The passion for photography leads professionals and amateurs in search of the perfect shot. But to obtain a quality result, one cannot ignore the right tools. In addition to the camera, the difference is made by the photographic lenses, additional components able to better capture the light to highlight different subjects.
In our guide, we will talk about standard, telephoto, wide angle, and macro lenses. But also of handyman models whose prerogative is versatility. Price and technical specifications vary hand in hand, and with a better product, you will get higher-yielding photos. With this in mind, in addition to describing their characteristics, we have selected the most interesting products in circulation, dividing them into three price ranges.
Best Lens For Interior Photography
Table of Contents
This approach makes the most sense for us, and we hope it does for you too. So stay with us as we explain everything you need to know about lenses and give you links to many lens buying guides that will help you find the perfect lens for your Interior photography
Best Lens For Interior Photography | Comparison Table 2024
Top Quality | 5-Star Picks | Great Prices
| Image | Title | Buy | |
|---|---|---|---|
| Canon EF 16-35mm f/4L IS USM Lens - 9518B002 , Black | Canon | VIEW ON AMAZON | |
| Nikon AF-S NIKKOR 35mm f/1.8G ED Fixed Zoom Lens with Auto Focus for Nikon DSLR Cameras | Nikon | VIEW ON AMAZON | |
| Sony Vario-Tessar T FE 16-35mm f/4 ZA OSS Lens (SEL1635Z) + Filter Kit + BackPack + 64GB Card + Card Reader + Flex Tripod + Memory Wallet + Lens Cap Keeper + Cleaning Kit + Hand Strap + More (Renewed) | Sony | VIEW ON AMAZON | |
| Tamron SP 15-30mm F/2.8 Di VC USD G2 for Canon Digital SLR Camera (Tamron 6 Year Limited USA Warranty) | Tamron | VIEW ON AMAZON | |
| Sigma 18-35mm F1.8 Art DC HSM Lens for Canon, Black (210101) | Sigma | VIEW ON AMAZON | |
| Tokina at-X PRO 16-28mm F2.8 FX Lens - Nikon AF Mount | Tokina | VIEW ON AMAZON | |
| Sigma 14-24mm F2.8 DG HSM, Black (212955) for Nikon | Sigma | VIEW ON AMAZON | |
| Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens | Canon | VIEW ON AMAZON | |
| Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras | Canon | VIEW ON AMAZON |
Prices and images pulled from the Amazon Product Advertising API on:
Best Lens For Interior Photography | 2024 Products Overview
1. Canon EF 16-35mm
The Canon EF 16-35mm f/4L IS USM is a high-performance wide-angle zoom lens designed for Canon cameras. Its constant f/4 maximum aperture, advanced optical design, and image stabilization ensure sharp and clear images. The lens features full-time manual focus for precise focusing, even in AF mode.
With a rounded 9-blade diaphragm, it provides excellent color balance and a smooth bokeh effect. The lens incorporates two ultra-low dispersion elements to minimize color fringing and chromatic aberrations, ensuring high clarity and color accuracy.
Additionally, a Super Spectra coating reduces flare and ghosting for improved contrast. Ideal for a variety of photography styles, this Canon L-series lens is a versatile choice for capturing stunning wide-angle shots.
Product Overview:
The Canon EF 16-35mm f/4L USM Lens is a wide-angle lens that is compatible with Canon EF mountings. It has a maximum focal length of 35 millimeters and is black in color. One of the key features of this lens is its full-time manual focus, which allows for critical focusing precision even in AF mode and helps to provide excellent color balance. Additionally, the lens has a rounded 9-blade diaphragm for a beautiful background blur.
The lens also has Dual Pixel CMOS AF that covers approximately 100% of the area with 1,053 AF areas, making it highly accurate and fast in focusing. As a member of the L-series, this lens offers high-quality optics and is designed to be compact. It has an Optical Image Stabilizer that provides up to four stops of correction, making it suitable for low-light conditions.
The lens also has three aspheric lens elements and two UD lens elements to minimize aberrations throughout the zoom range, as well as a fluorine coating that helps to minimize ghosting.
The EF 16-35mm f/4L IS USM features inner focusing and ring USM for accurate, discreet, and speedy AF. It also offers full-time manual focus and has a minimum focusing distance of 0.92 ft./0.28m across the entire zoom range.
The lens is also built to function even in unfavorable weather conditions, making it dust-resistant and water-resistant when used with an optional canon PROTECT filter. This lens is a great choice for professional photographers looking for a high-quality ultra-wide-angle lens that can perform well in any situation.
- Full-time manual focus allows for critical focusing precision.
- Rounded 9-blade diaphragm for beautiful background blur.
- Dual Pixel CMOS AF for accurate and fast focusing.
- Optical Image Stabilizer offers up to four stops of correction for low-light conditions.
- Water and dust resistant when used with an optional Canon PROTECT filter.
- It is relatively heavy and bulky
- The aperture is not wide at f/4
- The lens is expensive
2. Nikon AF-S NIKKOR 35mm
The Nikon AF-S FX NIKKOR 35mm f/1.8G is a prime lens known for its fixed 35mm focal length and fast F1.8 maximum aperture. With a 52.5mm equivalent focal length on DX format cameras, it provides a versatile perspective. The lens features an ultrasonic-type AF motor for quick and quiet autofocus, with full-time manual focusing for added control.
Its macro focus range is 0.25 meters, and it employs a rear focusing system. This FX format F-mount lens is compatible with all Nikon DSLR cameras, offering excellent low-light performance and depth of field control. It comes with a 58mm filter size and is suitable for various photography applications.
Product Overview:
The Nikon AF-S NIKKOR 35mm f/1.8G ED is a fixed zoom lens with auto focus for Nikon DSLR Cameras, it is compatible with Nikon F (FX) mountings. This lens has a maximum focal length of 35 millimeters and is not zoomable, with a macro focus range of 0.25 meters. On DX-format cameras, it has an equivalent focal length of 52.5 millimeters. It has a maximum aperture of F1.8 and a minimum of F16, which allows for outstanding depth of field control and low-light performance.
This lens uses a Silent Wave Motor for fast and quiet autofocus and includes one ED and one aspheric element in its optical construction. It can be overridden by rotating the lens focus ring while the shutter-release button is pressed halfway or by using the AF-ON button. The lens is lightweight and compact, making it a great choice for a wide range of photo and HD video applications.
The Nikon AF-S NIKKOR 35mm f/1.8G ED is a high-quality lens that can draw maximum definition and image quality from Nikon's high-pixel-count image sensors. It is an ideal lens for capturing vibrant natural-looking photos and HD videos with softly blurred backgrounds, even in low light. With its advanced optical design and Nikon's innovative Silent Wave Motor, this lens is a versatile and reliable choice for photographers of all skill levels. It is a great addition to Nikon's f/1.
- Offers fast and quiet autofocus with the Silent Wave Motor
- Has a maximum aperture of F1.8 for outstanding depth of field control and low-light performance
- Includes one ED and one aspheric element in its optical construction
- Lightweight and compact design
- The versatile lens that can be used for a wide range of photo and HD video applications
- It is not the zoomable lens
- It is a bit expensive
- Auto-focus can be over-ridden by rotating the lens focus ring while the shutter-release button is pressed halfway or by using the AF-ON button
3. Sony Vario-Tessar T FE 16-35mm
The Sony Vario-Tessar T FE 16-35mm f/4 ZA OSS Lens is a versatile and weather-resistant solution tailored for full-frame E-mount cameras. With a compact design and a constant f/4 aperture, this lens meets the wide-angle needs of photographers while maintaining consistent performance and illumination throughout its 16-35mm focal length range. The optical construction features advanced elements, including an Advanced Aspherical (AA) element and three extra-low dispersion elements, complemented by the Zeiss T* anti-reflective coating to ensure optimal image quality and minimize aberrations.
Key features of this lens include E-Mount compatibility for full-frame formats, an aperture range from f/4 to f/22, Optical SteadyShot Image Stabilization for sharper images in handheld shooting, and a dust and moisture-resistant construction. The linear autofocus motor and internal focus contribute to its overall efficiency. The lens also boasts a seven-blade circular diaphragm for pleasing bokeh.
As an added bonus, this lens comes bundled with a range of accessories, including a 72mm 3 Piece Filter Kit, Pro Sling Backpack, SanDisk 64GB Ultra SDXC Memory Card, Memory Card Reader, 12-inch Flexible Tripod, Memory Card Wallet, Lens Cap Keeper, Cleaning Kit, and Hand Strap. This package provides photographers with a comprehensive solution, combining high-quality optics with essential accessories for a seamless shooting experience.
Product Overview:
The Sony Vario-Tessar T FE 16-35mm f/4 ZA OSS Lens (SEL1635Z) is a versatile and high-quality wide-angle lens that is compatible with full-frame E-mount cameras. This package comes with a range of accessories including a 72mm 3 Piece Filter Kit, a Pro Sling Backpack, a SanDisk 64GB Ultra SDXC Memory Card, a Memory Card Reader, a 12_inch Flexible Tripod, a Memory Card Wallet, a Lens Cap Keeper, a Cleaning Kit, and a Hand Strap.
The lens has a constant f/4 aperture for consistent performance and illumination throughout the zoom range and incorporates five aspherical elements, including one Advanced Aspherical (AA), three extra-low dispersion elements, and the Zeiss T* anti-reflective coating. This lens is also weather-resistant and can withstand dust and moisture, making it an ideal choice for outdoor photography.
The lens uses a design with 12 elements in ten groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations. It also features a linear autofocus motor and internal focus, which ensures accurate and fast focusing. With its advanced optical design, this lens is able to deliver images that are free from aberrations and flare.
- A versatile wide-angle lens that is compatible with full-frame E-mount cameras
- Features a constant f/4 aperture for consistent performance and illumination throughout the zoom range
- Incorporates five aspherical elements, including one Advanced Aspherical (AA), three extra-low dispersion elements, and the Zeiss T* anti-reflective coating
- Weather-resistant can withstand dust and moisture making it great for outdoor photography
- Comes with a range of accessories including a 72mm 3 Piece Filter Kit, a Pro Sling Backpack, a SanDisk 64GB Ultra SDXC Memory Card, a Memory Card Reader, a 12_inch Flexible Tripod, a Memory Card Wallet, a Lens Cap Keeper, a Cleaning Kit, and a Hand Strap
- The lens is not a zoom lens
- It is a bit expensive
- The package only includes a lens pouch and not a hard case for storage and transportation
4. Tamron SP 15-30mm
The SP 15-30mm f/2.8 DI VC USD G2 is a high-quality ultra-wide-angle zoom lens designed for superior image capture. With triple lens coatings, including the advanced AX coating, this lens ensures exceptional optical performance.
It features a Dual MPU system for precise autofocus and Vibration Compensation (VC), providing quick focusing and effective image stabilization. The newly developed VC mechanism offers an impressive 4.5 stops of stabilization, allowing for sharp shots in various conditions.
With moisture-resistant construction, this lens is durable for outdoor use. Ideal for capturing landscapes and dynamic scenes, it delivers ultimate image quality for professional photographers.
Product Overview:
The Tamron SP 15-30mm F/2.8 Di VC USD G2 is a high-speed ultra-wide-angle zoom lens designed for use with Canon digital SLR cameras. This lens is perfect for capturing all that you see and is known for its ultimate image quality. The lens has been designed with specialty glass materials and aspherical lens elements that minimize distortion and lateral chromatic aberration, making it an ideal lens for wide-angle shooting.
The lens has triple lens coatings consisting of the newly developed AX (Anti-reflection eXpand) Coating, eBAND (Extended Bandwidth & Angular-Dependency), and BBAR (Broad-Band Anti-Reflection) Coatings. These coatings provide sharp and clear images even in peripheral areas. The lens is also equipped with high-precision AF technology and a powerful VC (Vibration Compensation) mechanism that reaches 4.5 stops of image stabilization (CIPA-rated).
The lens also features a rear filter holder that is standard on the canon EF-mount only, making the use of filters much more convenient. The lens has a moisture-resistant construction that makes it possible to shoot under any type of shooting circumstances. The lens also features Fluorine Coating that enhances durability and provides protection against dust and moisture.
- High-speed ultra-wide-angle zoom lens with ultimate image quality
- Minimizes distortion and lateral chromatic aberration
- Triple lens coatings for sharp and clear images
- High-precision AF technology and powerful VC (Vibration Compensation) mechanism
- Moisture-resistant construction and Fluorine Coating for durability
- Only compatible with Canon digital SLR cameras
- Rear filter holder only available for canon EF-mount
- May be expensive for some photographers
5. Sigma 18-35mm F1.8
The lens in question is a versatile and high-performance prime lens with a wide F1.8 maximum aperture, allowing for excellent low-light performance and creative depth of field control. It features a ring-type ultrasonic AF motor with full-time manual focusing, providing quick and precise autofocus. With a 72mm filter size and a minimum focusing distance of 28 cm (11.0 in), this lens offers flexibility in various shooting situations.
Compatible with USB Dock and MC-11, it ensures easy customization and adaptability. Available in Canon EF (EF-S), Sony Alpha, and Nikon F (DX) mounts, it caters to different camera systems. The lens has a 0.23 optical zoom and an angle of view ranging from 76.5° to 44.2°.
It is equipped with a 9-blade rounded diaphragm, allowing for smooth and pleasing bokeh. With a minimum aperture of F16, this lens is a reliable choice for photographers seeking a fast and versatile prime lens for their creative endeavors.
Product Overview:
The Sigma 18-35mm F1.8 Art DC HSM Lens for Canon is a revolutionary product in the photography world. It is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8, making it perfect for low-light conditions and achieving a shallow depth of field.
It is designed specifically for APS-C-sized sensors and has a focal length of 18-35mm which translates to 27mm-52.5mm on a 35mm camera. The lens incorporates a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle.
The lens features an internal focusing and zooming mechanism that allows for more usability and functionality. The Hyper Sonic Motor (HSM) ensures smooth, fast, and accurate autofocusing. The use of Thermally Composite Material (TSC) reduces the size and weight of the lens but increases its durability.
It also has a 9-blade rounded diaphragm that creates a beautiful background blur. The lens is compatible with the Sigma USB dock for further customization and lens firmware updates.
Sigma is a company that has been in the photography industry for over 60 years and is known for its high-quality imaging products. The 18-35mm 1.8 DC HSM is a new benchmark in photographic history and a must-have for every camera bag. However, due to the very shallow depth of field of fast glass and focus variation between cameras, users may experience focus shifts and inconsistent AF.
This can be fixed by using the AF fine-tune (For Nikon System) or AF Micro Adjustment (For Canon System) in the camera's menu to calibrate the lens to specific cameras.
- The Sigma 18-35mm F1.8 Art DC HSM Lens is the first wide-angle to standard zoom lens to achieve a large aperture of 1.8, making it ideal for low-light situations.
- The lens is designed specifically for APS-C-sized sensors and has a wide glass molded aspherical lens with Special Low Dispersion (SLD) glass to compensate for aberrations and curvature at the widest angle.
- The Hyper Sonic Motor (HSM) ensures smooth, fast, and accurate autofocusing.
- The lens uses Thermally Composite Material (TSC) which reduces size and weight but increases the lens durability.
- The Sigma 18-35mm 1.8 DC HSM is compatible with the Sigma USB dock for further customization.
- Due to the very shallow depth of field (DOF) of fast glass and focus variation between cameras, users may experience focus shifts and inconsistent AF.
- This lens is not compatible with full-frame cameras and only works with APS-C cameras with EF-S mount.
- Users may experience vignetting when shooting at smaller aperture values.
6. Tokina at-X PRO 16-28mm
The Tokina AT-X 16-28mm F2.8 PRO FX is a high-performance ultra-wide-angle zoom lens designed for digital SLR cameras with full-frame support. This new generation lens features the innovative SD-M (Silent Drive-Module) AF system, ensuring precise and quiet autofocus.
The lens is weather-sealed, providing durability for various shooting conditions. Notably, it comes with a Silent DC motor with a GMR sensor for enhanced autofocus capabilities. The lens also offers a one-touch focus clutch for quick manual focus adjustments.
It's important to note that when used on the CANON EOS 6D MARK II in "Live View" mode with the "Lens aberration correction" function set to "Enable," an error may occur. However, this can be addressed by setting the "Lens aberration correction" to "Disable" in certain shooting modes.
Product Overview:
The Tokina at-X PRO 16-28mm F2.8 FX Lens is a high-performance wide-angle lens designed for professional use with full-frame DSLR cameras. This lens is compatible with Nikon F(DX), Nikon DX, Nikon FX, and Nikon F mounts. The lens has a focal length of 16-28mm and a maximum aperture of F2.8, making it ideal for a wide range of photography applications such as landscapes, portraits, and street photography.
The lens is equipped with a silent DC motor with a GMR sensor, which provides fast and precise autofocus. The one-touch focus clutch makes it easy to switch between autofocus and manual focus modes. The lens also features a new generation of full-frame lenses, which deliver high-quality images with minimal distortion and chromatic aberrations.
The lens's optical design includes aspherical all-glass elements, which help eliminate spherical aberration and provide excellent image quality. Through close collaboration with Hoya Corporation, Tokina has succeeded in producing high-quality precision-molded all-glass elements with a better aspherical shape than any other lens manufacturer. This technique is unparalleled in its technological sophistication and precision.
- Designed for professional digital SLR cameras
- The super wide-angle zoom range of 16-28mm
- Utilizes aspherical all-glass elements to eliminate spherical aberration
- One-touch focus clutch for easy switching between AF and MF
- Received the What Digital Camera Gold Award in June 2011.
- May experience errors when used with the Canon EOS 6D MARK II during Live View mode with lens aberration correction set to enable
- Potential for spherical aberration due to the use of more spherical elements in the lens
- May require calibration with specific cameras to fix focus shifts and inconsistent AF.
7. Sigma 14-24mm F2.8
The Sigma 14-24mm f/2.8 DG HSM is an ultra-wide-angle zoom lens designed for Nikon cameras. Falling within Sigma's Art range, it boasts a fast F2.8 maximum aperture, making it ideal for low-light conditions. The lens features a fast HSM autofocus system for quick and precise focusing.
This Art-series zoom lens is well-suited for a variety of photographic applications, and it comes with essential accessories, including a case, lens cap, and instruction manual. With its constant aperture and wide-angle capabilities, it is a versatile choice for photographers seeking high-quality optics for various shooting scenarios.
Product Overview:
The Sigma 14-24mm F2.8 DG HSM is a high-quality ultra-wide-angle zoom lens designed for use with full-frame DSLR cameras. This lens falls into Sigma's Art range of lenses, which are known for their exceptional image quality and build quality. The 14-24mm zoom range offers photographers a super wide angle of view for dramatic close-up effects or wide shots of entire scenes.
One of the key features of this lens is its fast F2.8 maximum aperture, which allows for low-light photography and beautiful background blur. Additionally, the lens has a highly effective dust- and splash-proof structure with special sealing, making it suitable for use in all types of weather. The lens also has a water- and oil-repellent coating on the front, making cleaning easy. The high-speed and high-accuracy autofocus helps photographers react in an instant to capture special shots.
Sigma's Super Multi-Layer Coating is used to reduce flare and ghosting, ensuring that photographers can produce sharp and high-contrast images even in backlit conditions. The 9-blade rounded diaphragm creates an attractive blur in the out-of-focus areas of the image. Sigma's ultra-high-precision molded glass aspherical lens elements, as large as φ80mm, are incorporated in this lens, promising to set a new standard for excellence in ultra-wide-angle lenses.
The 14-24mm F2.8 DG HSM | Art is the definitive large-diameter ultra-wide-angle zoom lens, offering outstanding F2.8 brightness throughout the zoom range and delivering top-level image quality at every focal length and every shooting distance.
- Ultra-wide-angle zoom lens with a fast F2.8 maximum aperture
- Part of Sigma’s Art range of lenses, known for their exceptional image quality
- Has a highly effective dust- and splash-proof structure, allowing for use in all types of weather
- Features a water- and oil-repellent coating on the front of the lens for easy cleaning
- 9-blade rounded diaphragm creates an attractive blur in out-of-focus areas
- Some users have reported issues with flare and ghosting when shooting in backlit conditions
- Some users may find the lens to be on the heavy side
- The lens is not compatible with certain camera models, such as the Canon EOS 6D Mark II
8. Canon EF 24-70mm
The lens in question is the Canon EF 24-70mm f/2.8L II USM, featuring a versatile 24-70mm focal length that translates to a 38.4-112mm equivalent focal length on Canon APS-C cameras. With a fast and constant F2.8 maximum aperture and an F22 minimum aperture, this lens is equipped with a ring-type ultrasonic AF motor that allows for quick and quiet autofocus, along with full-time manual focusing. The lens accepts 82mm filters, has a closest focusing distance of 0.38 meters (1.25 feet), and weighs approximately 1.7 pounds.
Notably, this lens does not feature image stabilization. It also comes with a promotional offer; if purchased between May 1, 2016, and July 30, 2016, and registered within 30 days of purchase, buyers are eligible for 13 months of free damage protection from Canon. This makes it an appealing choice for photographers seeking a high-quality standard zoom lens with a wide aperture for various shooting situations.
Product Overview
The Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens is a high-end, professional-grade lens designed for use with Canon EF mount cameras. With a focal length range of 24-70mm, this lens is versatile and can be used for a wide range of photography, including portraits, landscapes, and action shots. The lens features a constant maximum aperture of f/2.8 and a minimum aperture of f/22, making it ideal for low-light situations.
The lens is equipped with a ring-type ultrasonic-type AF motor for fast and accurate autofocus, as well as a high-speed CPU and image-optimized AF algorithms for even more efficient focusing. The lens also features optimized lens coatings for exceptional color balance and minimal ghosting, and a fluorine coating on the front and rear lens surfaces to reduce smears and fingerprints.
Built to withstand the rigors of professional use, the lens is constructed with improved dust sealing and water resistance and features a zoom lock lever to lock the zoom position at the wide end for safe transporting. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds, and has a closest focusing distance of 0.38 meters.
With the latest advances in optical lens design, this lens utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle and reduce color blurring around the edges of the subject. It also has 2 types of aspherical lenses that combined to help reduce spherical aberration over the entire image area as well as through the full zoom range.
- The large aperture of f/2.8 throughout the zoom range
- Ultra-sonic motor (USM) for fast and silent autofocus
- Super UD and UD lens elements minimize chromatic aberration
- Aspherical lenses reduce spherical aberration for sharp image quality
- Water and dust resistance for durability in harsh conditions
- No image stabilization
- Expensive
- Heavy and bulky
9. Canon TS-E 24mm
The Canon TS-E 24mm f/3.5L II is a versatile tilt-shift lens compatible with all Canon EOS cameras. With an ultra-wide 24mm focal length, this lens allows for creative perspectives and precise control over perspective distortion. It features high-precision lens elements that minimize distortion and provide high resolution, offering +/- 8.5 degrees tilt and +/-12mm shift capabilities for advanced composition adjustments.
The lens incorporates both aspherical and UD lens elements to effectively minimize chromatic aberration, ensuring sharp and clear images. Ghosting and flare are further reduced through the use of sub-wavelength structure and super-spectra coatings.
Additionally, the circular aperture enables the creation of artistic and blurred highlights. This lens is an excellent choice for photographers seeking precise control over perspective and distortion in architectural and landscape photography.
Product Overview:
The Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens is a versatile and high-performance lens that is compatible with all Canon EOS cameras. Its ultra-wide 24mm focal length makes it ideal for capturing stunning architecture and landscape shots. The lens features high-precision lens elements that provide low distortion and high resolution to the edge of the image, with a tilt range of +/- 8.5 degrees and a shift range of +/-12mm.
One of the key features of this lens is its tilt and shift mechanism, which allows for rotation of +/-90 degrees in any direction. This allows for greater flexibility in composition and perspective control, making it a great option for architectural photography. Additionally, the lens is equipped with aspherical and UD lens elements that minimize chromatic aberration and sub-wavelength structure and super-spectra coatings that minimize ghosting and flare.
The aperture of this lens is also noteworthy, as it is circular, creating beautiful, blurred highlights for a more artistic effect. The lens is constructed using only lead-free glass and has an SWC lens coating that effectively controls ghosting and flare. Overall, the Canon TS-E 24mm f/3.5L II is a highly advanced and professional lens that offers exceptional image quality and a wide range of creative options for photographers.
- Tilt and shift functionality allows for greater control over perspective and depth of field.
- Ultra wide 24mm focal length is ideal for architecture and landscapes.
- High-precision lens elements provide low distortion and high resolution to the edge of the image.
- Tilt and shift mechanism rotates +/-90 degrees allowing shift in any direction.
- Aspherical and UD lens elements minimize chromatic aberration.
- This lens is relatively expensive compared to other options.
- No Image stabilization
- It is a bit heavy.
How To Choose Best Lens For Interior Photography | Ultimate
Guide 2024
When choosing a lens, you are faced with a lot of jargon, and very often the first thing you encounter is the types of lenses, for example, "telephoto lenses", "macro lenses", "ultra-wide lenses" and more.
It is useful to explain two jargon right away: focal length and maximum aperture.
The first is the focal length. This is quoted in millimeters ('mm'). Basically, it tells you the angle of view of the lens or "magnification" (it's the same thing, actually). The shorter the focal length, the wider the angle of view. The longer the focal length, the greater the magnification. Photographers use focal length to divide lenses into different categories. It gets more complicated when you have cameras with different-sized sensors, so very often we talk about 'actual' focal lengths for these, just to keep the comparisons the same.
Second, the maximum aperture tells you the light-gathering power of the lens. A smaller number means a larger aperture - the smaller the number the more light you get, which is a big plus for many types of photography. A wide maximum aperture will allow you to use a faster shutter speed, which is very important for action and low-light photography, and will give you a more pronounced background blur to help your subject stand out in shooting shots. portrait, for example.
Zoom lenses vs primary lenses
We all know what a zoom lens is. You turn a ring on the lens to change the magnification and this makes zoom lenses very versatile because you can change the frame of the image without having to change your position. The flexibility of zoom lenses means they're the most popular type, and the "zoom range" - the magnification range, in other words, is another selling point.
So-called 'prime' lenses do not have a zoom. They have a fixed focal length and a fixed angle of view. This makes them more restrictive in some ways, but the primary goals have some advantages of their own - and are actually making a bit of a comeback. Primary lenses are smaller and lighter than zooms, usually have a larger maximum aperture and therefore the ability to collect light, and it is possible to make more specialized lenses for close-up macro photography and fast 'portrait' lenses. (wide opening). Ultra-wide-angle primary lenses also typically have less distortion than zooms.
In most of the lens categories below you can choose between zoom and prime lenses, but some categories are almost exclusively composed of prime lenses.
Lenti standard o “kit”
Every photographer needs a standard zoom lens for all-around everyday photography. Most cameras are sold with an inexpensive 'kit' lens, but some can be purchased 'body only' for those who already have a lens or want to choose a better quality lens separately. Kit lenses typically have a 3-5x zoom range ranging from wide-angle to a slight telephoto effect, but an even longer zoom range can be useful when you need extra versatility - like in travel photography, for example. The cheaper lenses have a variable maximum aperture (it goes down when you zoom in) but the more expensive ones have a fixed maximum aperture that doesn't change.
There are a couple of specialty lens types that might be useful here too, depending on your photography style. One is a 35mm (or equivalent) lens that is small and inconspicuous and has the classic semi-wide angle of view loved by generations of photojournalists.
The other category is that of ultra-compact pancake lenses, designed to be as small and thin as possible, making your camera easy and light to carry and pack.
Telephoto lenses
A telephoto lens is usually the first choice for those who buy their first extra lens. They allow you to zoom in on distant subjects and are ideal for sports or wildlife photography.
As with standard lenses, the cheapest lenses have a variable maximum aperture, and that's the price to pay for the low cost and lightweight. Professional or enthusiast photographers might opt for a heavier and more expensive 70-200mm lens with a constant f / 2.8 aperture.
Super telephoto
These have a much longer range than regular telephoto lenses - and are much larger. These are typically in the 150-600mm range and are best for really long-range photography, like bird photography or some field sports where you can't get close to the action.
Superzoom lenses
These are like a combination of a standard zoom and a telephoto lens, combined into one lens. A superzoom lens will do the job of both, offering a wide-angle view at one end of the zoom range and a powerful telephoto effect at the other.
They look ideal, but we don't recommend them very often as they tend to be large and heavy and sometimes expensive, and the extra zoom range usually means some loss of sharpness at full zoom and a fair amount of wide-angle distortion. They are fine if you definitely only have the space (or time) for a single goal, but as a rule, we recommend using separate goals for best results.
Ultra-wide angle lenses
If you are interested in travel and landscape photography, an ultra-wide angle could prove to be much more useful than a telephoto lens. They offer a much wider angle of view than a regular standard zoom and are great for indoor shots, wide landscapes, and tall buildings. An ultra wide-angle zoom will give you a little more flexibility, but it's also possible to get ultra-wide-angle primary lenses - these can give you a wider maximum aperture, better edge-to-edge image sharpness, and less distortion.
Lenti Fisheye
These are the special cases! Fisheye lenses capture an even wider angle of view than ultra-wide-angle lenses but forgo trying to make straight lines look straight. As a result, a very strong curved distortion effect is obtained near the edges of the frame which is part of the characteristic 'fisheye' effect. Most fisheye lenses are primary lenses, but there are a couple of fisheye zooms.
Lenses for portraits
These are primary lenses with a focal length of 85mm or so that have a maximum aperture of f / 1.8, f / 1.4, or even f / 1.2. The longer focal length makes you stand further back and this makes faces more natural. The large maximum aperture produces a very shallow depth of field so you can put the background completely out of focus.
Macro lenses
Macro lenses are made for ultra close-up photography. These are invariably primary lenses - there is no need for a zoom here because you change the size of the subject simply by moving in or out. A prime lens also gives the best quality for detailed subjects at ultra-close distances. Macro lenses come in different focal lengths - generally, a longer focal length is better because it means you don't have to get that close to your subject and perhaps scare them or cover them with your shadow.
Tilt-shift objectives
These are special cases! Commercial and architectural photographers mainly use them. They have complex adjustments that allow you to move the lens vertically or horizontally relative to the camera and this can be used to capture tall buildings, for example, without having to tilt the camera and introduce converging verticals. The tilt movement is used to control the plane of focus with nearby objects - it's especially useful when your subject is in an angled plane rather than perpendicular to the camera. Tilt-shift lenses are expensive and complex to use, so they are quite specialized.
Retro and art lenses
Modern lenses are designed to be as sharp as possible, without distortion, and with uniform brightness throughout the frame. This is good from a technical point of view, but it means that they have lost the "character" of the old lenses and the way they render images. Companies like Lomography and Lensbaby are experimenting with reintroducing older lens designs to recreate this softer, less perfect but some might say more distinctive look.
Lomography has brought back an old Petzval lens with 'swirling' bokeh and Lensbaby makes the excellent Lensbaby Trio - three lenses with three different 'looks' on a rotating turret.
Things to Consider
Price
Structure and technical characteristics
Types compared
Engagement and compatibility
Dimensions and portability
Accessories
Brands
Focal length
Represents the distance between the sensor surface and the center of the objective lens when it is set to focus at infinity and is expressed in millimeters. I know, in this way you don't understand much but to get a clearer picture of the situation we can say that according to their focal length the lenses are distinguished in the various categories that I will explain further down the page.
Aperture
Aperture is the maximum aperture of the lens diaphragm at the extremes of the focal length and is expressed in F-stops (e.g. f / 1.4 or f / 5.6). Contrary to what one might think, a lower number equates to a higher brightness arriving on the sensor and the “brighter” lenses are able to capture excellent images even in low light conditions (indoors). They are also excellent for creating photos with a blurred background. Some zoom lenses have two maximum aperture values but this means that increasing the magnification decreases the aperture, be careful.
Stabilization
serves to make photos more precise when the photographer moves his hands slightly during shooting, avoiding any shake and shake. It is also very useful when taking pictures in low light conditions, the most effective ones manage to gain up to 4 stops.
Best Lens For Interior Photography | Infographics
Best Lens For Interior Photography | Video Explanation
FAQs
How to select the focal length of a lens ?
- For cameras with 1/4 "CCD Correct Focal (mm) = Target Distance (m.) X 3.6: Target Width (m)
- For 1/3 "CCD cameras Correct Focal (mm) = Target Distance (m.) X 4.8: Target Width (m)
What does 18 55 indicate?
What 3 Lenses Should Every Photographer Have?
The 3 lenses that every photographer should have in their arsenal can vary depending on the photographer's style, preferences, and shooting situations. However, here are three versatile lenses that can cover a broad range of photography genres:
- A Standard Prime Lens: A standard prime lens is typically a fixed focal length lens with a fast aperture (e.g., f/1.4 or f/1.8). A 50mm prime lens is a popular choice, but other focal lengths, such as 35mm or 85mm, can also work well. A standard prime lens is great for portrait, street, and documentary photography, as it allows for a shallow depth of field and low light performance.
- A Wide-Angle Zoom Lens: A wide-angle zoom lens, such as a 16-35mm or 24-70mm, can be used for landscape, architecture, and interior photography. It can also be used for environmental portraits, where you want to capture your subject in their surroundings. A wide-angle lens allows you to capture a wider field of view, and a zoom lens gives you the flexibility to frame your shot the way you want.
- A Telephoto Zoom Lens: A telephoto zoom lens, such as a 70-200mm, is great for sports, wildlife, and event photography. It allows you to get closer to your subject and capture action from a distance. A telephoto zoom lens also provides a shallow depth of field, making it suitable for portraits and other types of photography where you want to isolate your subject from the background.
These three lenses should cover a wide range of shooting situations and give photographers the versatility they need to create compelling images across multiple genres. However, it's important to note that the specific lenses a photographer needs can vary depending on their individual needs and shooting situations.
What Is The Best Aperture For Interior Photography?
The best aperture for interior photography depends on the photographer's intent and the specific shooting conditions. However, in general, a smaller aperture (higher f-stop number) is recommended to ensure that the entire scene is in focus.
Using a smaller aperture, such as f/8, f/11, or even f/16, can increase the depth of field, which is the area in the photograph that appears in focus. This is particularly important for interior photography, where you want to capture the entire room or space in sharp focus, from the foreground to the background.
However, using a smaller aperture can also reduce the amount of light that enters the camera, so it's important to ensure that there is sufficient light in the room to achieve a good exposure. In low light situations, it may be necessary to use a tripod to keep the camera steady and prevent blurring.
Overall, the best aperture for interior photography is one that strikes a balance between a deep depth of field and sufficient light, while also achieving the desired creative effect. Experimenting with different apertures and shooting conditions can help photographers determine the best aperture for their specific needs.
Is A 24mm Lens Good For Interior Photography?
A 24mm lens can be a good choice for interior photography, but it depends on the photographer's shooting style, the size of the space, and the desired composition.
A 24mm lens can capture a wider field of view, allowing photographers to include more room or space in the frame. This can be especially useful for small or cramped spaces, as it can create the illusion of a larger room.
However, a wider lens can also introduce distortion or a "fish-eye" effect, where the edges of the image can appear curved or distorted. This effect can be minimized by keeping the lens level and avoiding extreme angles.
Additionally, using a 24mm lens can require the photographer to get closer to the subject, which may not always be possible in a confined space or when trying to capture the entire room in one shot. In this case, a wider lens, such as a 16mm or 20mm, maybe a better choice.
Overall, a 24mm lens can be a good option for interior photography, especially in smaller spaces, but it's important to consider the specific shooting conditions and desired composition before selecting a lens.
Which Lens Would Be Best For Architecture And Interiors?
For architecture and interiors, a wide-angle lens with a focal length between 16mm and 35mm is generally the best choice. This allows for a wider field of view and can capture the entire room or building in one frame.
Here are some lens options that are popular among architects and interior photographers:
- Canon EF 16-35mm f/2.8L III USM: This lens is a high-quality wide-angle zoom lens that can cover a focal length range from ultra-wide 16mm to 35mm. It has the excellent image quality and is a popular choice among professional photographers.
- Nikon AF-S Nikkor 14-24mm f/2.8G ED: This lens is a top-rated wide-angle zoom lens with a focal length range from 14mm to 24mm. It has excellent optics, a fast maximum aperture of f/2.8, and is a favorite among landscape and architecture photographers.
- Sony FE 12-24mm f/4 G: This lens is a versatile ultra-wide-angle zoom lens that can capture an expansive view of the interiors or exteriors of buildings. It has the excellent image quality and is designed for Sony full-frame mirrorless cameras.
- Sigma 14-24mm f/2.8 DG HSM Art: This lens is a high-quality ultra-wide-angle zoom lens with a focal length range from 14mm to 24mm. It has excellent optics, a fast maximum aperture of f/2.8, and is a favorite among architects and interior photographers.
Overall, the best lens for architecture and interiors is one that can capture a wide field of view, has good image quality, and is suitable for the specific camera system being used. The lenses mentioned above are some of the most popular and highly regarded options on the market.
Why Is A 50mm Lens So Popular?
A 50mm lens is popular for several reasons:
- Versatility: A 50mm lens is considered a "normal" lens on a full-frame camera, which means it approximates the field of view of the human eye. This makes it a versatile lens for a wide range of photographic applications, including portraiture, street photography, landscapes, and more.
- Compactness: A 50mm lens is typically smaller and lighter than many other types of lenses, which makes it a good choice for photographers who want to travel light or work discreetly.
- Wide Aperture: Many 50mm lenses have a wide maximum aperture, such as f/1.8 or f/1.4, which makes them excellent for low-light situations or when a shallow depth of field is desired. This allows for selective focus, where the subject is sharp and the background is blurred, creating a more professional and cinematic look.
- Affordability: Many 50mm lenses are relatively inexpensive, making them an affordable option for photographers who want a fast and versatile prime lens without breaking the bank.
Overall, the popularity of the 50mm lens can be attributed to its versatility, compactness, wide aperture, and affordability, which makes it an excellent choice for many types of photography.
Which Is Better 85mm Or 50mm?
The choice between an 85mm and 50mm lens largely depends on the photographer's shooting style and specific needs. Here are some key differences between the two lenses:
- Focal length: An 85mm lens is considered a short telephoto lens, while a 50mm lens is a "normal" lens. This means that an 85mm lens will have a narrower field of view and can be used to capture tighter portraits, while a 50mm lens will have a wider field of view and can capture more of the surroundings.
- Depth of field: An 85mm lens will generally have a shallower depth of field than a 50mm lens when used at the same aperture. This can be advantageous for portraiture, as it can create a more blurred background and isolate the subject from the surroundings.
- Size and weight: An 85mm lens is typically larger and heavier than a 50mm lens. This can be a consideration for photographers who value portability and want to travel light.
- Price: Generally, 85mm lenses are more expensive than 50mm lenses.
Ultimately, the decision between an 85mm and 50mm lens will depend on the photographer's specific needs and preferences. If a narrower field of view and shallower depth of field is desired, an 85mm lens may be the better choice. If a wider field of view and portability are important, a 50mm lens may be the better option. Both lenses can be excellent choices for portraiture, depending on the photographer's preferences and needs.
What Shutter Speed For Interior Photography?
The ideal shutter speed for interior photography will depend on a variety of factors, such as the available light, the desired depth of field, and whether or not a tripod is being used. However, a general rule of thumb is to use a shutter speed that is slow enough to allow enough light to enter the camera, but fast enough to prevent camera shake.
If you are shooting handheld, a good starting point would be to use a shutter speed of at least 1/60th of a second or faster to avoid camera shaking. If you are using a tripod, you can use a slower shutter speed as the camera will be stable.
That being said, there is no one-size-fits-all answer to this question, as the ideal shutter speed will depend on the specific conditions of each shot. It's important to experiment with different shutter speeds and settings to find what works best for your specific needs and desired outcome.
How Do You Shoot Interior Photography?
Shooting interior photography can be challenging, but here are some general tips and guidelines to get you started:
- Use a wide-angle lens: A wide-angle lens can help capture the entire space and make it look larger. A lens with a focal length of 16-35mm is a good choice for most interior photography.
- Set up your tripod: A sturdy tripod is essential for interior photography. It will help you maintain a stable shooting position and ensure that your images are sharp.
- Consider the lighting: The lighting in an interior space can be complex, with different colors, intensities, and sources. Make sure to take note of the natural light sources as well as artificial lights and adjust your camera settings accordingly.
- Take a test shot and adjust accordingly: Start by taking a test shot and reviewing the exposure settings and composition. Make any necessary adjustments and continue to take test shots until you achieve the desired result.
- Clean up the space: Make sure to remove any clutter or distracting objects from the scene to help the space look clean and uncluttered.
- Use a remote shutter release or self-timer: A remote shutter release or self-timer can help reduce camera shake and ensure sharp images.
- Shoot from different angles: Experiment with shooting from different angles to capture the best perspective of the space.
- Post-processing: Post-processing in software like Lightroom or Photoshop can help enhance your images, such as adjusting the white balance, and contrast, and removing any distracting elements.
Remember, interior photography takes practice and patience. With time and experimentation, you can develop your own style and approach to capturing interior spaces.
What Aperture Gives The Sharpest Image?
The aperture that gives the sharpest image, known as the "sweet spot", will depend on the specific lens being used. Generally, lenses tend to perform best in terms of sharpness and image quality when the aperture is stopped down a few stops from its maximum aperture.
For most lenses, the sweet spot is usually around f/8 to f/11, although this can vary depending on the lens design and the specific shooting conditions. At these aperture values, the lens can achieve a balance between depth of field and sharpness, and also reduce the effects of lens aberrations such as distortion and vignetting.
It's worth noting that the sharpest aperture will also depend on the focus point in the image. For example, if you are shooting a landscape with objects at various distances, you may need to adjust the aperture to achieve the desired depth of field and sharpness.
In general, it's a good idea to test different aperture settings with your lens and determine the sweet spot for your specific shooting conditions.
What Size Lens For Interior Photography?
The size of the lens you need for interior photography will depend on the size of the space you are shooting and the desired composition of your images. A wide-angle lens is often preferred for interior photography, as it can capture more of the space and make it appear larger.
For most interior photography, a lens with a focal length of 16-35mm is a good choice. This can help you capture the entire room and give a sense of the overall space. A lens with a focal length of 24mm is also a popular choice, as it provides a wider field of view than a 35mm lens while still allowing for more natural-looking perspectives.
However, it's important to keep in mind that different lenses can produce different results, and the best lens for your specific needs will depend on your shooting style and preferences. Additionally, you may want to consider factors such as distortion, sharpness, and depth of field when selecting a lens for interior photography.
Should I Buy A 24mm Or 35mm Lens?
Whether to buy a 24mm or 35mm lens depends on your shooting needs and personal preferences.
A 24mm lens is a wide-angle lens, which can be useful for interior and architecture photography, as it can capture more of the scene in a single frame. It can also be good for landscape and street photography. However, this type of lens can sometimes cause distortion around the edges of the frame, and may not be the best choice for portraits or other types of photography where you want a more natural perspective.
On the other hand, a 35mm lens provides a wider field of view than a standard 50mm lens, but without the extreme distortion of a 24mm lens. It can be a versatile lens for a range of shooting situations, including street, portrait, and landscape photography. It can also be a good choice for low-light photography, as it typically has a larger maximum aperture than wider-angle lenses.
Ultimately, the choice between a 24mm and 35mm lens depends on your shooting style and preferences. If you frequently shoot in tight spaces or want a more dramatic perspective, a 24mm lens might be the better choice. If you want a lens that is more versatile and suitable for a wider range of situations, a 35mm lens might be the better option.
Which Lens Is Better 24mm Or 50mm?
Choosing between a 24mm and a 50mm lens depends on your shooting needs and personal preferences.
A 24mm lens is a wide-angle lens, which can be useful for interior and architecture photography, as it can capture more of the scene in a single frame. It can also be good for landscape and street photography. However, this type of lens can sometimes cause distortion around the edges of the frame, and may not be the best choice for portraits or other types of photography where you want a more natural perspective.
A 50mm lens, on the other hand, is a standard lens that is often referred to as a "nifty fifty" for its versatility and value. It can be a good choice for portraits and street photography, and can also be useful for general-purpose shooting. The 50mm lens produces a more natural perspective that closely resembles what the human eye sees, and is less prone to distortion than wider-angle lenses.
Ultimately, the choice between a 24mm and a 50mm lens depends on your shooting style and preferences. If you need to capture a wide scene, a 24mm lens may be better. If you want a more versatile lens that can be used for a variety of situations, a 50mm lens may be a better choice.
What Do Interior Designers Use The Most?
Interior designers use a variety of tools and resources to create their designs. Some of the most commonly used items include:
- Sketchbooks and drawing tools: Interior designers often use sketchbooks and drawing tools to create initial sketches and plans for their designs.
- Computer software: Many interior designers use computer software such as CAD (computer-aided design) programs to create 3D models and visualize their designs.
- Samples and swatches: Interior designers use samples and swatches of fabrics, flooring materials, wall coverings, and other materials to help their clients choose the best options for their space.
- Color wheels and color palettes: Interior designers use color wheels and palettes to select colors that work well together and create the desired mood or atmosphere in a space.
- Furniture and decor catalogs: Interior designers often use catalogs of furniture and decor items to select pieces that fit their design vision.
- Lighting fixtures: Interior designers use lighting fixtures to create the desired lighting effects and ambiance in a space.
- Accessories and art: Interior designers often use accessories and art to add the finishing touches to a space and create a sense of style and personality.
Overall, interior designers use a wide range of tools and resources to create their designs, and the specific items they use most will depend on their personal style and the needs of their clients.
What Focal Length For the Interior Render?
The choice of focal length for an interior render depends on the desired outcome and perspective. Typically, a wide-angle lens is used to capture more of the room in a single shot, but this can lead to some distortion around the edges of the frame.
For a more natural-looking render, a lens with a focal length similar to the human eye, such as a 50mm lens, can be used. This can help create a more natural perspective that closely resembles what the viewer would see in real life.
However, for a more dramatic or stylized effect, a wider-angle lens can be used to capture more of the room and create a sense of spaciousness. A lens with a focal length between 14mm and 24mm can be effective for this type of shot.
Ultimately, the choice of focal length for an interior render will depend on the desired outcome and the style of the project. It's important to experiment with different focal lengths and perspectives to find the one that works best for your specific needs.
What Is The Best Focal Length For Indoor Portraits?
The best focal length for indoor portraits depends on several factors, including the size of the room, the distance between the subject and the camera, and the desired composition and perspective.
A lens with a focal length between 50mm and 85mm is a popular choice for indoor portraits, as it allows you to capture a flattering perspective of the subject without too much distortion. A 50mm lens is a good all-purpose choice that can work well in most indoor settings, while an 85mm lens can create a more intimate and flattering portrait.
A wider-angle lens with a focal length between 24mm and 35mm can also be used for indoor portraits, but it's important to be mindful of the distortion and ensure that the subject doesn't appear distorted or elongated.
Ultimately, the best focal length for indoor portraits will depend on your specific needs and preferences, as well as the characteristics of the space you're working in. It's a good idea to experiment with different lenses and perspectives to find the one that works best for your individual shooting style and subject.
Conclusion
There is obviously a lot to know about lenses, but we hope our guide has successfully guided you through all the different types of lenses available, what they do and which ones suit the subjects you like to shoot.
Building a lens system is exciting as it progressively unlocks your camera capabilities and creative ideas. You don't need to buy every lens type on our list, and you may find that two or three lenses are all you need.
At the very least, though, we hope we've shown you what's possible, what's available, and where to go to find out more.
Good shooting!
