Car photography is a very demanding genre that requires many qualities to be a good photographer. It requires an eye for composition, an intuitive understanding of lighting, and the ability to imagine in advance how the photo will look.
It also requires technical knowledge because you cannot get close to the subject; if you cannot get the car and the background to fill the frame in one shot, you will need several shots and the best lenses.
Best Lenses For Car Photography 2024
Table of Contents
The best lens to use for photographing cars is one with a focal length of 35mm to 85mm.
These lenses are suitable for representing curves, shapes, and natural objects, and do not show distortion in the image. They can be used to photograph both exteriors and interiors.
If you are a car photography enthusiast, you will want to know how easy it is to take highly professional photos. All you need is the right lens.
However, choosing the right lens for a particular shoot can be difficult. There are several things to consider before pulling the trigger.
Depending on your preference, a lens for car photography should have the right focal length, a good aperture, fast and quiet autofocus, and a beautiful bokeh effect.
Find out how to take pictures of the coolest four-wheelers with the best lens for automotive photography.
Best Lenses For Car Photography | Comparison Table 2024
Top Quality | 5 Star Pick | Great Prices
| Image | Title | Buy | |
|---|---|---|---|
| Canon EF 50mm f/1.8 STM Lens | Canon | VIEW ON AMAZON | |
| Nikon AF-S Nikkor 50mm f/1.8G Lens | Nikon | VIEW ON AMAZON | |
| Sony SEL85F18 85mm F/1.8-22 Medium-Telephoto Fixed Prime Camera Lens, Black | Sony | VIEW ON AMAZON | |
| Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101) | Sigma | VIEW ON AMAZON | |
| Samyang SYIO3514-E AF 35mm f/1.4 Auto Focus Wide Angle Full Frame Lens for Sony FE Mount, Black | Samyang | VIEW ON AMAZON | |
| Tamron 28-75mm F/2.8 for Sony Mirrorless Full Frame E Mount (Tamron 6 Year Limited USA Warranty) | Tamron | VIEW ON AMAZON | |
| Fujifilm XF55-200mmF3.5-4.8 R LM OIS | Fujifilm | VIEW ON AMAZON | |
| Canon EF-S 24mm f/2.8 STM Lens | Canon | VIEW ON AMAZON | |
| Sony - FE 24-105mm F4 G OSS Standard Zoom Lens (SEL24105G/2) | Sony | VIEW ON AMAZON |
Prices and images pulled from the Amazon Product Advertising API on:
Best Lenses For Car Photography | 2024 Products Overview
1. Canon EF 50mm f/1.8 Best Lenses For Car Photography
The Canon EF 50mm f/1.8 STM lens is a versatile prime lens suitable for various photography styles, including portraits, action shots, and nighttime photography. With a 50mm focal length and a wide aperture of f/1.8, it delivers excellent low-light performance and allows for creative depth of field effects.
This lens is ideal for capturing sharp and detailed images, featuring a minimum focusing distance of 1.15 feet (0.35 meters) and a maximum magnification of 0.21x. The stepping motor (STM) ensures near-silent continuous Servo AF for smooth focusing during video recording and quiet operation for still photography.
On APS-C cameras, it provides an effective focal length of 80mm, while on full-frame cameras, it maintains the classic 50mm perspective. The lens construction consists of 6 elements in 5 groups, contributing to its compact and lightweight design. Whether you’re a beginner or an experienced photographer, the Canon EF 50mm f/1.8 STM lens is a popular choice for its affordability and high-quality imaging capabilities.
Product Overview:
The Canon EF 50mm f/1.8 STM Lens is a versatile and compact normal lens compatible with Canon EF mountings. With a maximum focal length of 49 millimeters and a wide aperture of f/1.8, it is great for portraits, action, and nighttime photography. The angle of view is 40 degrees horizontal, 27 degrees vertical, and 46 degrees diagonal. The lens has a minimum focusing distance of 1.15 feet and a maximum magnification of 0.21x.
The lens features a stepping motor (STM) that delivers near-silent, continuous move Servo AF for movies and smooth AF for stills. It also has an effective focal length of 80 millimeters on APS-C cameras and 50 millimeters on full-frame cameras. The lens construction includes 6 elements in 5 groups. The wide f/1.8 aperture allows for more light to enter the lens, resulting in sharper images with less motion blur and reducing the need to use flash in dimly lit conditions.
In addition to its performance capabilities, the EF 50mm f/1.8 STM is also designed for ease of use. The lens has a compact and lightweight design making it an excellent walk-around lens. It also has a redesigned exterior with improved focus ring placement for easy manual focus adjustments. The lens has a rugged metal mount and an improved minimum focusing distance of 1.15 ft. (0.35m) and a maximum magnification of 0.21x. Overall, it is an excellent lens for photographers and moviemakers to expand their creative possibilities with their EOS cameras.
- A wide aperture of f/1.8 allows for more light to enter the lens, resulting in sharper images with less motion blur.
- Its compact and lightweight design makes it an excellent walk-around lens.
- Stepping motor (STM) delivers near silent, continuous move Servo AF for movies and smooth AF for stills.
- The effective focal length of 80 millimeters on APS-C cameras and 50 millimeters on full-frame cameras.
- The wide aperture allows for capturing beautiful background blur.
- Not suitable for wide-angle photography.
- A maximum magnification of 0.21x may not be enough for some users.
- Not weather sealed.
2. Nikon AF-S Nikkor 50mm Top Lenses For Car Photography
The Nikon AF-S FX NIKKOR 50mm f/1.8G is a fast, upgraded prime lens designed for FX format cameras. With a versatile 50mm focal length, it offers a wide f/1.8 aperture, making it ideal for low-light conditions and creative depth of field effects. The lens is optimized for both FX and DX format DSLRs, ensuring edge-to-edge sharpness.
Featuring a newly developed optical system with an aspherical lens element and the exclusive Nikon Silent Wave Motor (SWM), this lens delivers high-quality images with fast and quiet autofocus. The M/A focus mode switch allows for quick manual focus adjustments, and the lens has a minimum focus distance of 1.48 feet (0.45 meters).
Compact and lightweight, the lens has a filter thread of 58mm and dimensions of approximately 2.83 inches in diameter by 2.01 inches. Its non-zoomable design makes it a reliable choice for photographers seeking a fixed focal length lens with excellent optical performance
Product Overview:
The Nikon AF-S Nikkor 50mm f/1.8G Lens is a fast, upgraded, and compact lens compatible with Nikon F (FX) mountings. With a focal length of 50 millimeters and a maximum aperture of f/1.8, it is a great lens for standard portraits and everyday use. The picture angle with 35 millimeters (135) format is 47 degrees and the maximum reproduction ratio is 0.15X. The minimum focus distance is 1.48 feet.
The lens features a newly developed optical system with an aspherical lens element and an exclusive Nikon silent wave motor (SWM) for fast and accurate autofocus. It also has a M/A focus mode switch and a filter thread of 58 millimeters. The lens is not zoomable. The lens dimensions are approximately 2.83 inches in diameter and 2.01 inches in length.
In addition to its performance capabilities, the Nikon AF-S Nikkor 50mm f/1.8G Lens also comes with a variety of accessories. The package includes a 58mm Snap-On Lens Cap, LF-4 Rear Lens Cap, HB-47 Bayonet Lens Hood for AF-S 50mm f/1.4G, CL-1013 Soft Lens Case, and a 5-Year Warranty (1-Year International + 4-Year USA Extension). The fast f/1.8 aperture allows you to capture stunning images with a shallow depth of field, letting your subjects stand out from their backgrounds. And with a 50mm focal length (75mm equivalent on DX-format cameras) it may soon become your new favorite lens.
- A fast f/1.8 aperture allows for stunning images with a shallow depth of field.
- 50mm focal length (75mm equivalent on DX-format cameras) is great for standard portraits and everyday use.
- New optical system with an aspherical lens element and exclusive Nikon silent wave motor (SWM) for fast and accurate autofocus.
- Comes with a variety of accessories including a lens hood, lens cap, and a soft carrying case.
- 5-Year Warranty (1-Year International + 4-Year USA Extension)
- Not suitable for wide-angle photography.
- A maximum reproduction ratio of 0.15X may not be enough for some users.
- Not zoomable
3. Sony 85mm F/1.8-22 Lenses For Car Automotive
The Sony FE 85mm f/1.8 lens is a prime lens designed for full-frame Sony E-mount cameras. It features a wide f/1.8 maximum aperture, allowing for beautiful defocusing effects and excellent performance in low-light conditions. With a 9-blade circular aperture, this lens creates round and pleasing defocused bokeh.
Equipped with ED glass elements, the lens ensures corner-to-corner sharpness, making it ideal for portraits and various photography applications. The double linear motor system enables fast, quiet, and precise focusing, and the lens has a maximum magnification ratio of 0.13 with an angle of view at 29 degrees.
The lens provides direct control with a customizable focus hold button and AF/MF switch for added convenience. Its 35mm equivalent focal length on APS-C cameras is 127.5mm. Whether you're capturing portraits or other subjects, the Sony FE 85mm f/1.8 lens delivers high-quality results.
Product Overview:
The Sony SEL85F18 85mm F/1.8-22 Medium-Telephoto Fixed Prime Camera Lens is a versatile telephoto lens compatible with Sony E mountings. With a maximum focal length of 85 millimeters, this lens is great for capturing beautiful portraits. The wide F1.8 maximum aperture enables beautiful defocusing effects and the 9-Blade circular aperture creates beautiful round defocused bokeh.
The lens also features an ED glass element for corner-to-corner sharpness and a double linear motor system for fast, quiet, and precise focusing. The maximum magnification ratio is 0.13 and the angle of view is 29 degrees. It also has a direct control feature with a customizable focus hold button and AF/MF switch. With an equivalent focal length of 127.5mm on APS-C cameras, this lens is great for both full-frame and APS-C cameras.
In addition to its performance capabilities, the Sony SEL85F18 85mm F/1.8-22 Medium-Telephoto Fixed Prime Camera Lens is also designed for durability. The lens is dust and moisture-resistant, offering robust reliability. The compact and lightweight design of the lens makes it easy to carry around and it is ideal for both full-frame and APS-C cameras. The 9-blade fast F1.8 aperture delivers beautiful background Defocus effects, making it a great lens for capturing beautiful portraits.
- Wide F1.8 maximum aperture enables beautiful defocusing effects.
- 9-Blade circular aperture creates beautiful round defocused bokeh.
- ED glass element for corner-to-corner sharpness.
- Double Linear motor system for fast, quiet, and precise focusing.
- Dust and moisture-resistant design offer robust reliability.
- A maximum magnification ratio of 0.13 may not be enough for some users.
- Not suitable for wide-angle photography.
- The direct control feature may not be useful for some users.
4. Sigma 18-35mm F1.8
The Sigma 35mm F1.8 Art DG HSM Lens is a versatile prime lens designed for various camera mounts, including Canon EF (EF-S), Sony Alpha (dot), and Nikon F (DX). With a bright F1.8 maximum aperture, it allows for excellent low-light performance and creative depth of field effects, making it suitable for a wide range of photography applications.
Featuring a ring-type ultrasonic-type AF motor, the lens provides fast and accurate autofocus, and it also offers full-time manual focusing for added control. The minimum focusing distance is 28 cm (11.0 in), enabling close-up shots with detailed clarity.
This lens is USB Dock compatible, allowing for firmware updates and customization. It is also MC-11 compatible for seamless integration with Sigma's mount converter. With a 72mm filter size, the lens is equipped to handle various lighting conditions and creative scenarios. If you're looking for a high-quality prime lens with a versatile focal length, the Sigma 35mm F1.8 Art DG HSM Lens is a solid choice
Product Overview:
The Sigma 18-35mm F1.8 Art DC HSM Lens for Canon is a wide-angle to a standard zoom lens with a unique, fast constant aperture of F1.8. Compatible with Canon EF-S mountings, this lens is designed specifically for APS-C-sized sensors and translates to 27mm-52.5mm on a 35mm camera. It incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle.
The lens features a ring-type ultrasonic-type AF motor with full-time manual focusing and a filter size of 72mm. The minimum focusing distance is 28 cm/ 11.0 inches. It is also USB Dock compatible and MC-11 compatible. The lens is constructed with Thermally Composite Material (TSC) which reduces size and weight while increasing durability. The Hyper Sonic Motor (HSM) ensures smooth, fast, and accurate autofocusing, and the new Global Vision design works with its compatibility with the Sigma USB dock for further customization. A 9-blade rounded diaphragm also creates a beautiful background blur.
Sigma has also developed special software (SIGMA Optimization Pro) that can update the lens firmware and adjust parameters such as focus. This lens is also great for video production. Because of the very shallow depth of field (DOF) of fast glass and focus variation between the cameras, users may experience focus shifts and inconsistent AF. \
This can be fixed by using the AF fine tune (For Nikon System) or AF Micro Adjustment(For Canon System) in the camera’s menu to calibrate the lens to specific cameras. The lens also comes with front and rear lens caps and a lens hood.
- A unique, fast constant aperture of F1.8.
- Designed specifically for APS-C-sized sensors and translates to 27mm-52.5mm on a 35mm camera.
- Incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle.
- Hyper Sonic Motor (HSM) ensures smooth, fast, and accurate autofocusing.
- USB Dock is compatible and MC-11 compatible.
- Due to the very shallow depth of field (DOF) of fast glass and focus variation between the cameras, users may experience focus shifts and inconsistent AF.
- Not suitable for full-frame cameras.
- Size and weight may be too large for some users.
5. Samyang 35mm f/1.4
The Sigma 35mm F1.4 Art DG HSM Lens is a high-performance auto-focus lens compatible with Sony FE mount cameras. Weighing 1.4 pounds without the lens cap and hood, it strikes a balance between robust construction and portability. With a maximum diameter of Φ75.9mm and a length of 4.5 inches, it's a compact lens suitable for various photographic applications.
Featuring an aperture range of F1.4 to F16, this lens excels in low-light conditions and provides creative control over depth of field. The minimum focusing distance of 0.98 feet allows for impressive close-up shots. The lens is constructed with 11 elements in 9 groups and utilizes a 67mm filter size.
For exceptional image quality, the Sigma 35mm lens employs ultra multi-coated glass, ensuring razor-sharp images with minimal aberrations. Whether you're capturing portraits, landscapes, or street photography, this lens delivers outstanding optical performance.
Product Overview:
The Samyang SYIO3514-E AF 35mm f/1.4 Auto Focus Wide Angle Full Frame Lens is a high-performance lens specifically designed for Sony FE mount cameras. With a weight of 1.4 pounds and a maximum diameter of Φ75.9mm, it measures 4.5 inches in length. It has an aperture range of F1.4-F16 and a minimum focusing distance of 0.98 feet.
Constructed of 11 elements in 9 groups, this lens uses a 67mm filter size and ultra multi-coated glass for razor-sharp images. The optical configuration of 11 elements in 9 groups utilizes 2 Aspherical and 2 High-Refractive Index lens elements to deliver outstanding resolution. Ultra Multi Coating is also used to minimize aberrations and unnecessary light dispersion.
This lens features a new, quiet, fast, and precise Internal Focusing (IF) autofocus system for superior focus detection that captures any moment clearly. The bright F1.4 maximum aperture takes the stress out of working in difficult lighting conditions and provides a shallow depth of field for greater point-of-focus control. The circular 9-blade diaphragm delivers pleasing bokeh at all settings.
Additional features include a durable all-metal housing with a user-friendly grip, a removable and reversible storage lens hood, and full compatibility with APS-C Sony E-mount cameras, where it will provide an equivalent focal length of approximately 52mm for a “normal” angle of view. The Samyang 35mm F1.4 AF Full Frame lens for Sony E is designed to appeal to enthusiasts and professionals who are ready to take the next step up in wide-angle photography where outstanding image clarity, contrast, color fidelity, and high corner-to-corner resolution are a priority.
- Autofocus lens that is compatible with Sony FE mount.
- Aperture range of F1.4-F16 with a minimum focusing distance of 0.98 feet
- Constructed of 11 elements in 9 groups and uses a filter size of 67mm
- Uses ultra multi-coated glass for razor-sharp images.
- Durable all-metal housing with user-friendly grip and removable and reversible lens hood.
- May be too heavy for some users
- May be too large for some users
- May have a steep learning curve for some users.
6. Tamron 28-75mm F/2.8
The Tamron 17-28mm F/2.8 Di III RXD Lens offers superb optical performance with outstanding image quality and beautiful background blur effects (bokeh), thanks to its fast f/2.8 aperture. Despite its high performance, the lens is comfortably lightweight at 19.4 oz. and compact with a length of 4.6 inches.
With a maximum magnification ratio of 1:2.9 at the wide-angle setting and 1:4 at the telephoto position, this lens is versatile for various shooting scenarios. It features close-focusing, allowing a minimum object distance of 7.5 inches at the wide-angle setting and 15.3 inches at the telephoto position.
The lens incorporates an all-new "RXD" stepping motor AF unit, ensuring extremely quiet autofocus, making it ideal for video capture. Additionally, it boasts moisture-resistant construction and a fluorine coating for weather protection, enhancing its durability. The maximum diameter of the lens is Φ73mm.
Product Overview:
The Tamron 28-75mm F/2.8 is a high-speed zoom lens specifically designed for Sony mirrorless cameras with full-frame sensors. With a focal length range of 28-75mm, this lens is perfect for capturing a variety of scenes, from wide-angle landscapes to telephoto portraits. The fast f/2.8 aperture allows for outstanding image quality and beautiful background blur effects, making it ideal for photographers looking to create bokeh-rich images.
The lens is also designed to be lightweight and compact, weighing just 19.4 oz and measuring 4.6 inches in length. This makes it easy to carry and handle, making it a great option for photographers who want to travel light. Additionally, the lens features a close-focusing distance of 7.5 inches at the wide-angle setting and 15.3 inches at the telephoto position, which allows for a wide range of creative close-up photography opportunities.
The lens also features an all-new "RDX" stepping motor AF unit, which is extremely quiet, making it perfect for video capture. This ensures that the lens can focus quickly and quietly, without any distracting noise. Additionally, the lens is built to be moisture-resistant and features a fluorine coating for added weather protection.
- Superb optical performance with fast f/2.8 aperture
- Lightweight and compact design for easy handling
- Close-focusing distance for creative close-up photography
- Extremely quiet auto-focus system perfect for video capture
- Moisture-resistant construction and fluorine coating for added weather protection
- Only compatible with Sony mirrorless cameras with full-frame sensors
- The maximum Magnification Ratio is only 1:2.9 at wide-angle and 1:4 at telephoto
- May be more expensive than some other options on the market
7. Fujifilm XF55-200mm
The Fujinon XF55-200mmF3.5-4.8 R LM OIS Lens is a versatile telephoto zoom lens designed for Fujifilm X series interchangeable lens cameras. With a focal length range of 55-200mm, it provides a 35mm equivalent focal length of 83-300mm on APS-C cameras.
Featuring a maximum aperture of F3.5-4.8 and a minimum aperture of F22, this lens delivers flexibility for different shooting scenarios. The lens incorporates a stepper-type autofocus (AF) motor for quick and precise focusing. Notably, it comes with image stabilization claiming up to 4.5 stops, enhancing the stability of handheld shots.
The minimum focus distance is 1.10m (43.41 inches), allowing for versatility in capturing both distant and close-up subjects. The lens uses 62mm filters and is compatible with Fujifilm X mount cameras. It does not require batteries for operation
Product Overview:
The Fujifilm XF55-200mmF3.5-4.8 R LM OIS is a versatile telephoto lens that is compatible with Fujifilm X series interchangeable lens cameras. The lens has a maximum focal length of 200 millimeters and a minimum focus distance of 1.10m/43.41 inches. On APS-C cameras, the lens has an equivalent focal length of 83-300mm. The lens has a maximum aperture of F3.5-4.8 and a minimum aperture of F22. The lens is equipped with a stepper-type AF motor for fast and precise autofocus.
One of the standout features of this lens is its image stabilization function which allows for the use of shutter speeds up to 4.5 stops slower, making it easier to shoot hand-held in low-light situations or when shooting at a stopped-down aperture. The lens also includes two linear motors for high-speed autofocus of 0.28 seconds. The lens is constructed with high-quality metal and has a 62mm filter size.
The lens features an advanced optical design to cover the mid-telephoto to telephoto range, with two ED lens elements and one Super ED lens element to increase performance and control against chromatic aberrations. Additionally, the lens features Fujifilm's proprietary HT-EBC coating on the entire lens surface to effectively prevent reflections and control flare and ghosting. The lens also has a minimum focal distance of 1.1m across the entire zoom range to enable telephoto close-ups.
One con of this lens is that it does not come with batteries since it does not require them. Additionally, some users may find the switch on the side of the lens to activate image stabilization to be slightly inconvenient.
- The lens offers a fast F3.5-4.8 aperture that produces sharp images across its entire zoom range.
- The image stabilization function allows for the use of shutter speeds up to 4.5 stops slower, reducing the likelihood of camera shake.
- The lens includes two linear motors for high-speed and quiet autofocus.
- The lens features two ED lens elements and one Super ED lens element for increased performance and effective control against chromatic aberrations.
- The lens has a high-quality metal construction and a focus ring and aperture ring.
- The lens may be too bulky or heavy for some users.
- The lens may be expensive for some users.
- The lens has a switch on the side to activate image stabilization which can be a bit inconvenient
8. Canon EF-S 24mm f/2.8
The Canon EF-S 24mm f/2.8 STM Lens is a wide-angle lens designed for Canon APS-C cameras, providing a 38mm equivalent focal length on a full-frame camera. With a slim and lightweight design, it is the slimmest and lightest lens in the EF-S series.
Featuring a focal length of 24mm and a maximum aperture of f/2.8, this lens delivers versatility for various photography situations. The circular aperture with 7 blades produces beautiful, soft backgrounds, enhancing the aesthetic quality of the images. The lens supports full-time manual focus, allowing manual adjustments even in One Shot AF mode.
With a minimum focusing distance of 0.16 meters (0.5 feet), it enables close-up shots with a maximum magnification of x0.27. Compatible with all non-full-frame Canon EOS digital SLRs, this lens is a versatile and compact option for photographers
Product Overview:
The Canon EF-S 24mm f/2.8 STM Lens is a versatile and lightweight wide-angle lens designed for use with Canon APS-C cameras. With a 35mm equivalent focal length of 38mm, it is suitable for a wide range of photography, from landscapes to portraits.
The lens features advanced optics, including optimized lens element placement and an aspherical element for high image quality from the center to the corners, as well as specialized coatings on the lens elements to reduce ghosting and flare. The lens also has a 7-blade circular aperture that provides a beautiful background blur.
The lens also offers advanced AF capabilities, thanks to its STM motor which enables silent and smooth focus tracking, making it perfect for video shooting. Additionally, the lens has a micro-stepping drive aperture mechanism that keeps aperture changes quiet, and a full-time manual focus override. The lens has a slim design, measuring less than 1 inch thick, making it easy to carry with you on the go.
With its advanced optics, lightweight design, and advanced AF capabilities, the Canon EF-S 24mm f/2.8 STM lens is a great choice for photographers looking for a travel-friendly option to add to their collection. However, it is important to note that it is only compatible with Canon APS-C cameras and not full-frame cameras.
- The EF-S 24mm f/2.8 STM is a lightweight and compact lens, making it a great option for traveling photographers.
- The lens has advanced AF and superior optics, ensuring high image quality from the center of the composition to the corners.
- The lens includes an aspheric element and specialized coatings on the lens elements to reduce ghosting and flare.
- The STM motor enables silent and smooth focus tracking during movie shooting.
- The lens has full-time manual focus, and manual AF adjustment (one-shot AF), and can focus down to a minimum distance of 0.5 ft. (0.16m).
- The lens is only compatible with Canon APS-C cameras, it is not suitable for full-frame cameras.
- The maximum aperture of f/2.8 may not be sufficient for low-light photography.
- The lens does not have image stabilization, which can be an issue for hand-held shots in low-light conditions.
9. Sony FE 24-105mm Best Sony Lens For Car Photography
The Sony FE 24-70mm F4 ZA OSS Lens features a G-lens design with 4 aspherical and 3 ED glass elements, delivering high corner-to-corner resolving power throughout the entire zoom range. With a constant F4 maximum aperture, it maintains consistent exposure and depth of field across the zoom range.
The lens incorporates a 9-blade circular aperture, contributing to beautifully de-focused backgrounds, enhancing the overall image quality. It boasts a minimum focusing distance of just 1.25 feet, providing close-up capabilities for a wide range of creative expressions.
Utilizing Sony's unique DDSM (Direct Drive Super-Sonic Motor) internal focusing system, the lens ensures fast, quiet, and precise autofocus. Additionally, it features a responsive manual focusing ring for more control over focus adjustments. This lens is designed for Sony's full-frame cameras, offering versatility for various photographic applications
Product Overview:
The Sony FE 24-105mm F4 G OSS Standard Zoom Lens (SEL24105G/2) is a high-performance lens compatible with Sony E mount camera bodies. It features a G-lens design with 4 aspherical and 3 ED glass elements, which work together to provide high corner-to-corner resolving power throughout the entire zoom range. The constant F4 maximum aperture maintains exposure and depth of field throughout the Zoom range.
The 9-Blade circular aperture contributes to beautiful background blur, making it a great lens for portraits and other shallow depth-of-field photography. The lens is designed for 35mm full-frame cameras and has 14-17 lens groups and elements. The minimum focusing distance of just 1.25 feet provides a close-up ability for an expansive range of expression. The lens sports Sony's unique DDSM (direct drive Super-sonic motor system) internal focusing system and a responsive manual focusing ring, which ensures fast, quiet, and precise focusing.
The lens has advanced optics that achieve consistently high corner-to-corner resolution throughout the zoom range. Four aspherical elements effectively reduce aberration, while ED (Extra-low Dispersion) glass elements minimize chromatic aberration. The lens also has a circular aperture and carefully controlled spherical aberration shape which adds expressive potential with beautiful, smooth background bokeh and natural highlights that complement outstanding in-focus sharpness and clarity.
Despite its excellent optical performance and high zoom ratio, the lens is compact and lightweight, weighing only 23.4 oz (663 g), making it easy to handle and transport. The lens is great for shooting a wide range of subjects and situations, with a minimum focus distance of 1.25 ft (0.38 m) and built-in optical image stabilization, it further enhances all-around versatility.
- High corner-to-corner resolving power throughout the entire zoom range
- Constant F4 maximum aperture maintains exposure and depth of field throughout the Zoom range
- 9-Blade circular aperture contributes to a beautiful background blur
- Fast, quiet, and precise focusing with Sony’s unique DDSM internal focusing system
- Compact and lightweight design, making it easy to handle and transport
- The lens is relatively expensive compared to other standard zoom lenses.
- The lens does not have weather sealing, making it less suitable for use in harsh weather conditions.
- The lens does not have Image Stabilization, which may be an issue for some users.
How To Choose The Best Lenses For Car Photography | Detailed Buyer’s Guide 2024
Selecting the right focal length
There are almost as many types of automotive photography as there are types of automobiles. You can capture portraits of stationary cars or moving shots on the road. The ideal lens will depend on what you want to capture.
Here are the three most popular lenses for automotive photography:
- 35mm f/1.4: If the car is stationary, there's no better lens than the 35mm. It gives you a wide-angle to capture the entire car and background without having to stand too far away. As it is a fixed focal length, you can shoot a wide aperture (low f/stop value) to create a bokeh effect in the background.
- 24-70mm f/2.8: The 24-70mm is a great all-around lens for automotive photography. You can achieve close or wider shots with a single lens. Since it's a zoom lens and you can make quick adjustments, it's great for moving cars (if they're not too far away).
- 70-200mm f/2.8: If you're shooting from afar, like on a racetrack, a 70-200mm lens will allow you to zoom in on the action from a reasonable distance. Just keep the shutter speed fast to reduce motion blur.
Using a Lens with a Large Aperture
Wide apertures let in more light, allowing you to keep shutter speeds high and reduce motion blur, which is especially important when shooting fast cars. Ideally, use lenses with apertures of f/2.8 or lower to let in as much light as possible.
Even if your exposure doesn't come out right or you end up with motion blur, you can make adjustments later with photo editing software like Adobe Photoshop and Lightroom.
Lens attachment
Do you know what kind of mount your camera has? If the answer is no, run right away to see. Before buying any lens, you better check the type of mount on your reflex and check that it is compatible with the lens you intend to buy.
Don't risk spending a lot of money and then find yourself with an unusable lens due to a trivial distraction.
Stabilization
Nobody likes blurred photos. In some conditions, however, it is really difficult to have a steady hand: when there is little light and we find ourselves lengthening the time to get a decent shot, when using heavy telephoto lenses and difficult to handle, when we try to compose an image of light painting.
In such cases, the stabilization system integrated into the lens can be crucial for the success of the image. In our opinion it is worth investing in a perspective that has this characteristic: of course, you need to have a larger budget available to be able to buy it, but it will certainly come in handy.
The greater the focal length of the lens, the more important it is to have an image stabilizer.
Minimum focus distance
When you read that a lens has a minimum focusing distance of X cm, it means that, below this threshold, the lens is unable to focus on the subject correctly.
The minimum focus distance is especially important for those who often take very close photos.
If you are planning to specialize in macro photography, you will need a lens that has a significantly short minimum focus distance. So pay close attention to this parameter while browsing the catalogs of the most eligible photographic lenses.
Autofocus motor
Street photography, nature photography, and weddings: what do they have in common? All three require discretion and silence.
That's why we advise you to investigate the various types of autofocus on the market and to choose the one that causes less disturbance during shooting. The ultrasonic motor, for example, is a great candidate since the focus is smooth, quiet, and fast.
In addition to the “noise” issue, other fundamental aspects to consider are always the speed and precision of the autofocus system, especially when taking pictures of moving subjects. So look for this type of information in the reviews of the lenses that interest you.
Difference between fixed focal length and zoom lenses
Photographic lenses can be divided into two large families:
- Zoom, i.e. lenses with the variable focal length
- Fixed, i.e. with a single focal length
But why prefer a prime lens when you have the option of purchasing a more versatile one?
It is easy to say: that the quality of fixed lenses is, at the same price, far superior to that of variable focal length lenses. They have a wider aperture, which then zooms are not able to reach, and are fitted with specific lenses dedicated to a single function.
The zooms, on the other hand, have a more complex structure and, precisely for this reason, they are not able to give the image the same quality and sharpness. They are also heavier and bulkier.
However, they are more versatile than fixed focal lengths, and can therefore be used in a greater variety of situations.
Normally we begin to photograph with zooms precisely because they are more versatile, and it is not uncommon to buy a camera sold in combination with a zoom (the classic kit or bundle body camera + lens).
Types of photographic lenses
In addition to the fixed zoom / focal division, another typical way to divide the lenses is relating to their focal length:
- Wide-angle lenses
- Standard Goals
- Tele objectives
Wide-angle
They have a very short focal length, less than 35 mm. They are the ideal tool for those who want to devote themselves to landscape photography and to capture breathtaking views.
Keep in mind that the risk of distortion with these lenses is much higher, as the lines and curves are exaggerated (sometimes beyond belief, as in the case of " fisheyes" ).
This is not necessarily a defect, you could also decide to creatively exploit this feature of wide-angle lenses and give life to unique images of their kind.
Standard goals
They have a focal length of around 50 mm (you can consider "standard", in a broad sense, all focal lengths between 35 and 70) and are called standard or normal because they give an image that resembles that naturally perceived by the human eye ( while the wide-angle lenses decrease and the canvases enlarge).
Precisely for this reason they have no or very little optical distortion and are widely used in all photographic genres, with a predilection for portrait and street photography.
Telephoto lenses
Their focal length ranges from 70 mm to 300 and even more (with a significant increase in price). They can zoom in on even the most distant subjects, making them a favorite of wildlife or sports photographers.
Trying to capture a lion dozing in the savannah (or a shot for a basket during a basketball game) is not an easy task, especially if you are several meters away. Thanks to the telephoto lens, however, everything is possible As focal length increases, it becomes increasingly difficult to maintain adequate brightness, and costs soar to do so. In addition, the presence of the image stabilizer becomes more and more important
The Best Lens for Car Photography | Infographics
The Best Lens for Car Photography | Video Explanation
FAQs
What ISO sensitivity?
As often, to understand your photographs, you risk alternating, in the event of good weather, shade in the sun in your images, therefore difficult to define a fixed ISO sensitivity since it will be much higher when you take photos of subjects in shade is much lower than your subject will be in direct sunlight so to help you use Auto ISO mode
Is a 50mm lens suitable for photographing cars?
The 50mm lens is a great lens for photographing cars; the 50mm lens is a versatile lens that is popular with photographers. If you are looking for a lens that allows you to take close-up shots of cars, the answer is yes. is the 50mm lens suitable for photographing cars? Yes, the new 50mm f/1.8 lens is affordable and pocketable.
What is the best lens for photographing cars?
If you are unsure or have never shot with a lens before, I recommend starting with a 50mm lens; 50mm has a wide angle of view, so you can get up close without getting in the way too much (without changing the subject's look).
What lens should I use for photographing cars?
If you want wide-angle shots, you should use a 24mm or 35mm lens. If you are shooting in macro mode, use a 105mm lens for close-ups and detail. Also, if you want to capture moving vehicles from all angles, a 28-75mm lens is recommended.
What is the best focal length for car photography
What are macro lenses used for?
A macro lens is a type of lens that allows you to focus on a subject very close to the camera. In some cases, the subject may appear larger or fill the entire frame of the picture. This makes it easy to photograph small products and other objects.
Why is a 50mm lens often used to photograph cars?
The 50mm lens is said to be suitable for photographing cars because it has a focal length suitable for capturing the front of a car, which we often see when we look at a car. If you shoot from a distance with this lens, you can take beautiful pictures of the driver and passenger windows.
What applications are super wide-angle lenses suitable for?
An ultra-wide-angle lens is a lens that allows you to capture more of what is in front of you. This makes them suitable for capturing the environment around the car, but not for close-ups or details.
What are the disadvantages of a lens that is too wide for a camera with a normal-sized sensor?
A lens that is too wide can cause extreme distortion, making straight lines appear crooked. However, this effect is undesirable when photographing cars, since most of the detail in a car comes from the sharpness and symmetry of the exterior design.
What Lens Should I Use For Car Photography?
The best lens for car photography depends on your shooting style and the look you want to achieve. Here are a few lens options to consider for car photography:
- Wide-angle lens: A wide-angle lens, such as a 16-35mm or 24-70mm, can be useful for capturing a full view of the car and its surroundings. This is a great option for landscape-style shots or when you want to showcase the car in its environment.
- Telephoto lens: A telephoto lens, such as a 70-200mm, can be useful for isolating the car from its surroundings and creating a more compressed look. This is a great option for detail shots, such as capturing the car's emblem or exhaust system.
- Prime lens: A prime lens, such as a 50mm or 85mm, can be useful for creating a shallow depth of field and a more artistic look. This is a great option for portraits or when you want to focus on specific details of the car.
- Fisheye lens: A fisheye lens can be useful for creating a unique and distorted look. This is a great option for creative or experimental shots, but it may not be suitable for all types of car photography.
Ultimately, the best lens for car photography will depend on your personal preferences and shooting style. It's a good idea to experiment with different lenses and focal lengths to see what works best for you.
Is A 50mm Lens Good For Car Photography?
While a 50mm lens can be useful for car photography in some situations, it may not be the best option for all types of shots. A 50mm lens is considered a standard lens and provides a similar field of view to the human eye, which can be useful for capturing a natural-looking perspective of the car. It can also create a shallow depth of field, which can be useful for isolating the car from its surroundings and creating a more artistic look.
However, a 50mm lens may not be ideal for capturing a full view of the car or for isolating specific details of the car. In those cases, a wider or longer lens may be more appropriate. Additionally, the optimal lens choice will depend on the environment in which you are shooting, as well as the specific look you are trying to achieve.
Ultimately, while a 50mm lens can be useful for car photography in certain situations, it is not the only or necessarily the best lens choice. It is always a good idea to experiment with different lenses and focal lengths to find what works best for your specific needs and shooting style.
Is 85mm Good For Car Photography?
An 85mm lens can be a good option for car photography, particularly for capturing detail shots and isolating specific features of the car. The longer focal length of an 85mm lens allows you to get closer to the car and capture fine details such as the grille, headlights, or other unique features.
Additionally, an 85mm lens can create a shallow depth of field, which can be useful for isolating the car from its surroundings and creating a more artistic look. However, the shallow depth of field can also make it challenging to keep the entire car in focus when shooting at wider apertures.
While an 85mm lens may not be the best option for capturing a full view of the car or for shooting in tight spaces, it can be a useful tool for certain types of car photography. Ultimately, the best lens choice will depend on the specific look you are trying to achieve and the environment in which you are shooting.
What Lens Is Best For Race Cars?
When it comes to photographing race cars, the ideal lens choice will depend on a variety of factors, including the type of race, the location of the track, and the specific shots you are hoping to capture. Here are a few lens options to consider:
- Telephoto lens: A telephoto lens, such as a 70-200mm or 100-400mm, can be useful for capturing action shots of race cars from a distance. These lenses allow you to zoom in on the action and create a compressed look, which can be useful for isolating the cars from their surroundings.
- Wide-angle lens: A wide-angle lens, such as a 16-35mm or 24-70mm, can be useful for capturing sweeping shots of the race track and the surrounding scenery. These lenses allow you to capture a broader view of the action, which can be useful for showcasing the scale and excitement of the event.
- Medium telephoto lens: A medium telephoto lens, such as an 85mm or 135mm, can be useful for capturing detailed shots of the cars and the drivers. These lenses allow you to get closer to the action and create a shallow depth of field, which can be useful for isolating specific details of the cars or capturing the emotions of the drivers.
Ultimately, the best lens for photographing race cars will depend on the specific shots you are hoping to capture and the conditions of the race track. It's a good idea to experiment with different lenses and focal lengths to see what works best for your personal style and goals.
What Aperture Is Best For Car Photography?
The ideal aperture for car photography will depend on the specific look you are trying to achieve and the conditions in which you are shooting. Here are a few general guidelines to keep in mind:
- Shallow depth of field: If you want to create a shallow depth of field and blur the background of your car photos, use a wider aperture, such as f/2.8 or f/4. This will create a creamy, blurred background that can help the car stand out.
- Deep depth of field: If you want to keep the entire car in focus, use a narrower aperture, such as f/8 or higher. This will ensure that everything from the foreground to the background is in sharp focus.
- Shooting at night: If you are shooting car photos at night, you may need to use a wider aperture to let in more light. However, keep in mind that using a wide aperture can make it more challenging to keep the entire car in focus.
Ultimately, the aperture you choose will depend on the specific shots you are hoping to capture and the lighting conditions in which you are shooting. It's a good idea to experiment with different apertures to see what works best for your personal style and goals.
What 2 Lenses Should Every Photographer Have?
The two lenses that every photographer should have to depend on the type of photography they are interested in. However, in general, here are two lenses that can be versatile and suitable for a wide range of photographic situations:
- A standard zoom lens: A standard zoom lens, such as a 24-70mm or 18-55mm, is a versatile option that can be used for a wide range of photographic situations. It's great for everyday use, from landscapes and portraits to street photography and events. This lens offers a good balance between wide-angle and telephoto focal lengths, allowing you to capture a variety of perspectives.
- A prime lens: A prime lens, such as a 50mm or 35mm, is a fixed focal length lens that does not zoom. These lenses offer excellent image quality and low-light performance, making them a popular choice for portrait, street, and documentary photography. Prime lenses can also help you to become more creative with your compositions as you are forced to physically move around to find the best framing.
Of course, the best lenses for a photographer will depend on their specific needs and preferences. Some photographers may prefer a wide-angle lens for landscapes or a telephoto lens for wildlife or sports photography. Ultimately, it's a good idea to consider your personal style and the types of photography you enjoy when choosing lenses for your kit.
Is 50mm 1.8 Good For Car Photography?
A 50mm f/1.8 lens can be a good option for car photography, especially if you're shooting in low light conditions or looking for a lens with a wide aperture for shallow depth of field. However, keep in mind that the focal length of 50mm may not be ideal for certain types of car photography, such as capturing detail shots of a car's exterior or for shots from a distance.
If you're shooting a car show or event where you have access to the cars and can get up close, a 50mm lens can be a great option for capturing detailed shots of the car's interior or for creating a shallow depth of field to isolate the car from its surroundings.
However, if you're shooting from a distance, you may want to consider a telephoto lens with a longer focal length, such as 70-200mm, which can help you zoom in and capture details from a distance. Similarly, if you're looking to capture sweeping landscape shots with the car in the frame, a wide-angle lens may be a better option.
In summary, while a 50mm f/1.8 lens can be good for car photography, the best lens choice will depend on the specific shots you're hoping to capture and the conditions in which you're shooting.
Which Lens Is Better 50mm Or 35mm?
Whether a 50mm or a 35mm lens is better for you will depend on your personal preferences and the type of photography you do. Here are some things to consider:
- Field of View: A 50mm lens is considered a "normal" lens and provides a similar field of view to the human eye. A 35mm lens is slightly wider, making it better for landscapes or environmental portraits where you want to include more of the surroundings in the shot.
- Depth of Field: Both lenses can provide a shallow depth of field when used with wide apertures, such as f/1.8 or f/1.4. However, because the 50mm lens has a longer focal length, it can create a shallower depth of field and more background blur compared to a 35mm lens.
- Low Light Performance: Both lenses can perform well in low-light situations due to their wide apertures. However, a 50mm lens may be slightly better in low-light situations because it has a larger aperture and can let in more light.
- Portraits: A 50mm lens is a popular choice for portraits because it can create a pleasing compression and bokeh effect. However, a 35mm lens can also be a great option for environmental portraits and capturing a subject in their surroundings.
Ultimately, the best lens for you will depend on your personal style and preferences. If you're not sure which lens to choose, it may be helpful to rent or borrow both lenses and see which one feels better suited to your needs.
Should I Have A 35mm And A 50mm Lens?
Having both a 35mm and a 50mm lens can be a great option for photographers who want versatility in their focal lengths. These two lenses can cover a range of photographic situations, from landscape and environmental portraits to street photography and everyday use.
The 35mm lens is wider than the 50mm lens and can be a great option for capturing landscapes or including more of the surroundings in your shots. It can also be a good choice for environmental portraits where you want to show more of the subject's surroundings.
The 50mm lens is considered a "normal" lens and provides a similar field of view to the human eye. It's a popular choice for portraits and can create a pleasing compression and bokeh effect.
Having both lenses gives you the flexibility to choose the best focal length for each situation. If you're not sure which lens to use, you can start with the 35mm and switch to the 50mm when you need a tighter shot or more bokeh. Similarly, you can start with 50mm and switch to 35mm when you want a wider field of view.
Of course, whether you need both lenses will depend on your personal style and the types of photography you enjoy. If you find that you're always shooting with one lens and never using the other, you may not need both. It's a good idea to consider your specific needs and preferences when deciding which lenses to include in your kit.
Which Is Better 50mm Or 85mm Lens?
Having both a 35mm and a 50mm lens can be a great option for photographers who want versatility in their focal lengths. These two lenses can cover a range of photographic situations, from landscape and environmental portraits to street photography and everyday use.
The 35mm lens is wider than the 50mm lens and can be a great option for capturing landscapes or including more of the surroundings in your shots. It can also be a good choice for environmental portraits where you want to show more of the subject's surroundings.
The 50mm lens is considered a "normal" lens and provides a similar field of view to the human eye. It's a popular choice for portraits and can create a pleasing compression and bokeh effect.
Having both lenses gives you the flexibility to choose the best focal length for each situation. If you're not sure which lens to use, you can start with the 35mm and switch to the 50mm when you need a tighter shot or more bokeh. Similarly, you can start with 50mm and switch to 35mm when you want a wider field of view.
Of course, whether you need both lenses will depend on your personal style and the types of photography you enjoy. If you find that you're always shooting with one lens and never using the other, you may not need both. It's a good idea to consider your specific needs and preferences when deciding which lenses to include in your kit.
What Is Iso For Car Photography?
ISO is an important camera setting in car photography as it controls the sensitivity of your camera's image sensor to light. In car photography, you may need to use a higher ISO in low-light situations such as during evening or night shots or when photographing a car indoors.
When you increase your ISO, your camera becomes more sensitive to light, allowing you to use faster shutter speeds or smaller apertures, which can help you capture sharper images. However, increasing ISO also increases the amount of noise or grain in your images, so you'll need to find the right balance between ISO and noise.
The ideal ISO for car photography will depend on the lighting conditions and the type of camera you're using. As a general rule, it's best to use the lowest ISO possible to minimize noise and preserve image quality. However, in low-light situations, you may need to use a higher ISO to achieve a fast enough shutter speed or a small enough aperture.
Experiment with different ISO settings in different lighting conditions to find the best balance between image quality and exposure.
Which Is Better 35mm Or 85mm?
Choosing between a 35mm and an 85mm lens depends on what you are trying to achieve with your photography. Both lenses have their own unique characteristics and can be used for different purposes.
A 35mm lens is considered a wide-angle lens and has a wider field of view, making it great for capturing landscapes, environmental portraits, and street photography. It can also be useful for capturing group shots or shots where you want to capture more of the scene.
On the other hand, an 85mm lens is a medium telephoto lens that is ideal for portrait photography, as it allows you to isolate your subject and create a shallow depth of field for a pleasing bokeh effect. It can also be used for street photography, but it's not as versatile as the 35mm lens in terms of capturing a wider scene.
In summary, neither lens is "better" than the other. It really depends on your personal preferences and the type of photography you want to do. If you're primarily interested in portrait photography, an 85mm lens might be the better choice. However, if you want a more versatile lens that can be used for different types of photography, a 35mm lens might be a better option.
What Color Lens Is Best For Driving?
When it comes to driving, it's important to choose lenses that can help enhance visibility and reduce eye strain. The best color lenses for driving are those that can improve contrast and reduce glare, which can help reduce eye fatigue and improve visual acuity.
Some of the best lens colors for driving include:
- Gray lenses: Gray lenses are a popular choice for driving because they don't alter color perception, and they provide good glare reduction in bright conditions.
- Brown lenses: Brown lenses can help enhance contrast, making it easier to distinguish objects on the road. They can also provide good glare reduction in bright conditions.
- Yellow lenses: Yellow lenses can help improve contrast in low-light conditions, making it easier to see the road ahead. They can also help reduce glare in overcast or cloudy conditions.
- Polarized lenses: Polarized lenses can be particularly useful for driving because they can reduce glare from reflective surfaces such as water or snow.
Ultimately, the best color lens for driving will depend on your personal preferences and the conditions in which you'll be driving. It's a good idea to try out different lens colors and see which ones work best for you.
What Is 35mm Lens Best For?
A 35mm lens is considered a "standard" or "normal" lens that closely approximates the field of view of the human eye. It's a versatile lens that can be used for a wide range of photography genres, including:
- Street Photography: 35mm lenses are often the go-to choice for street photography due to their wider angle of view, which allows you to capture more of the scene and the environment around your subject.
- Environmental Portraits: The 35mm lens is great for environmental portraits, where you want to capture your subject in their surroundings. The wider angle of view allows you to include more of the background, providing context to the image.
- Landscape Photography: While not as wide as an ultra-wide-angle lens, a 35mm lens can still be used for landscape photography, allowing you to capture a wider view of the scene.
- Travel Photography: The versatility of the 35mm lens makes it a great choice for travel photography, where you may encounter a variety of shooting situations.
- Documentary Photography: The wider angle of view of the 35mm lens can also be useful for documentary photography, allowing you to capture a sense of the environment and context of the subject.
Overall, the 35mm lens is a great all-around lens that can be used for a variety of photography genres.
What Color Lens Is Best?
The best color lens depends on the intended use and the lighting conditions in which the lens will be used. Here are some common lens colors and their uses:
- Clear lenses: Clear lenses are the most basic lens option and do not alter the color perception of the user. They are ideal for low-light conditions, indoor use, or when no specific color enhancement is needed.
- Gray lenses: Gray lenses are the most common choice for sunglasses as they offer true color perception and reduce overall brightness without distorting colors. They are ideal for bright and sunny conditions and outdoor activities like water sports, snow sports, or driving.
- Brown/amber lenses: Brown/amber lenses offer enhanced contrast and are ideal for partly cloudy to sunny conditions. They are a popular choice for activities like golfing, cycling, or fishing.
- Yellow lenses: Yellow lenses enhance contrast and depth perception and are ideal for low-light conditions, such as dawn or dusk. They are also popular for skiing, shooting, and night driving.
- Rose/copper lenses: Rose/copper lenses enhance contrast and depth perception, especially in partly cloudy or hazy conditions. They are also popular for hiking and hunting.
- Green lenses: Green lenses offer true color perception and reduce glare, making them ideal for sunny to partly cloudy conditions, including outdoor sports and driving.
Ultimately, the best color lens is subjective and depends on individual preferences and needs. It's a good idea to try out different lens colors and see which one works best for your needs.
In conclusion.
To take pictures of cars, you need to consider a set of lens specifications. These include the type of lens, the location where the photo will be taken, and the photographic effects required.
There are many different lenses available for cameras. You can even buy a prosumer camera with multiple lenses included in the price. Check the type of lens and its effect on your photos. For example, if you are shooting from inside a car, use a lens with a large depth of field so that you can clearly see the interior of the car.
Be sure to use a lens with a large aperture for photographing cars to reduce color blurring. Also, regardless of the type of lens used, good lighting should be used to achieve good results. Finally, when shooting outdoors, be sure to know the weather conditions in advance so that you can shoot under the best conditions.
