If you are looking for lenses for night photos and for photographing the stars, in this ranking we help you to understand which are the best astrophotography lenses to buy, divided by price and cameras.
Photographing at night is one of the most difficult challenges to complete, we know that in photography light is the most important element, and of course, when we are outdoors for the night and deep-sky photography, the available light is very little, because what we see with the naked eye is very different from what the camera can capture.
Light has always been the raw material for a photographer, without light you cannot shoot, in the case of astrophotography, the games become much more complicated because usually pictures are taken outdoors at night. This is why choosing a good lens for astrophotography is an important step to take.
Even if we are photographing the Milky Way on a clear and star-filled evening, the sky will never be bright enough to get good exposures with “standard” lenses.
The sky is very big, dark and in constant motion, you have to choose wisely the best lens for astrophotography.
Sure maybe having a camera with a CCD sensor would be wonderful, but if you don’t have one you can rest assured, that you can take great pictures even with normal cameras.
Best Lenses For Astrophotography
Table of Contents
Astrophotography is an area of photography that most people can take with a camera and a kit lens. Kit lenses are useful, but most people want to upgrade their equipment as soon as they start astrophotography. To get decent results, you need to invest in fast, bright lenses and optical clarity.
There are plenty of astronomical accessories to keep in your bag, from small ones like lens warmers and intervalometers to larger ones like early star charts. However, switching to high-quality glass can make a big difference, so why not start here?
Best Lenses For Astrophotography | Comparison Table 2024
5-Star Pick | Great Prices | High Quality
| Image | Title | Buy | |
|---|---|---|---|
| Rokinon 135mm F2.0 ED UMC Telephoto Lens for Canon Digital SLR Cameras | Rokinon | VIEW ON AMAZON | |
| Samyang SYXP14-C XP 14mm f/2.4 High Speed Wide Angle Lens for Canon EF with Built-in AE Chip, Black | Samyang | VIEW ON AMAZON | |
| Sigma 14-24mm F2.8 DG HSM, Black (212954) for Canon | Sigma | VIEW ON AMAZON | |
| Tamron SP 15-30mm F/2.8 Di VC USD G2 for Canon Digital SLR Camera (Tamron 6 Year Limited USA Warranty) | Tamron | VIEW ON AMAZON | |
| Tokina ATXAF120DXC 11-20mm f/2.8 Pro DX Lens for Canon EF,Black | Tokina | VIEW ON AMAZON | |
| 20mm F2.0 DG DN C for L Mount | Sigma | VIEW ON AMAZON | |
| Samyang 10mm F2.8 ED AS NCS CS Ultra Wide Angle Lens for Nikon Digital SLR Cameras with AE Chip for Auto Metering (SY10MAF-N) , Black | Samyang | VIEW ON AMAZON | |
| Irix 15mm f/2.4 Blackstone Lens for Canon | Irix | VIEW ON AMAZON |
Prices and images pulled from the Amazon Product Advertising API on:
Best Lenses For Astrophotography | Reviews 2024
1.Rokinon 135mm F2.0 ED UMC Best Lenses For Astrophotography
The Rokinon 85mm f/2.0 Aspherical Telephoto Lens is a versatile option designed for Canon Digital SLR Cameras. It provides a full-frame compatible 18.8-degree angle of view (12.4 degrees on APS-C cameras). With Ultra Multi-Coated (UMC) optics, the lens minimizes flare and ghosting. It features a fast aperture range of f/2.0 to f/22, making it suitable for low-light conditions and creative depth-of-field effects.\
The lens has a minimum focusing distance of 2.6 ft. and includes 9 diaphragm blades for smooth bokeh. The package comes with a removable lens hood, lens pouch, front and rear lens caps, and is backed by a 1-year Rokinon warranty. Ideal for portrait photography and scenarios where a telephoto perspective is desired.
Product Overview:
The Rokinon 135mm F2.0 ED UMC Telephoto Lens is a high-performance lens designed for Canon Digital SLR cameras. It is a telephoto lens with a maximum focal length of 135mm and is compatible with Canon EF mountings. The lens offers a wide angle of view, 18.8 degrees on full-frame cameras and 12.4 degrees on APS-C cameras. It is also full-frame compatible.
The lens features Rokinon’s Ultra Multi-Coated (UMC) Optics and has a minimum focusing distance of 2.6 feet, with fast apertures of f2.0 to f22. The lens also includes 9 diaphragm blades and a removable lens hood. Additionally, the package includes a lens pouch, front and rear lens caps, and a 1-year Rokinon warranty.
This lens is part of Rokinon’s impressive Full Frame Prime Lens lineup, which includes the recently introduced Rokinon 12mm Fisheye and 50mm F1.4 lenses. The Rokinon 135mm f2.0 ED UMC Digital Telephoto Lens offers superb out-of-focus highlights (Bokeh) thanks to its circular 9-blade diaphragm and is designed for tight color matching to the Rokinon lens system. The lens is available in lens mounts for various cameras including Canon EOS, Nikon (With AE Chip), Sony E, Sony A, Pentax K, Micro 4/3, Fuji X, and Samsung NX.
- A high-performance telephoto lens with a maximum focal length of 135mm.
- Compatible with Canon EF mountings and offers a wide angle of view.
- Features Rokinon’s Ultra Multi-Coated (UMC) Optics for sharp and clear images.
- Close focusing distance of 2.6 feet with fast apertures of f2.0 to f22.
- Includes 9 diaphragm blades for superb out-of-focus highlights (Bokeh)
- Only compatible with Canon digital SLR cameras.
- May be expensive for some users.
- The package does not include a lens hood.
2. Samyang SYXP14-C XP 14mm f/2.4 Lenses For Astrophotography
The lens in focus is the Laowa 15mm f/2.0 FE Zero-D Lens, designed for Canon EF cameras. It boasts a wide aperture range from f/2.4 to f/22, providing versatility for various lighting conditions. With an expansive angle of view at 114.12 degrees and a minimum focus distance of 11.02 inches (28 cm), this lens excels in capturing sweeping landscapes and architectural details.
Featuring a magnification of 0.08x and 9 diaphragm blades, the lens delivers impressive optical performance and smooth bokeh. Constructed with 18 elements in 14 groups, it ensures high-quality images. The lens is a high-speed wide-angle option with a built-in AE chip for Canon EF, and it comes in a sleek black design. Ideal for photographers seeking a wide-angle lens with low distortion for creative and dynamic shots.
Product Overview:
The Samyang SYXP14-C XP 14mm f/2.4 High-Speed Wide Angle Lens is a premium quality, an ultra wide-angle prime lens designed for Canon EF mount cameras. It has a maximum focal length of 14mm and an aperture range of f/2.4 - f/22, making it a great option for low light and bokeh photography. The lens boasts a 114.12-degree angle of view and a minimum focus distance of 11.02 inches (28 cm), allowing for a wide range of compositions and perspectives.
The lens is constructed with 18 elements in 14 groups, including four special types of lens elements: three high refractive indexes, two aspherical, two extra-low dispersion, and one hybrid aspherical lens element. These elements work together to provide excellent control of distortion and aberrations, resulting in increased center-to-edge resolution and light transmission. This means that the lens is able to produce high-quality images with exceptional resolving power, making it suitable for 50-megapixel photo and 8-K video productions.
The Samyang XP 14mm F2.4 is designed with intuitive handling and precise manual control of focus in mind. The lens is able to perform to the highest photographic standards, making it a great option for professional photographers and videographers looking for a high-performing, ultra-wide-angle lens.
Additionally, the lens has a built-in AE Chip, which allows for accurate and efficient exposure control. Overall, the Samyang SYXP14-C XP 14mm f/2.4 High-Speed Wide Angle Lens is a versatile and high-performing lens that is well-suited for a wide range of photography and videography applications.
- A high-performing ultra wide-angle prime lens with exceptional resolving power, making it suitable for 50-megapixel photo and 8K video productions.
- Advanced optical design with 18 precision elements in 14 groups, including four special types of lens elements, to provide excellent control of distortion and aberrations.
- Wide angle of view of 114.12 degrees and minimum focus distance of 11.02 inches (28 cm) for a range of compositions and perspectives.
- Intuitive handling and precise manual control of focus for professional photographers and videographers.
- Built-in AE Chip for accurate and efficient exposure control.
- Only compatible with Canon EF mount cameras.
- The maximum aperture of f/2.4 may not be fast enough for some low-light situations.
- The price is relatively high compared to other ultra wide-angle lenses on the market.
3. Sigma 14-24mm F2.8 DG HSM
The Sigma 14-24mm F2.8 DG HSM A Canon Fit is an ultra-wide-angle zoom lens offering a fast F2.8 maximum aperture. Falling within Sigma's Art range of lenses, it is designed for exceptional optical performance. The lens features fast Hyper Sonic Motor (HSM) autofocus for quick and precise focusing.
Ideal for Canon cameras, the Sigma 14-24mm lens comes in a sleek black design (model number 212954). The package includes a case, lens cover, back cap, warranty card, and an instruction manual. With its wide-angle capabilities and fast aperture, this lens is suitable for landscape photography, architecture, and low-light shooting situations
Product Overview:
The Sigma 14-24mm F2.8 DG HSM is a wide-angle zoom lens designed for Canon EF mount cameras. It falls into Sigma's Art range of lenses, known for their exceptional image quality and fast autofocus. This lens boasts a maximum focal length of 24mm and a fast F2.8 maximum aperture, making it a great option for low light and bokeh photography. The lens has an ultra-wide-angle zoom range of 14-24mm and is also built with fast HSM autofocus.
Sigma has leveraged major manufacturing advances at the Aizu factory to produce ultra-high-precision molded glass aspherical lens elements as large as φ80mm and incorporate them in this new product. This premier optical technology promises to set a new standard for excellence in ultra-wide-angle lenses. Sigma 14-24mm F2.8 DG HSM is designed to minimize distortion and offers outstanding F2.8 brightness throughout the zoom range, delivering top-level image quality at every focal length and shooting distance.
The lens also features a highly effective dust- and splash-proof structure, with special sealing at the mount connection, manual focus ring, zoom ring, and cover connection. This allows photographers to work in all types of weather and the front of the lens is protected by a water- and oil-repellent coating that makes cleaning easy. Additionally, the lens is made in Japan Aizu and is of high quality. Overall, the Sigma 14-24mm F2.8 DG HSM is a versatile, high-performing lens that offers excellent image quality and fast autofocus, making it suitable for professional photographers and videographers looking for a reliable, weather-sealed ultra-wide-angle zoom lens.
- High-performing ultra-wide-angle zoom lens with exceptional image quality.
- Fast F2.8 maximum aperture for low light and bokeh photography.
- Ultra-wide-angle zoom range of 14-24mm.
- Fast HSM autofocus for quick and precise focusing.
- Highly effective dust- and splash-proof structure for all-weather use.
- Only compatible with Canon EF mount cameras.
- Price is relatively high compared to other ultra-wide-angle zoom lenses on the market.
- Some users may find the lens to be on the heavier side.
4.Tamron SP 15-30mm F/2.8
The lens in focus is the Tamron Di VC USD G2 for Canon Digital SLR Camera, known for its super high-quality and high-speed ultra-wide-angle zoom capabilities. The lens is equipped with a triple coating system, featuring the newly developed AX coating, along with band and bar coatings, enhancing optical performance.
Driven by a Dual MPU system for both autofocus (AF) and Vibration Compensation (VC), this lens provides fast and precise focusing along with effective image stabilization. The newly developed VC mechanism achieves 4.5 stops of image stabilization, as per CIPA standards. With moisture-resistant construction, the lens is designed to withstand challenging weather conditions.
Ideal for Canon Digital SLR Cameras, this Tamron lens is a reliable choice for photographers seeking exceptional image quality, versatile wide-angle options, and advanced features like effective image stabilization. It comes with a Tamron 6 Year Limited USA Warranty
Product Overview:
The Tamron SP 15-30mm F/2.8 Di VC USD G2 is a high-speed ultra-wide-angle zoom lens designed for Canon EF mount cameras. This lens boasts a maximum focal length of 30mm and a fast F/2.8 maximum aperture, making it a great option for low light and bokeh photography. The lens has a wide-angle zoom range of 15-30mm and is also built with a Dual MPU system for AF and VC.
The lens is designed to minimize distortion and lateral chromatic aberration which can be an issue with wide-angle shooting, by utilizing specialty glass materials and aspherical lens elements. It also features triple lens coatings consisting of the newly developed AX (Anti-reflection eXpand) Coating, plus eBAND (Extended Bandwidth & Angular-Dependency) and BBAR (Broad-Band Anti-Reflection) Coatings, which all combine to provide sharp and clear images even in peripheral areas.
The lens also features high-precision AF technology and a powerful VC (Vibration Compensation) mechanism. The VC mechanism now reaches 4.5 Stops of image stabilization (CIPA-rated) allowing you to shoot in low-light situations. The lens also features Moisture-Resistant Construction, Fluorine Coating, and a rear filter holder (for Canon EF-mount only) that make it possible to shoot under any type of shooting circumstances.
Additionally, the lens comes with Tamron's 6-Year Limited USA Warranty. Overall, the Tamron SP 15-30mm F/2.8 Di VC USD G2 is a versatile, high-performing lens that offers excellent image quality and fast autofocus, making it suitable for professional photographers and videographers looking for a reliable, weather-sealed ultra-wide-angle zoom lens.
- High-performing ultra-wide-angle zoom lens with excellent image quality and minimal distortion.
- Fast F/2.8 maximum aperture for low light and bokeh photography.
- The wide-angle zoom range of 15-30mm.
- Dual MPU system for AF and VC, with a VC mechanism that reaches 4.5 stops of image stabilization.
- Moisture-resistant construction, Fluorine Coating, and a rear filter holder for easy use in various shooting conditions.
- Only compatible with Canon EF mount cameras.
- The price is relatively high compared to other ultra-wide-angle zoom lenses on the market.
- Some users may find the lens to be on the heavier side.
5.Tokina ATXAF120DXC 11-20mm f/2.8 Pro
The lens highlighted is the Sigma 17-50mm f/2.8 EX DC OS HSM Zoom Lens, designed for Canon EF-mount cameras with an APS-C format. Offering a versatile focal range equivalent to 17.5-32mm in 35mm format, this lens is well-suited for a variety of photography styles.
With a wide aperture range from f/2.8 to f/22, the lens provides flexibility in different lighting conditions. It incorporates P-MO and Glass-Molded Aspherical elements, along with three SD Ultra-Low Dispersion elements, ensuring high image quality by minimizing aberrations. Multi-layer lens coatings enhance contrast and reduce flare.
Featuring internal focus and a one-touch focus clutch, the lens allows for quick and seamless autofocus. The nine-blade diaphragm contributes to smooth and pleasing bokeh. This Sigma lens is a valuable addition to Canon EF-mount cameras, offering optical excellence and a broad range of creative possibilities
Product Overview:
The Tokina ATXAF120DXC 11-20mm f/2.8 Pro DX Lens is a versatile wide-angle zoom lens designed for Canon APS-C-format DSLRs. It offers a 17.5-32mm equivalent focal length and features a constant f/2.8 maximum aperture for maintained brightness throughout the zoom range. This lens is well-suited for working in a wide variety of situations, covering an array of wide-angle perspectives while maintaining consistent illumination for working in challenging lighting.
The lens features one P-MO hybrid aspherical element and two glass-molded aspherical elements that work together to minimize distortions and control various aberrations. Additionally, three SD ultra-low dispersion elements reduce chromatic aberrations for increased clarity. A multi-layer lens coating has also been applied to further enhance overall light transmission and color accuracy by suppressing lens flare and ghosting.
The lens has a one-touch focusing clutch that allows for quick switching between autofocus and manual focus modes and an internal focusing design that maintains the overall length of the lens during use. The medium-torque focusing ring further benefits precise handling by allowing for refined control when manually focusing.
Additionally, this lens sees the incorporation of a nine-blade diaphragm, which contributes to a pleasing out-of-focus quality when employing shallow depth-of-field shooting techniques. In summary, the Tokina ATXAF120DXC 11-20mm f/2.8 Pro DX Lens is a high-performing and versatile wide-angle zoom lens that is well-suited for a wide variety of situations and provides consistent low-light performance throughout the zoom range.
- Versatile wide-angle zoom lens for Canon APS-C-format DSLRs.
- Constant f/2.8 maximum aperture for maintained brightness throughout the zoom range.
- P-MO & Glass-Molded Aspherical Elements, Three SD Ultra-Low Dispersion Elements, and Multi-Layer Lens Coatings work together to minimize distortions and control various aberrations while increasing clarity.
- One-touch focusing clutch for quick switching between autofocus and manual focus modes.
- The internal focusing design maintains the overall length of the lens during use.
- Only compatible with Canon APS-C-format DSLRs.
- Some users may find the lens to be on the heavier side.
- The price is relatively high compared to other wide-angle zoom lenses on the market.
6. 20mm F2.0 DG DN C for L Mount
The lens in focus is the Sigma 14mm f/2.0 DG DN Art Lens, designed for L-Mount cameras with a full-frame format. It features an all-metal body, providing durability and a premium feel. The lens is ultra-wide-angle, making it suitable for a variety of photographic applications.
Constructed with three aspherical elements, one SLD (Special Low Dispersion) element, and one FLD (F Low Dispersion) element, this lens is designed to correct chromatic aberration and deliver high-quality images. The aperture range from f/2 to f/22 allows for versatility in different lighting conditions.
The Sigma 14mm f/2.0 lens is particularly noted for its suitability for astrophotography. With a dust and splash-resistant design, it offers reliability in various environmental conditions. This lens is an ideal choice for photographers seeking a high-performance ultra-wide-angle lens with robust construction.
Product Overview:
The Sigma 20mm F2.0 DG DN C is a high-performance wide-angle lens designed for use with Leica L mount cameras. This lens boasts a focal length of 20mm and a fast F2.0 maximum aperture, making it a great option for low light and bokeh photography. The lens is built with an all-metal body, which provides a solid and durable construction.
The lens is an ultra wide-angle lens with a wide-angle focal length of 20mm that covers a broad field of view, making it ideal for landscape, architecture, and interior photography. It also features dust and splash-resistant construction, which allows photographers to work in a variety of weather conditions.
The lens features an all-metal body that provides a solid and durable construction. The lens features a fast F2.0 maximum aperture for low-light photography and beautiful bokeh. Additionally, the lens features dust and splash-resistant construction which makes it suitable for working in a variety of weather conditions. This lens offers excellent image quality and fast autofocus, making it suitable for professional photographers and videographers looking for a reliable, weather-sealed wide-angle lens.
Overall, the Sigma 20mm F2.0 DG DN C is a high-performing and versatile wide-angle lens that offers excellent image quality, a fast F2.0 maximum aperture, and an all-metal body that is dust and splash-resistant. This lens is well-suited for a wide variety of photography and videography applications, particularly those that require a wide field of view and fast aperture.
- A high-performing wide-angle lens designed for use with Leica L mount cameras.
- Fast F2.0 maximum aperture for low light and bokeh photography.
- Ultra wide-angle focal length of 20mm covers a broad field of view, making it ideal for landscape, architecture, and interior photography.
- The all-metal body provides a solid and durable construction.
- Dust and splash-resistant construction allow for use in a variety of weather conditions.
- Only compatible with Leica L mount cameras.
- Some users may find the lens to be on the heavier side.
- The price is relatively high compared to other wide-angle lenses on the market.
7. Samyang 10mm F2.8 ED
The lens in question is the Rokinon AS NCS CS Ultra Wide Angle Lens designed for Canon EF-S Type cameras. Notable features include the Nano Crystal Coating System (NCS) for enhanced light transmission and reduced internal reflections. With a fast f/2.8 maximum aperture and close-focusing capability down to 9.5 inches, it provides versatility in various shooting conditions.
Optimized for excellent optical quality, this lens offers a true ultra-wide 110-degree edge-to-edge coverage when used with APS-C sensor digital cameras. The optical design incorporates three high-precision lens elements, including two aspherical and one ED (Extra-Low Dispersion) element, ensuring superior image quality.
The lens features an Inner Focusing System (IF), maintaining a consistent length without changes and preventing the front element from rotating. The integrated petal-type lens hood stays properly oriented. This Rokinon lens is a valuable choice for Canon Digital SLR Cameras seeking a high-quality ultra-wide-angle lens.
Product Overview:
The Samyang 10mm F2.8 ED AS NCS CS Ultra Wide Angle Lens is a high-performing lens designed for use with Canon EF-S mount cameras. This lens boasts a wide-angle focal length of 10mm and a fast F2.8 maximum aperture, making it a great option for low light and bokeh photography. Additionally, it features a close-focusing distance of 9.5 inches, providing the versatility needed for a wide range of shooting conditions.
The lens is optimized for excellent optical quality and true ultra-wide 110-degree edge-to-edge coverage with APS-C sensor digital cameras. It utilizes 3 high precision (2 Aspherical + 1 ED) lens elements for superior image quality. The lens also has a Nano Crystal Coating System (NCS) which increases light transmission and reduces internal reflections.
The lens also features an Inner focusing system (IF), which means the length doesn't change and the front element does not rotate, this keeps the integrated petal-type lens hood properly oriented. This lens is perfect for architectural and landscape photographers to capture dramatic perspectives, as well as for commercial photographers and journalists working in tight spaces. Additionally, for full-frame canon cameras, Samyang has a Canon EF Type 14mm F2.8 lens.
In conclusion, the Samyang 10mm F2.8 ED AS NCS CS Ultra Wide Angle Lens is a high-performing and versatile lens designed for use with Canon EF-S mount cameras. It offers a wide-angle focal length of 10mm, a fast F2.8 maximum aperture, a close-focusing distance of 9.5 inches, and an Inner focusing system that maintains the lens hood orientation. This lens is well-suited for a wide variety of photography and videography applications, particularly those that require a wide field of view and fast aperture.
- A high-performing wide-angle lens designed for use with Canon EF-S mount cameras.
- Fast F2.8 maximum aperture for low light and bokeh photography.
- Ultra wide-angle focal length of 10mm covers a broad field of view, making it ideal for landscape, architectural and interior photography.
- Utilizes 3 high precision (2 Aspherical + 1 ED) lens elements for superior image quality.
- The inner focusing system (IF) maintains the lens hood orientation.
- Only compatible with Canon EF-S mount cameras.
- Some users may find the lens to be on the heavier side.
- The price is relatively high compared to other wide-angle lenses on the market.
8.Samyang 10mm F2.8 ED
The Rokinon AS NCS CS Ultra Wide Angle Lens, designed for Canon EF-S Type digital SLR cameras, features a Nano Crystal Coating System (NCS) for enhanced light transmission and reduced internal reflections. With a fast f/2.8 maximum aperture and close-focusing capability down to 9.5 inches, it offers maximum versatility in various shooting conditions.
Optimized for excellent optical quality, this lens provides true ultra-wide 110-degree edge-to-edge coverage when used with APS-C sensor digital cameras. It utilizes three high-precision lens elements, including two aspherical and one ED (Extra-Low Dispersion) element, ensuring superior image quality.
The lens incorporates an Inner Focusing System (IF), maintaining a consistent length without changes, and preventing the front element from rotating. The integrated petal-type lens hood stays properly oriented. This Rokinon lens is an ideal choice for Canon Digital SLR Cameras seeking a high-quality ultra-wide-angle lens.
Product Overview:
The Samyang 10mm F2.8 ED AS NCS CS Ultra Wide Angle Lens is a high-quality, fixed-mount, wide-angle lens that is specifically designed for use with Canon EF-S mount cameras. With a maximum and minimum focal length of 10mm, this lens offers an ultra-wide 110-degree edge-to-edge coverage that is ideal for architectural and landscape photography.
One of the key features of this lens is its fast F2.8 maximum aperture, which allows for versatile shooting in a variety of lighting conditions. Additionally, the close-focusing distance of 9.5 inches allows for greater flexibility in capturing images in tight spaces. The lens also features a Nano Crystal Coating System (NCS) which increases light transmission and reduces internal reflections for improved image quality.
The lens is also designed with 3 high-precision lens elements, including 2 Aspherical and 1 ED, which work together to provide superior image quality. The lens also features an inner focusing system (IF) which maintains the length of the lens and keeps the integrated petal-type lens hood properly oriented.
Overall, the Samyang 10mm F2.8 ED AS NCS CS Ultra Wide Angle Lens is a high-quality option for photographers looking for a versatile and reliable wide-angle lens for their Canon EF-S mount camera.
- The Samyang 10mm F2.8 lens has a fast maximum aperture of f/2.8, which allows for maximum versatility in low light conditions and creates a shallow depth of field for a more dramatic effect.
- The lens is optimized for excellent optical quality and true ultra-wide 110-degree edge-to-edge coverage with APS-C sensor digital cameras.
- Utilizes 3 high precision (2 Aspherical + 1 ED) lens elements for superior image quality.
- It has an inner focusing system (IF) which means the length doesn’t change and the front element does not rotate, keeping the integrated petal-type lens hood properly oriented.
- It has a close-focusing distance of 9.5 inches, which allows for an extreme depth of field and enables commercial photographers and journalists to work in tight spaces to get that needed shot.
- It is only compatible with Canon EF-S mount cameras.
- The lens is not weather-sealed, so it may not be suitable for use in harsh conditions.
- It is a prime lens, which means it has a fixed focal length and does not offer the versatility of a zoom lens.
9. Irix 15mm f/2.4 Blackstone Lens for Canon
The IRIX 15mm f/2.4 is a wide-angle lens designed with a Canon EF bayonet, suitable for full-format photography, making it ideal for capturing impressive landscapes, travel scenes, and architectural details. The lens features optimized focus rings for precise adjustments.
With a lightweight design, it is well-suited for travel photography, and its classic design ensures perfect handling. The lens is compatible with sensors with 50+ megapixels, making it suitable for the latest DSLR cameras. Engraved markings aid in optimal adjustments even in low-light conditions.
The lens incorporates Neutrinio coating to minimize ghosting and produce precise sharpness. It has a focus range of 0.28m and features nine rounded aperture rings for smooth bokeh. Additionally, the lens is splash-proof, equipped with rubber seals for all-weather use. It includes a filter window for easy mounting of 95mm grey UV and polarizing filters, as well as a gelatin filter on the back.
In the box, you'll find the IRIX ultra-wide-angle Blackstone 15mm f/2.4 lens for Canon EF, featuring a 95mm filter thread, full-format compatibility, luminous lettering, and an optimized focus ring.
Product Overview:
The Irix 15mm f/2.4 Blackstone Lens for Canon is a wide-angle prime lens that is compatible with Canon EF mount cameras. It is designed for full-frame sensors and is suitable for landscape, travel, and architectural photography. The lens has a lightweight design that makes it ideal for travel photography and a classic design that offers perfect handling.
The lens is optimized for sensors with 50+ megapixels of the latest DSLR cameras. It has engraved and people markings that allow for optimal adjustment even in low light. The lens also has a Neutrinio coating that reduces ghosting images for precise sharpness and a focus range of 0.28m. The lens has a 9-rounded aperture ring which makes it easy to use and adjust.
The lens is also weather-sealed which makes it usable even in extreme weather conditions. The Blackstone version of the lens is sealed on all sides and features a removable lens hood and access to filters. The lens hood mounts around the outside of the lens barrel, encircling the filter, and filters can be accessed through the lens hood, thanks to the small window.
The lens also features V Reflective markings which are engraved, then painted with special UV fluorescent paint. This allows the user to see the settings for their Blackstone even in low-light situations, making it ideal for night photography.
- Suitable for full format and optimized for impressive landscape, travel, and architectural photography.
- The lightweight design makes it ideal for travel photography.
- Engraved and people markings for optimal adjustment even in low light.
- Neutrino coating for ghosting images for precise sharpness.
- Weather sealed, usable even in extreme weather conditions.
- Only compatible with Canon EF mount.
- Filter window only supports 95mm filters.
- May not be suitable for all types of photography.
Things to consider while choosing The Best Lenses For Astrophotography | Ultimate Guide 2024
Focal length
For astrophotography and night photography, a wide-angle lens is recommended for a wide field of view and for framing more of what you want to capture.
However, choosing a wide-angle lens with a short focal length will result in a smaller image on the sensor, which is especially useful if you want to use a long shutter speed without the resistance of the earth's rotation.
Basically, the shorter the focal length, the wider the angle of view.
500 rule
When looking for the right lens for astrophotography, you have probably seen this "500 rule" for almost every item. So what does this mean?
Well, the simplest definition would be that the rule refers to the length of shutter speed to avoid causing star drag. In other words, by dividing the number 500 by the focal length of the lens, we can determine the exposure time in seconds before the star trails appear.For example, assuming that 500 is divided by 14, the result is 35.7, which means that the maximum exposure time is 35.7 seconds.
Lens Speed
In astrophotography, you need to capture constellations such as meteors and comets. So you need a fast lens to capture their movement. But what does "fast" mean? The wider the aperture of the lens, the faster the speed.
Price
Lenses for achieving great results in astrophotography are not inexpensive. Some people also prefer to buy used lenses, but we do not know how photographers used them in the past. At first glance, they look very ordinary and may work for a while, but many questions arise. In this article, I will present the above lenses in an order that should fit most people's budgets.
Aperture.
In astrophotography, you want to limit the increase in ISO. Noise generated at high ISO affects the quality of the image. This means that a large aperture is needed to compensate for this.
With a large aperture, the depth of field may be a concern. Fortunately, given the distance to the star and perhaps to other components of the image, you can focus almost to infinity and have a very large depth of field, regardless of the aperture. Of course, you won't be able to focus on both the nearby object and the star (at least, not without focusing on them together), but this is hardly a problem.
For astrophotography, a lens of f/2.8 or better is required, but lenses of f/2.0 or better are commonly used.
Best Lenses For Astrophotography | Infographics
Top Astrophotography Lenses | Video Explanation
FAQs
How does an Astro tracker work?
So what is the star tracker? It is a device that is responsible for making the camera rotate at the same speed and on the same axis on which the celestial vault appears to rotate. This way the stars will appear stationary regardless of the exposure time!
What does equatorial mount mean?
An equatorial mount is a mount or support of a telescope that allows with a single movement, manual or motorized, to "follow" the apparent motion of a star in the sky, actually rotating in sync with the earth's rotation motion.
What can be done with an 18 55 lens?
- Landscape (mountains, lakes, sea, etc. ...
- Portraits (using a long focal length - 55mm is perfect for that)
- Street photography (perhaps using a focal length of about 35mm)
- Studio, product, or still life (not sure here but I think about 55mm is ok)
How to photograph the Nikon starry sky?
In order to avoid the blur of the stars, unless you want it, the 600 rule for your 28mm requires you not to exceed 20 "of exposure, for the rest: iso1600 / 2000, remote control, Mirror / UP, solid tripod, manual MAF on infinity, f / 2.8-4, good light.
How to photograph the Milky Way with the smartphone?
- Check the weather and moon phases. ...
- Choose a place away from the city. ...
- Avoid the flash. ...
- Avoid digital zoom. ...
- Include a subject. ...
- Use manual focus. ...
- Set ISO, shutter speed, and aperture (if possible).
Which astrophotography camera?
Almost all amateur astrophotographers use 35 mm format reflex cameras with interchangeable lenses, also known as SLR (single-lens reflex = mono-lens reflex). The reasons are many: the illuminated field in the focal plane of most amateur telescopes has a diameter of 30-50 mm.
What is the telephoto lens used for?
The telephoto lens, in fact, thanks to its ability to shoot with a low depth of field (in simple words it is able to focus only on subjects that are at a specific distance), helps the main sensor in the famous portrait mode introduced for the first time from Apple with iPhone 7 Plus ...
How do you photograph the stars?
For the ISO value, the ideal would be to use an ISO 100, in order to minimize digital noise, but from my experience I recommend you start by trying to shoot with ISO 400 and just in case the photo will still be too much dark increase up to a maximum value of ISO 1600.
How do you photograph the Milky Way?
To photograph the Milky Way you have to work at night, in an area possibly devoid of artificial light. The shutter speed in these cases must be very long, within 30 seconds. Such a long shutter speed requires two precautions: the first is the tripod, a companion who will always have to accompany you.
How to photograph the Milky Way with iPhone?
To activate ProRAW, this is the path on the iPhone: Settings> Camera> Formats, then activate Apple ProRAW in Photo Capture. To take a photo in ProRAW format, tap RAW in the Camera app, then take the photo.
How to photograph the stars with the camera?
put the camera on a tripod, aim it at a distant object and switch to manual focus. Set the camera to a 5-second exposure with the maximum aperture at ISO 1600.
What zoom does an 18 55 lens have?
The Nikon AF-S DX NIKKOR 18-55mm f / 3.5-5.6G VR is a zoom lens with a focal range of 3x that corresponds to a 27-82.5mm on the DX format, a focal range among the most used in general photography. , landscape, travel and reportage but also extremely useful for portraits and nature photos, without ...
How to best use a reflex camera?
- Preliminary operations. Insert the battery and SD card. Snap on the target. Turn on the Reflex.
- Taking pictures with the SLR. Choose the shooting mode. Adjust shooting settings. Compose the picture and shoot.
- Transfer of photos from the Reflex to other devices.
What is a wide angle lens used for?
A wide-angle lens has a very short focal length and is used to generate wider shots by minimizing the loss of detail elements usually placed in a lateral position in the framed scenario.
Which equatorial mount to choose?
An equatorial mount is definitely to be preferred in astrophotography, planetary or deep sky, as in astrophotography you need automatic tracking. Compared to altazimuth mounts, these obviously have the defect of price and weight.
How to use an equatorial mount correctly?
To align the mount it is therefore sufficient to visually identify the North Star (I refer you to the last figure), point the affected area using the polar finder and make the North Star and the other stars drawn on the slide coincide with the actual stars that you will observe. through the little ...
How to use Altazimuth mount?
The altazimuth mount is the easiest to use. It has 2 axes of rotation, one vertical and one horizontal and to locate an object it is sufficient to move along the horizon using the horizontal axis and then adjust the height with the vertical axis.
How do you photograph the starry sky?
Stars are not very bright per se, so use high ISOs (800, 1600 or higher) to capture their motion. Experiment before attempting a long exposure as higher ISO may result in more "noise" in the image.
What Type Of Lens Is Best For Astrophotography?
Astrophotography involves capturing images of the night sky, including stars, galaxies, and other celestial objects. To do this effectively, it's important to use a lens that is specifically designed for astrophotography. Here are some features to look for when choosing a lens for astrophotography:
- Wide-Angle: A wide-angle lens is typically the best choice for astrophotography as it can capture a larger portion of the night sky. A lens with a focal length of 14mm-35mm is generally recommended.
- Fast Aperture: A lens with a fast aperture of f/2.8 or wider is recommended for astrophotography. This will allow more light to enter the lens, resulting in brighter and more detailed images of the night sky.
- Good Optical Quality: It's important to use a lens with good optical quality to ensure sharp and clear images. Look for lenses with high-quality glass elements and coatings that minimize lens flare and other aberrations.
- Manual Focus: For astrophotography, it's important to have manual focus control over your lens. This will allow you to focus precisely on stars and other celestial objects, which can be difficult to autofocus on.
- Sturdy Build Quality: A lens with sturdy build quality is important for astrophotography, especially if you plan on using it in cold or wet conditions. Look for lenses that are weather-sealed and built with high-quality materials.
Some popular lenses for astrophotography include the Samyang/Rokinon 14mm f/2.8, the Canon EF 16-35mm f/2.8L II USM, and the Nikon AF-S 14-24mm f/2.8G ED. However, there are many other lenses available that can be suitable for astrophotography depending on your specific needs and preferences.
Which Lens Is Best For Stargazing?
When it comes to stargazing, the best lens to use is typically a telescope, not a camera lens. Telescopes are specifically designed to magnify distant objects in the night sky, making them ideal for observing planets, stars, and other celestial objects.
However, if you want to use a camera lens for stargazing, there are a few things to keep in mind. Here are some factors to consider:
- Wide Aperture: A lens with a wide aperture, such as f/1.4 or f/2.8, will allow more light to enter the lens, making it easier to capture clear and bright images of stars and other celestial objects.
- Good Optical Quality: A lens with good optical quality will help ensure sharp and clear images, even when shooting in low light conditions. Look for lenses with high-quality glass elements and coatings that minimize lens flare and other aberrations.
- Manual Focus: For stargazing, manual focus is often necessary to ensure that the stars are in sharp focus. Look for lenses that allow you to easily switch to manual focus mode and have a smooth and precise focus ring.
- Focal Length: The ideal focal length for stargazing depends on what you want to photograph. For capturing wide-field shots of the night sky, a wide-angle lens with a focal length of around 14mm-24mm is recommended. For capturing detailed shots of individual stars or planets, a telephoto lens with a focal length of around 300 mm-500 mm may be necessary.
Some popular lenses for stargazing and astrophotography include the Samyang/Rokinon 14mm f/2.8, the Canon EF 16-35mm f/2.8L II USM, the Nikon AF-S 14-24mm f/2.8G ED, and the Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary. However, it's important to note that using a camera lens for stargazing has limitations compared to using a telescope, and the results may not be as detailed or precise.
Is 35mm Lens Good For Astrophotography?
A 35mm lens can be used for astrophotography, but it may not be the best choice for capturing detailed images of celestial objects. Here are some things to consider when using a 35mm lens for astrophotography:
- Wide-Angle: A 35mm lens is considered a wide-angle lens on a full-frame camera, which can be useful for capturing wide-field shots of the night sky. However, it may not be wide enough to capture a large portion of the sky.
- Aperture: A 35mm lens with a wide aperture of f/2.8 or wider can allow enough light to enter the lens, making it easier to capture brighter and more detailed images of the night sky. However, if the aperture is too wide, it may result in distorted stars or other aberrations.
- Focal Length: A 35mm lens may not be long enough to capture detailed images of individual celestial objects, such as planets or galaxies. For this type of photography, a telephoto lens with a longer focal length would be more appropriate.
Overall, a 35mm lens can be a good choice for capturing wide-field shots of the night sky, such as the Milky Way or constellations. However, for more detailed images of celestial objects, a telephoto lens with a longer focal length may be necessary.
Is Zoom Lens Good For Astrophotography?
A zoom lens can be used for astrophotography, but there are some considerations to keep in mind when choosing one. Here are some things to consider:
- Aperture: A zoom lens with a wide maximum aperture, such as f/2.8 or wider, will allow more light to enter the lens and make it easier to capture brighter and more detailed images of celestial objects. However, lenses with wider maximum apertures tend to be more expensive.
- Focal Length: A zoom lens with a long focal length can be useful for capturing detailed images of individual celestial objects, such as planets or galaxies. However, a zoom lens with a shorter focal length can be useful for capturing wider shots of the night sky.
- Image Stabilization: Image stabilization can be useful for reducing the effects of camera shake when shooting at longer focal lengths, which can be especially important when capturing detailed images of celestial objects.
- Optical Quality: A zoom lens with good optical quality will help ensure sharp and clear images, even when shooting in low light conditions. Look for lenses with high-quality glass elements and coatings that minimize lens flare and other aberrations.
Some popular zoom lenses for astrophotography include the Tamron 15-30mm f/2.8 Di VC USD G2, the Nikon AF-S NIKKOR 14-24mm f/2.8G ED, the Sigma 18-35mm f/1.8 DC HSM Art, and the Canon EF 70-200mm f/4L IS II USM. However, it's important to note that using a zoom lens for astrophotography can have limitations compared to using a dedicated astrograph or a fixed focal length lens. The ability to zoom in and out may compromise image quality and sharpness, so choosing the right lens depends on what kind of astrophotography you want to capture.
Which Lens Is Best For Milky Way?
When it comes to photographing the Milky Way, there are a few different lenses that can work well depending on the effect you're going for. Here are some of the most popular options:
- Wide-Angle Prime Lens: A wide-angle prime lens, such as a 24mm or 35mm lens, can be a great choice for capturing a wide field of view of the Milky Way. Look for a lens with a wide maximum aperture of f/1.4 or f/1.8 to allow plenty of light into the camera and capture bright, detailed shots.
- Wide-Angle Zoom Lens: A wide-angle zoom lens, such as a 14-24mm or 16-35mm lens, can also work well for capturing the Milky Way. Look for a lens with a wide maximum aperture and good optical quality to ensure sharp and clear images.
- Fisheye Lens: A fisheye lens can be a fun option for capturing the Milky Way in a unique and distorted way. Look for a fisheye lens with a wide angle of view, such as an 8mm or 10mm lens, and a wide maximum aperture to capture bright and detailed shots.
Some popular lenses for capturing the Milky Way include the Rokinon 24mm f/1.4, the Nikon AF-S NIKKOR 14-24mm f/2.8G ED, the Canon EF 16-35mm f/2.8L III USM, and the Sigma 8mm f/3.5 EX DG Circular Fisheye. Ultimately, the best lens for photographing the Milky Way depends on your personal preference and shooting style.
Is 24mm Wide Enough For Milky Way?
Yes, a 24mm lens can be wide enough to capture a significant portion of the Milky Way in your photos, especially if you're shooting with a full-frame camera. However, keep in mind that the Milky Way is a vast and sprawling object that spans a large area of the night sky, so a wider lens can help you capture more of it.
If you're using an APS-C or crop-sensor camera, a 24mm lens will have a narrower field of view than it would on a full-frame camera. In this case, you may need a wider lens, such as a 16mm or 14mm, to capture the same amount of sky.
Ultimately, the best lens for capturing the Milky Way depends on your personal preference and shooting style. A wider lens can capture more of the sky and create a more dramatic effect, while a narrower lens can help you focus on specific parts of the Milky Way and capture more detail. Experimenting with different lenses and focal lengths can help you find the best approach for your photography.
What Lens Do I Need To See Galaxies?
To see galaxies through a telescope, you would need a telescope with a large enough aperture to collect enough light and reveal faint objects. However, in terms of camera lenses for astrophotography, you would need a lens with a long enough focal length to capture a detailed image of the galaxy.
A good starting point for the astrophotography of galaxies would be a lens with a focal length of at least 200mm, and ideally 300mm or more, to capture the galaxy in detail. Additionally, you would want a lens with a wide aperture, such as f/2.8 or wider, to allow as much light as possible to reach the camera sensor and produce a brighter image.
Some popular lenses for astrophotography of galaxies include the Canon EF 70-200mm f/2.8L IS III USM, the Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR, and the Sigma 150-600mm f/5-6.3 DG OS HSM Sports. Keep in mind that longer lenses can be more expensive and heavier to handle, so it's important to choose a lens that fits your budget and shooting needs.
Is 24mm Wide Enough For Astrophotography?
Yes, a 24mm lens can be wide enough for astrophotography, especially for capturing wide-field images of the night sky or constellations. With a wide aperture of f/2.8 or wider, a 24mm lens can capture bright and detailed images of the stars and the Milky Way.
However, keep in mind that a 24mm lens may not be ideal for capturing smaller deep sky objects such as galaxies or nebulae, as it may not have a long enough focal length to capture fine details. For photographing deep sky objects, longer focal lengths of 200mm or more are generally recommended to capture more detailed images of the objects.
Ultimately, the best lens for astrophotography depends on the specific subject and desired effect. A 24mm lens can be a great choice for capturing wide-field images of the night sky, while longer lenses can be better suited for capturing details of deep sky objects.
Is 50mm F1 8 Good For Astrophotography?
A 50mm f/1.8 lens can be a good option for astrophotography, especially for capturing wide-field views of the night sky and the Milky Way. With its wide aperture, the lens can gather a lot of light, allowing for faster shutter speeds and lower ISO settings to produce less noisy images.
However, keep in mind that a 50mm lens may not be ideal for capturing detailed images of smaller deep-sky objects, such as galaxies or nebulae, as it may not have a long enough focal length to capture fine details. In such cases, a longer focal length lens would be better suited for capturing more detailed images of these objects.
Overall, a 50mm f/1.8 lens can be a good option for astrophotography, especially for capturing wide-field images of the night sky, but it may not be the best choice for all types of astrophotography.
How Much Iso Is Needed For Astrophotography?
The amount of ISO needed for astrophotography depends on various factors, including the available light, the focal length of the lens, and the desired exposure time. In general, a higher ISO setting can be used to produce brighter images in low-light conditions. However, higher ISO settings also increase the amount of digital noise in the image, which can degrade the image quality.
As a general guideline, a typical ISO range for astrophotography is between 800 to 3200, with some cameras capable of producing usable images at even higher ISO settings. The exact ISO setting needed will depend on the specific conditions and the desired outcome of the image. For example, if you are photographing the Milky Way on a clear, moonless night with a wide-angle lens, you might use an ISO setting of 1600 to 3200 to capture a properly exposed image. If you are photographing a faint nebula with a telephoto lens, you may need to use a longer exposure time and a lower ISO setting to capture enough light without introducing too much noise.
Ultimately, the best ISO setting for astrophotography depends on the specific situation, and it's important to experiment with different settings and adjust them as necessary to achieve the desired results.
How Much Iso Is Good For Astrophotography?
The amount of ISO that is good for astrophotography depends on a number of factors such as the camera's sensor, the available light, and the desired outcome of the image.
In general, astrophotographers tend to use higher ISO settings to capture more light in low-light conditions, but this can also lead to increased noise in the image. The ideal ISO setting will depend on the specific situation and the desired outcome of the image.
As a general rule of thumb, a good starting point for astrophotography is an ISO setting between 800-3200, depending on the camera and lens being used, and the available light. For example, if you are photographing the Milky Way on a clear, moonless night with a wide-angle lens, you might use an ISO setting of 1600-3200 to capture a properly exposed image. If you are photographing a faint nebula with a telephoto lens, you may need to use a longer exposure time and a lower ISO setting to capture enough light without introducing too much noise.
Ultimately, the best ISO setting for astrophotography depends on the specific situation, and it's important to experiment with different settings and adjust them as necessary to achieve the desired results.
Is 300mm Enough For Astrophotography?
A 300mm lens can be suitable for certain types of astrophotography, such as capturing detailed images of the moon or planets. However, for capturing fainter deep-sky objects such as galaxies and nebulae, a longer focal length lens may be needed to capture enough detail.
The suitability of a 300mm lens for astrophotography also depends on the camera's sensor size and the desired outcome of the image. A 300mm lens can produce a magnified view of the night sky, but it may not be wide enough to capture a significant portion of the sky, making it challenging to capture the Milky Way or other wide-field views of the night sky.
Overall, a 300mm lens can be suitable for certain types of astrophotography, but it may not be the best choice for all situations. The ideal focal length and lens choice for astrophotography will depend on the specific subject and the desired outcome of the image.
What Lens Does Nasa Use?
NASA uses a variety of lenses for different types of photography and imaging, depending on the specific mission and scientific objectives. NASA uses specialized lenses designed for use in space environments, including ruggedized lenses that can withstand the extreme temperatures, vacuum, and radiation of space.
For example, NASA's Hubble Space Telescope, which has captured some of the most iconic images of the universe, uses a variety of instruments including cameras, spectrographs, and wide-field planetary cameras. Hubble's Advanced Camera for Surveys (ACS) uses a range of lenses, including a wide-field channel that covers a 202 by 202-arcsecond field-of-view and a high-resolution channel with a 0.05-arcsecond pixel scale.
NASA's Mars rover missions also use a range of cameras and lenses, including wide-angle and telephoto lenses, to capture images of the Martian landscape and conduct scientific investigations. NASA's Juno spacecraft, which is studying Jupiter, uses a specialized camera with a narrow-angle lens and an extreme ultraviolet imaging spectrometer to study the planet's atmosphere and magnetic field.
Overall, NASA uses a range of specialized lenses and instruments for different types of imaging and scientific investigations, tailored to the specific objectives of each mission.
Can I Use Autofocus For Astrophotography?
Autofocus can be used for astrophotography, but it is not always the best choice. In general, autofocus can struggle in low light conditions, and it may not be able to lock onto stars or other celestial objects. This can lead to frustration and missed opportunities for capturing the desired image.
Many astrophotographers prefer to use manual focus when photographing the night sky, as this allows for more precise control over the focus point and can result in sharper images. To achieve sharp focus manually, astrophotographers often use a technique called "focus stacking," in which multiple images are taken at different focus distances and then combined in post-processing to produce a final image with maximum sharpness and detail.
However, there are some modern autofocus systems that are designed specifically for astrophotography and can work well in low-light conditions. These systems use advanced algorithms and specialized sensors to detect and track stars and other celestial objects, allowing for accurate autofocus even in challenging conditions.
Ultimately, whether to use autofocus or manual focus for astrophotography depends on the specific situation and the equipment being used. Many astrophotographers prefer to use manual focus for maximum control and sharpness, but autofocus can be a useful tool in some situations.
Is Autofocus Important For Astrophotography?
Autofocus is not necessarily important for astrophotography, as many astrophotographers prefer to use manual focus to achieve maximum control and sharpness. However, autofocus can be a useful tool in some situations.
In general, autofocus can struggle in low light conditions, and it may not be able to lock onto stars or other celestial objects. This can lead to frustration and missed opportunities for capturing the desired image. However, there are some modern autofocus systems that are designed specifically for astrophotography and can work well in low-light conditions. These systems use advanced algorithms and specialized sensors to detect and track stars and other celestial objects, allowing for accurate autofocus even in challenging conditions.
Overall, whether to use autofocus or manual focus for astrophotography depends on the specific situation and the equipment being used. Many astrophotographers prefer to use manual focus for maximum control and sharpness, but autofocus can be a useful tool in some situations.
Conclusion
Astrophotography is a beautiful art form that continues to attract amateur and professional photographers alike. Whether you are photographing the Milky Way, the brilliant aurora borealis, or the moon, the right lens can help you get the shot you want.
High-quality lenses make the task easier by improving clarity and color saturation. Lenses can produce striking results that cannot be reproduced by Photoshop programs.
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