Consider the camera's performance: Different cameras have different ISO performances, so it's important to test your camera to see how it handles higher ISO settings. Some cameras may produce too much noise at higher ISO settings, while others may perform well up to ISO 3200 or higher.
- Use the camera's noise reduction features: Most cameras have noise reduction features that can help reduce digital noise in images taken at higher ISO settings. Be sure to experiment with these features to see how they affect image quality.
Ultimately, the ideal ISO for sports photography depends on the specific shooting situation and your desired outcome. It's important to experiment with different ISO settings and test your camera's performance to find the right balance between image quality and shutter speed.
Is 300mm Enough For Sports?
Whether a 300mm lens is enough for sports photography depends on the specific sport and shooting situation. A 300mm lens is considered a telephoto lens, and it can be a good choice for many sports, especially if you're shooting from a distance. Here are some general guidelines:
- Field of play: Consider the distance between your shooting position and the field of play. If you're shooting a sport like a football, soccer, or rugby from the sidelines, a 300mm lens may be sufficient to capture the action in the middle of the field. However, if you're shooting from the end zone or a far distance, you may need a longer lens.
- Subject size: Consider the size of your subject. If you're shooting a sport where the athletes are relatively close to you, like basketball or volleyball, a 300mm lens may be too long and limit your ability to capture the entire court or court area. In these situations, a wider lens or shorter telephoto lens may be a better choice.
- Desired shot: Consider the type of shot you want to capture. If you want to capture tight, close-up shots of athletes' faces or expressions, a 300mm lens may not be sufficient. In these situations, a longer lens or one with a wider aperture may be better.
Ultimately, whether a 300mm lens is enough for sports photography depends on the specific shooting situation and your desired outcome. It's important to experiment with different lenses and focal lengths to find the right balance between subject size, distance, and the type of shot you want to capture.
Is 135mm Good For Sports?
A 135mm lens can be a good choice for certain sports photography situations, but it may not be ideal for all sports or all shooting scenarios. Here are a few factors to consider:
- Distance from the subject: If you're shooting sports from a distance, such as from the stands or from the sidelines, a 135mm lens may not be long enough to capture close-up shots of the athletes. However, if you're shooting from a closer distance, such as from the field or court, a 135mm lens could be a good choice.
- Sport type: Different sports may require different lenses. For example, if you're shooting a sport like basketball, a 135mm lens may not be the best choice, as you may need a wider field of view to capture the entire court. On the other hand, a 135mm lens could work well for capturing action in sports like soccer or football, where the athletes are farther away from the camera.
- Desired effect: The 135mm lens can produce beautiful images with a shallow depth of field, which can help to isolate your subject from the background. This can be especially useful if you want to capture a portrait-style shot of an athlete, or if you want to draw attention to a particular moment in the game.
Overall, a 135mm lens can be a good choice for certain sports photography situations, but it may not be the best choice for all sports or all shooting scenarios. It's important to consider your shooting conditions and desired effect before deciding on a lens.
Is A 70-200mm Lens Good For Sports?
Yes, a 70-200mm lens is a popular choice for sports photography, as it offers a versatile range of focal lengths that can be used for a variety of sports and shooting scenarios. Here are a few reasons why a 70-200mm lens can be a good choice for sports photography:
- Versatility: With a focal length range of 70-200mm, this lens can be used for both wide-angle shots and close-up shots, making it a versatile choice for sports photography.
- Image quality: Many 70-200mm lenses are high-quality and can produce sharp, detailed images, even in challenging lighting conditions.
- Autofocus: A good 70-200mm lens will usually have fast and accurate autofocus capabilities, which can be especially important for capturing fast-moving subjects in sports photography.
- Image stabilization: Some 70-200mm lenses also feature image stabilization, which can help to reduce camera shake and produce sharper images when shooting handheld.
Overall, a 70-200mm lens can be a great choice for sports photography, offering versatility, image quality, and fast autofocus capabilities.
Is 85mm Good For Sports?
An 85mm lens is generally not considered the best choice for sports photography, as it has a relatively narrow field of view that may not be well-suited for capturing fast-moving subjects at a distance. However, there are some situations in which an 85mm lens could be used effectively for sports photography, such as:
- Portrait-style shots: If you're looking to capture more intimate, portrait-style shots of athletes or coaches, an 85mm lens can be a good choice.
- Indoor sports: In sports photography scenarios where you're shooting in an indoor gym or arena, an 85mm lens may be better suited than a longer telephoto lens, as it can allow you to capture more of the scene while still producing a shallow depth of field.
- Detail shots: An 85mm lens can be useful for capturing detailed shots of equipment, such as baseball gloves or basketball shoes, which can help to add context and interest to your sports photography.
Overall, while an 85mm lens may not be the best choice for capturing fast-moving action in sports photography, it can be a useful tool for capturing other aspects of the sports world, such as portraits, details, or indoor scenes.
Is 70 200 Good For Sports?
Yes, the 70-200mm lens is a popular choice for sports photography and is widely considered to be one of the best lenses for this type of photography. Here are a few reasons why the 70-200mm lens is a good choice for sports photography:
- Versatility: The 70-200mm range is versatile and can be used for capturing a range of shots, including wide-angle shots and close-up shots.
- Autofocus: The 70-200mm lens is often equipped with fast and accurate autofocus capabilities, which are important for capturing fast-moving subjects in sports photography.
- Image quality: Many 70-200mm lenses are high-quality and can produce sharp, detailed images, even in challenging lighting conditions.
- Image stabilization: Some 70-200mm lenses are equipped with image stabilization, which can help reduce camera shake and produce sharper images when shooting handheld.
Overall, the 70-200mm lens is a versatile and high-quality lens that is well-suited to sports photography, thanks to its fast autofocus, image quality, and versatility.
Final conclusions
In conclusion, we can say that there are really a lot of optics that you can use to start with sports photography and this will not be the last article I will do about it.
Surely I will also talk to you about my personal optics, how I use them, but above all about those optics that are second best for a professional sports photographer.
When you start photographing sports it is easy to compromise and make lower investments, it is also right, I did it too.
Professional optics require high investments that not everyone can afford, there are lenses that cost more than $ 10,000, more than a car if you think about it.
You get to make certain purchases after learning a lot and working just as much, saving a lot of money.
Over time you will understand that when you buy a lens, you will pay first and foremost the focal aperture of the lens, there are huge price differences between a ƒ 2.8 lens and an excellent ƒ 4 or ƒ 5.6, but I assure you that the quality is equally abysmal.
